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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 146 133 it is the complementary color RGB 47 109 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 146 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 208 146 133: RGB 213 146 128, RGB 230 164 147, RGB 247 182 166, RGB 255 200 185 and RGB 255 218 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 146 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 208 146 133: RGB 208 146 133, RGB 191 128 114, RGB 174 110 95, RGB 157 92 76 and RGB 140 74 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

Complementary color

CMYK 61 / 11 / 0 / 52

HEX #2F6D7A

RGB 47 109 122

HSL 190.4, 0.44%, 0.33%

LAB 42.68, -15.7, -13.22

 

CMYK 0 / 31 / 40 / 16

HEX #D59280

RGB 213 146 128

HSL 12.71, 0.5%, 0.67%

LAB 66.72, 23.12, 19.78

 

CMYK 0 / 29 / 36 / 10

HEX #E6A493

RGB 230 164 147

HSL 12.29, 0.62%, 0.74%

LAB 73.21, 22.25, 18.54

 

CMYK 0 / 26 / 33 / 3

HEX #F7B6A6

RGB 247 182 166

HSL 11.85, 0.84%, 0.81%

LAB 79.6, 21.47, 17.4

 

CMYK 0 / 22 / 27 / 0

HEX #FFC8B9

RGB 255 200 185

HSL 12.86, 1%, 0.86%

LAB 85.03, 17.44, 14.98

 

CMYK 0 / 15 / 20 / 0

HEX #FFDACC

RGB 255 218 204

HSL 16.47, 1%, 0.9%

LAB 89.75, 10.72, 11.64

 

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

CMYK 0 / 33 / 40 / 25

HEX #BF8072

RGB 191 128 114

HSL 10.91, 0.38%, 0.6%

LAB 59.64, 22.66, 17.55

 

CMYK 0 / 37 / 45 / 32

HEX #AE6E5F

RGB 174 110 95

HSL 11.39, 0.33%, 0.53%

LAB 52.92, 23.69, 18.98

 

CMYK 0 / 41 / 52 / 38

HEX #9D5C4C

RGB 157 92 76

HSL 11.85, 0.35%, 0.46%

LAB 46.1, 24.86, 20.61

 

CMYK 0 / 47 / 59 / 45

HEX #8C4A39

RGB 140 74 57

HSL 12.29, 0.42%, 0.39%

LAB 39.19, 26.2, 22.54

 

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

CMYK 0 / 24 / 36 / 19

HEX #CF9E85

RGB 207 158 133

HSL 20.27, 0.44%, 0.67%

LAB 69.05, 14.83, 20.1

 

CMYK 0 / 18 / 36 / 19

HEX #CFAA85

RGB 207 170 133

HSL 30, 0.44%, 0.67%

LAB 72.03, 8.33, 24.16

 

CMYK 0 / 12 / 36 / 19

HEX #CFB785

RGB 207 183 133

HSL 40.54, 0.44%, 0.67%

LAB 75.34, 1.39, 28.6

 

CMYK 0 / 6 / 36 / 19

HEX #CFC385

RGB 207 195 133

HSL 50.27, 0.44%, 0.67%

LAB 78.46, -4.91, 32.71

 

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

CMYK 0 / 25 / 25 / 98

HEX #040303

RGB 4 3 3

HSL 0, 0.14%, 0.01%

LAB 0.88, 0.26, 0.09

 

CMYK 0 / 29 / 36 / 78

HEX #372723

RGB 55 39 35

HSL 12, 0.22%, 0.18%

LAB 17.39, 6.82, 5.57

 

CMYK 0 / 30 / 36 / 58

HEX #6A4A44

RGB 106 74 68

HSL 9.47, 0.22%, 0.34%

LAB 34.76, 12.73, 9

 

CMYK 0 / 30 / 36 / 38

HEX #9D6E64

RGB 157 110 100

HSL 10.53, 0.23%, 0.5%

LAB 50.97, 17.32, 13.04

 

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

CMYK 13 / 0 / 36 / 19

HEX #B4CF85

RGB 180 207 133

HSL 81.89, 0.44%, 0.67%

LAB 79.63, -21.42, 33.85

 

CMYK 36 / 27 / 0 / 19

HEX #8597CF

RGB 133 151 207

HSL 225.41, 0.44%, 0.67%

LAB 63.03, 7.19, -30.79

 

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

CMYK 36 / 0 / 29 / 19

HEX #85CF92

RGB 133 207 146

HSL 130.54, 0.44%, 0.67%

LAB 77.09, -35.61, 23.23

 

CMYK 29 / 36 / 0 / 19

HEX #9285CF

RGB 146 133 207

HSL 250.54, 0.44%, 0.67%

LAB 59.33, 21.31, -36.47

 

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

CMYK 13 / 0 / 36 / 19

HEX #B4CF85

RGB 180 207 133

HSL 81.89, 0.44%, 0.67%

LAB 79.63, -21.42, 33.85

 

CMYK 36 / 6 / 0 / 19

HEX #85C3CF

RGB 133 195 207

HSL 189.73, 0.44%, 0.67%

LAB 75.15, -16.8, -12.33

 

CMYK 23 / 36 / 0 / 19

HEX #A085CF

RGB 160 133 207

HSL 261.89, 0.44%, 0.67%

LAB 60.56, 25.43, -34.46

 

CMYK 0 / 30 / 36 / 18

HEX #D09285

RGB 208 146 133

HSL 10.4, 0.44%, 0.67%

LAB 66.26, 21.76, 16.27

 

CMYK 24 / 0 / 36 / 19

HEX #9ECF85

RGB 158 207 133

HSL 99.73, 0.44%, 0.67%

LAB 78.22, -29.42, 31.74

 

CMYK 36 / 6 / 0 / 19

HEX #85C3CF

RGB 133 195 207

HSL 189.73, 0.44%, 0.67%

LAB 75.15, -16.8, -12.33

 

CMYK 12 / 36 / 0 / 19

HEX #B785CF

RGB 183 133 207

HSL 280.54, 0.44%, 0.67%

LAB 62.8, 32.46, -30.81

 

Description

Color code: RGB 208 146 133 | qconv.com Color code: RGB 208 146 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 146 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 146 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 36 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 36% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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