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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 183 154 it is the complementary color RGB 48 72 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 183 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 207 183 154: RGB 212 183 149, RGB 229 201 168, RGB 246 219 187, RGB 255 237 206 and RGB 255 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 183 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 207 183 154: RGB 207 183 154, RGB 190 165 135, RGB 173 147 116, RGB 156 129 97 and RGB 139 111 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

Complementary color

CMYK 52 / 29 / 0 / 60

HEX #304865

RGB 48 72 101

HSL 212.83, 0.36%, 0.29%

LAB 29.92, -0.11, -19.81

 

CMYK 0 / 14 / 30 / 17

HEX #D4B795

RGB 212 183 149

HSL 32.38, 0.42%, 0.71%

LAB 76.09, 5.36, 21.15

 

CMYK 0 / 12 / 27 / 10

HEX #E5C9A8

RGB 229 201 168

HSL 32.46, 0.54%, 0.78%

LAB 82.52, 4.91, 20.12

 

CMYK 0 / 11 / 24 / 4

HEX #F6DBBB

RGB 246 219 187

HSL 32.54, 0.77%, 0.85%

LAB 88.85, 4.51, 19.16

 

CMYK 0 / 7 / 19 / 0

HEX #FFEDCE

RGB 255 237 206

HSL 37.96, 1%, 0.9%

LAB 94.43, 1.26, 17.22

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

CMYK 0 / 13 / 29 / 25

HEX #BEA587

RGB 190 165 135

HSL 32.73, 0.3%, 0.64%

LAB 69.19, 4.56, 18.93

 

CMYK 0 / 15 / 33 / 32

HEX #AD9374

RGB 173 147 116

HSL 32.63, 0.26%, 0.57%

LAB 62.52, 5.06, 20.03

 

CMYK 0 / 17 / 38 / 39

HEX #9C8161

RGB 156 129 97

HSL 32.54, 0.23%, 0.5%

LAB 55.72, 5.66, 21.23

 

CMYK 0 / 20 / 44 / 45

HEX #8B6F4E

RGB 139 111 78

HSL 32.46, 0.28%, 0.43%

LAB 48.77, 6.38, 22.55

Pantone® 874 C

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

CMYK 0 / 8 / 26 / 19

HEX #CFBF9A

RGB 207 191 154

HSL 41.89, 0.36%, 0.71%

LAB 77.79, -0.12, 20.74

 

CMYK 0 / 3 / 26 / 19

HEX #CFC89A

RGB 207 200 154

HSL 52.08, 0.36%, 0.71%

LAB 80.13, -4.83, 23.94

 

CMYK 1 / 0 / 26 / 19

HEX #CDCF9A

RGB 205 207 154

HSL 62.26, 0.36%, 0.71%

LAB 81.8, -9.19, 26.19

 

CMYK 5 / 0 / 26 / 19

HEX #C5CF9A

RGB 197 207 154

HSL 71.32, 0.36%, 0.71%

LAB 81.2, -12.2, 25.27

 

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 0 / 11 / 26 / 79

HEX #363028

RGB 54 48 40

HSL 34.29, 0.15%, 0.18%

LAB 20.25, 1.09, 6.11

 

CMYK 0 / 11 / 26 / 59

HEX #695D4E

RGB 105 93 78

HSL 33.33, 0.15%, 0.36%

LAB 40.22, 2.2, 10.39

 

CMYK 0 / 12 / 26 / 39

HEX #9C8A74

RGB 156 138 116

HSL 33, 0.17%, 0.53%

LAB 58.51, 3.19, 14.27

 

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

CMYK 19 / 0 / 26 / 19

HEX #A8CF9A

RGB 168 207 154

HSL 104.15, 0.36%, 0.71%

LAB 79.2, -22.71, 22.22

 

CMYK 22 / 26 / 0 / 19

HEX #A19ACF

RGB 161 154 207

HSL 247.92, 0.36%, 0.71%

LAB 65.9, 13.76, -26.2

 

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

CMYK 26 / 0 / 12 / 19

HEX #9ACFB6

RGB 154 207 182

HSL 151.7, 0.36%, 0.71%

LAB 78.97, -22.31, 6.88

 

CMYK 12 / 26 / 0 / 19

HEX #B69ACF

RGB 182 154 207

HSL 271.7, 0.36%, 0.71%

LAB 67.7, 20.41, -23.28

 

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

CMYK 19 / 0 / 26 / 19

HEX #A8CF9A

RGB 168 207 154

HSL 104.15, 0.36%, 0.71%

LAB 79.2, -22.71, 22.22

 

CMYK 26 / 14 / 0 / 19

HEX #9AB3CF

RGB 154 179 207

HSL 211.7, 0.36%, 0.71%

LAB 71.97, -2.29, -16.99

 

CMYK 7 / 26 / 0 / 19

HEX #C19ACF

RGB 193 154 207

HSL 284.15, 0.36%, 0.71%

LAB 68.72, 23.99, -21.63

 

CMYK 0 / 12 / 26 / 19

HEX #CFB79A

RGB 207 183 154

HSL 32.83, 0.36%, 0.71%

LAB 75.74, 4.11, 17.9

 

CMYK 26 / 0 / 25 / 19

HEX #9ACF9C

RGB 154 207 156

HSL 122.26, 0.36%, 0.71%

LAB 78.4, -27.15, 19.93

 

CMYK 26 / 14 / 0 / 19

HEX #9AB3CF

RGB 154 179 207

HSL 211.7, 0.36%, 0.71%

LAB 71.97, -2.29, -16.99

 

CMYK 0 / 26 / 1 / 19

HEX #CF9ACD

RGB 207 154 205

HSL 302.26, 0.36%, 0.71%

LAB 70.02, 28.22, -18.41

 

Description

Color code: RGB 207 183 154 | qconv.com Color code: RGB 207 183 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 183 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 183 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 26 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 26% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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