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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 179 154 it is the complementary color RGB 47 76 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 179 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 208 179 154: RGB 213 179 149, RGB 230 197 168, RGB 247 215 187, RGB 255 233 206 and RGB 255 251 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 179 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 208 179 154: RGB 208 179 154, RGB 191 161 135, RGB 174 143 116, RGB 157 125 97 and RGB 140 107 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

Complementary color

CMYK 53 / 25 / 0 / 60

HEX #2F4C65

RGB 47 76 101

HSL 207.78, 0.36%, 0.29%

LAB 31.14, -2.96, -17.92

 

CMYK 0 / 16 / 30 / 16

HEX #D5B395

RGB 213 179 149

HSL 28.13, 0.43%, 0.71%

LAB 75.17, 7.89, 19.9

 

CMYK 0 / 14 / 27 / 10

HEX #E6C5A8

RGB 230 197 168

HSL 28.06, 0.55%, 0.78%

LAB 81.61, 7.39, 18.88

 

CMYK 0 / 13 / 24 / 3

HEX #F7D7BB

RGB 247 215 187

HSL 28, 0.79%, 0.85%

LAB 87.95, 6.94, 17.92

 

CMYK 0 / 9 / 19 / 0

HEX #FFE9CE

RGB 255 233 206

HSL 33.06, 1%, 0.9%

LAB 93.45, 3.3, 15.84

 

CMYK 0 / 2 / 12 / 0

HEX #FFFBE1

RGB 255 251 225

HSL 52, 1%, 0.94%

LAB 98.31, -2.95, 12.93

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 0 / 16 / 29 / 25

HEX #BFA187

RGB 191 161 135

HSL 27.86, 0.3%, 0.64%

LAB 68.25, 7.13, 17.65

 

CMYK 0 / 18 / 33 / 32

HEX #AE8F74

RGB 174 143 116

HSL 27.93, 0.26%, 0.57%

LAB 61.57, 7.69, 18.76

 

CMYK 0 / 20 / 38 / 38

HEX #9D7D61

RGB 157 125 97

HSL 28, 0.24%, 0.5%

LAB 54.76, 8.35, 19.97

 

CMYK 0 / 24 / 44 / 45

HEX #8C6B4E

RGB 140 107 78

HSL 28.06, 0.28%, 0.43%

LAB 47.8, 9.15, 21.3

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 0 / 10 / 26 / 19

HEX #CFBB9A

RGB 207 187 154

HSL 37.36, 0.36%, 0.71%

LAB 76.76, 1.99, 19.32

 

CMYK 0 / 5 / 26 / 19

HEX #CFC49A

RGB 207 196 154

HSL 47.55, 0.36%, 0.71%

LAB 79.09, -2.75, 22.52

 

CMYK 0 / 1 / 26 / 19

HEX #CFCD9A

RGB 207 205 154

HSL 57.74, 0.36%, 0.71%

LAB 81.43, -7.41, 25.72

 

CMYK 3 / 0 / 26 / 19

HEX #C9CF9A

RGB 201 207 154

HSL 66.79, 0.36%, 0.71%

LAB 81.5, -10.7, 25.73

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 0 / 25 / 25 / 98

HEX #040303

RGB 4 3 3

HSL 0, 0.14%, 0.01%

LAB 0.88, 0.26, 0.09

 

CMYK 0 / 15 / 25 / 78

HEX #372F29

RGB 55 47 41

HSL 25.71, 0.15%, 0.19%

LAB 20.07, 2.43, 5.18

 

CMYK 0 / 14 / 26 / 58

HEX #6A5B4E

RGB 106 91 78

HSL 27.86, 0.15%, 0.36%

LAB 39.74, 3.84, 9.75

 

CMYK 0 / 14 / 26 / 38

HEX #9D8774

RGB 157 135 116

HSL 27.8, 0.17%, 0.54%

LAB 57.81, 5.28, 13.3

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 16 / 0 / 26 / 19

HEX #ADCF9A

RGB 173 207 154

HSL 98.49, 0.36%, 0.71%

LAB 79.52, -20.95, 22.71

 

CMYK 24 / 26 / 0 / 19

HEX #9D9ACF

RGB 157 154 207

HSL 243.4, 0.36%, 0.71%

LAB 65.58, 12.53, -26.71

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 26 / 0 / 14 / 19

HEX #9ACFB2

RGB 154 207 178

HSL 147.17, 0.36%, 0.71%

LAB 78.87, -23.1, 8.89

 

CMYK 14 / 26 / 0 / 19

HEX #B29ACF

RGB 178 154 207

HSL 267.17, 0.36%, 0.71%

LAB 67.34, 19.12, -23.86

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 16 / 0 / 26 / 19

HEX #ADCF9A

RGB 173 207 154

HSL 98.49, 0.36%, 0.71%

LAB 79.52, -20.95, 22.71

 

CMYK 26 / 12 / 0 / 19

HEX #9AB7CF

RGB 154 183 207

HSL 207.17, 0.36%, 0.71%

LAB 73.05, -4.45, -15.36

 

CMYK 9 / 26 / 0 / 19

HEX #BD9ACF

RGB 189 154 207

HSL 279.62, 0.36%, 0.71%

LAB 68.34, 22.68, -22.24

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 24 / 0 / 26 / 19

HEX #9DCF9A

RGB 157 207 154

HSL 116.6, 0.36%, 0.71%

LAB 78.54, -26.49, 21.2

 

CMYK 26 / 12 / 0 / 19

HEX #9AB7CF

RGB 154 183 207

HSL 207.17, 0.36%, 0.71%

LAB 73.05, -4.45, -15.36

 

CMYK 1 / 26 / 0 / 19

HEX #CD9ACF

RGB 205 154 207

HSL 297.74, 0.36%, 0.71%

LAB 69.89, 27.94, -19.74

 

Description

Color code: RGB 208 179 154 | qconv.com Color code: RGB 208 179 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 179 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 179 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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