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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 17 217 it is the complementary color RGB 48 238 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 17 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 207 17 217: RGB 212 17 212, RGB 229 35 231, RGB 246 53 250, RGB 255 71 255 and RGB 255 89 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 17 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 207 17 217: RGB 207 17 217, RGB 190 0 198, RGB 173 0 179, RGB 156 0 160 and RGB 139 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

Complementary color

CMYK 80 / 0 / 84 / 7

HEX #30EE26

RGB 48 238 38

HSL 117, 0.85%, 0.54%

LAB 82.87, -77.81, 74.33

 

CMYK 0 / 92 / 0 / 17

HEX #D411D4

RGB 212 17 212

HSL 300, 0.85%, 0.45%

LAB 50.86, 84.09, -52.18

 

CMYK 1 / 85 / 0 / 9

HEX #E523E7

RGB 229 35 231

HSL 299.39, 0.8%, 0.52%

LAB 55.72, 87.22, -55.05

 

CMYK 2 / 79 / 0 / 2

HEX #F635FA

RGB 246 53 250

HSL 298.78, 0.95%, 0.59%

LAB 60.82, 89.38, -57.36

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 4 / 100 / 0 / 22

HEX #BE00C6

RGB 190 0 198

HSL 297.58, 1%, 0.39%

LAB 45.67, 79.94, -52.64

 

CMYK 3 / 100 / 0 / 30

HEX #AD00B3

RGB 173 0 179

HSL 297.99, 1%, 0.35%

LAB 41.44, 74.36, -48.45

 

CMYK 2 / 100 / 0 / 37

HEX #9C00A0

RGB 156 0 160

HSL 298.5, 1%, 0.31%

LAB 37.13, 68.68, -44.16

 

CMYK 1 / 100 / 0 / 45

HEX #8B008D

RGB 139 0 141

HSL 299.15, 1%, 0.28%

LAB 32.73, 62.88, -39.77

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 0 / 92 / 11 / 15

HEX #D911C1

RGB 217 17 193

HSL 307.2, 0.85%, 0.46%

LAB 50.69, 82.3, -41.44

 

CMYK 0 / 92 / 26 / 15

HEX #D911A0

RGB 217 17 160

HSL 317.1, 0.85%, 0.46%

LAB 49.12, 78.25, -24.49

 

CMYK 0 / 92 / 41 / 15

HEX #D9117F

RGB 217 17 127

HSL 327, 0.85%, 0.46%

LAB 47.86, 74.9, -6.5

 

CMYK 0 / 92 / 57 / 15

HEX #D9115E

RGB 217 17 94

HSL 336.9, 0.85%, 0.46%

LAB 46.92, 72.35, 12.48

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 8 / 92 / 0 / 95

HEX #0C010D

RGB 12 1 13

HSL 295, 0.86%, 0.03%

LAB 1.16, 4.61, -3.62

 

CMYK 5 / 92 / 0 / 75

HEX #3D0540

RGB 61 5 64

HSL 296.95, 0.86%, 0.14%

LAB 12.42, 33.81, -22.53

 

CMYK 4 / 92 / 0 / 55

HEX #6E0973

RGB 110 9 115

HSL 297.17, 0.85%, 0.24%

LAB 26, 51.98, -34.48

 

CMYK 5 / 92 / 0 / 35

HEX #9E0DA6

RGB 158 13 166

HSL 296.86, 0.85%, 0.35%

LAB 38.39, 68.43, -45.72

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 0 / 78 / 92 / 15

HEX #D92F11

RGB 217 47 17

HSL 9, 0.85%, 0.46%

LAB 48.04, 63.39, 55.85

 

CMYK 92 / 0 / 41 / 15

HEX #11D97F

RGB 17 217 127

HSL 153, 0.85%, 0.46%

LAB 76.85, -64.08, 32.21

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 0 / 5 / 92 / 15

HEX #D9CF11

RGB 217 207 17

HSL 57, 0.85%, 0.46%

LAB 81.52, -13.97, 80.03

 

CMYK 92 / 0 / 5 / 15

HEX #11D9CF

RGB 17 217 207

HSL 177, 0.85%, 0.46%

LAB 78.61, -45, -7.49

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 0 / 78 / 92 / 15

HEX #D92F11

RGB 217 47 17

HSL 9, 0.85%, 0.46%

LAB 48.04, 63.39, 55.85

 

CMYK 88 / 0 / 92 / 15

HEX #1BD911

RGB 27 217 17

HSL 117, 0.85%, 0.46%

LAB 76.01, -74.67, 72.08

 

CMYK 92 / 14 / 0 / 15

HEX #11BBD9

RGB 17 187 217

HSL 189, 0.85%, 0.46%

LAB 69.94, -28.04, -25.97

 

CMYK 5 / 92 / 0 / 15

HEX #CF11D9

RGB 207 17 217

HSL 297, 0.85%, 0.46%

LAB 50.31, 84.01, -55.98

 

CMYK 0 / 51 / 92 / 15

HEX #D96B11

RGB 217 107 17

HSL 27, 0.85%, 0.46%

LAB 57.37, 38.58, 62.17

 

CMYK 88 / 0 / 92 / 15

HEX #1BD911

RGB 27 217 17

HSL 117, 0.85%, 0.46%

LAB 76.01, -74.67, 72.08

 

CMYK 92 / 41 / 0 / 15

HEX #117FD9

RGB 17 127 217

HSL 207, 0.85%, 0.46%

LAB 52.18, 5.2, -53.81

 

Description

Color code: RGB 207 17 217 | qconv.com Color code: RGB 207 17 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 17 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 17 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 92 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 92% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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