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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 49 145 it is the complementary color RGB 48 206 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 49 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 207 49 145: RGB 212 49 140, RGB 229 67 159, RGB 246 85 178, RGB 255 103 197 and RGB 255 121 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 49 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 207 49 145: RGB 207 49 145, RGB 190 31 126, RGB 173 13 107, RGB 156 0 88 and RGB 139 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

Complementary color

CMYK 77 / 0 / 47 / 19

HEX #30CE6E

RGB 48 206 110

HSL 143.54, 0.62%, 0.5%

LAB 73.48, -60.67, 36.5

 

CMYK 0 / 77 / 34 / 17

HEX #D4318C

RGB 212 49 140

HSL 326.5, 0.65%, 0.51%

LAB 49.6, 68.6, -11.86

 

CMYK 0 / 71 / 31 / 10

HEX #E5439F

RGB 229 67 159

HSL 325.93, 0.76%, 0.58%

LAB 55.25, 69.37, -14.33

 

CMYK 0 / 65 / 28 / 4

HEX #F655B2

RGB 246 85 178

HSL 325.34, 0.9%, 0.65%

LAB 61.05, 69.6, -16.33

 

CMYK 0 / 60 / 23 / 0

HEX #FF67C5

RGB 255 103 197

HSL 322.89, 1%, 0.7%

LAB 65.74, 67.25, -19.89

 

CMYK 0 / 53 / 15 / 0

HEX #FF79D8

RGB 255 121 216

HSL 317.46, 1%, 0.74%

LAB 69.39, 61.97, -24.96

 

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

CMYK 0 / 84 / 34 / 25

HEX #BE1F7E

RGB 190 31 126

HSL 324.15, 0.72%, 0.43%

LAB 43.41, 66.37, -13.1

 

CMYK 0 / 92 / 38 / 32

HEX #AD0D6B

RGB 173 13 107

HSL 324.75, 0.86%, 0.36%

LAB 38.26, 63.68, -9.35

 

CMYK 0 / 100 / 44 / 39

HEX #9C0058

RGB 156 0 88

HSL 326.15, 1%, 0.31%

LAB 33.5, 59.62, -4.63

 

CMYK 0 / 100 / 50 / 45

HEX #8B0045

RGB 139 0 69

HSL 330.22, 1%, 0.27%

LAB 29.21, 54.02, 1.19

 

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

CMYK 0 / 77 / 42 / 19

HEX #CE3077

RGB 206 48 119

HSL 333.04, 0.62%, 0.5%

LAB 47.71, 65.21, -2.07

 

CMYK 0 / 77 / 55 / 19

HEX #CE305D

RGB 206 48 93

HSL 342.91, 0.62%, 0.5%

LAB 47.01, 63.02, 12.89

 

CMYK 0 / 77 / 68 / 19

HEX #CE3042

RGB 206 48 66

HSL 353.16, 0.62%, 0.5%

LAB 46.48, 61.35, 28.69

 

CMYK 0 / 73 / 77 / 19

HEX #CE3830

RGB 206 56 48

HSL 3.04, 0.62%, 0.5%

LAB 47.19, 57.94, 39.94

 

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

CMYK 0 / 67 / 33 / 99

HEX #030102

RGB 3 1 2

HSL 330, 0.5%, 0.01%

LAB 0.41, 0.66, -0.19

 

CMYK 0 / 76 / 30 / 79

HEX #360D26

RGB 54 13 38

HSL 323.41, 0.61%, 0.13%

LAB 10.65, 23.53, -6.49

 

CMYK 0 / 76 / 30 / 59

HEX #69194A

RGB 105 25 74

HSL 323.25, 0.62%, 0.25%

LAB 24.3, 39.89, -10.25

 

CMYK 0 / 76 / 30 / 39

HEX #9C256D

RGB 156 37 109

HSL 323.7, 0.62%, 0.38%

LAB 36.92, 54.33, -12.96

 

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

CMYK 0 / 32 / 77 / 19

HEX #CE8C30

RGB 206 140 48

HSL 34.94, 0.62%, 0.5%

LAB 63.42, 17.3, 56.33

 

CMYK 77 / 0 / 1 / 19

HEX #30CECB

RGB 48 206 203

HSL 178.86, 0.62%, 0.5%

LAB 75.5, -39.23, -9.93

 

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

CMYK 30 / 0 / 77 / 19

HEX #91CE30

RGB 145 206 48

HSL 83.16, 0.62%, 0.5%

LAB 76.3, -41.93, 66.81

 

CMYK 77 / 30 / 0 / 19

HEX #3091CE

RGB 48 145 206

HSL 203.16, 0.62%, 0.5%

LAB 57.4, -7.15, -39.3

 

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

CMYK 0 / 32 / 77 / 19

HEX #CE8C30

RGB 206 140 48

HSL 34.94, 0.62%, 0.5%

LAB 63.42, 17.3, 56.33

 

CMYK 77 / 0 / 47 / 19

HEX #30CE6D

RGB 48 206 109

HSL 143.16, 0.62%, 0.5%

LAB 73.46, -60.84, 36.98

 

CMYK 77 / 45 / 0 / 19

HEX #3072CE

RGB 48 114 206

HSL 214.94, 0.62%, 0.5%

LAB 48.41, 11.49, -53.58

 

CMYK 0 / 76 / 30 / 19

HEX #CF3191

RGB 207 49 145

HSL 323.54, 0.62%, 0.5%

LAB 48.89, 67.92, -16.03

 

CMYK 0 / 9 / 77 / 19

HEX #CEBC30

RGB 206 188 48

HSL 53.16, 0.62%, 0.5%

LAB 75.64, -8.29, 67.78

 

CMYK 77 / 0 / 47 / 19

HEX #30CE6D

RGB 48 206 109

HSL 143.16, 0.62%, 0.5%

LAB 73.46, -60.84, 36.98

 

CMYK 77 / 68 / 0 / 19

HEX #3042CE

RGB 48 66 206

HSL 233.16, 0.62%, 0.5%

LAB 35.95, 42.07, -73.83

 

Description

Color code: RGB 207 49 145 | qconv.com Color code: RGB 207 49 145 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 49 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 49 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 30 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 30% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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