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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 117 26 it is the complementary color RGB 48 138 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 117 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 207 117 26: RGB 212 117 21, RGB 229 135 40, RGB 246 153 59, RGB 255 171 78 and RGB 255 189 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 117 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 207 117 26: RGB 207 117 26, RGB 190 99 7, RGB 173 81 0, RGB 156 63 0 and RGB 139 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

Complementary color

CMYK 79 / 40 / 0 / 10

HEX #308AE5

RGB 48 138 229

HSL 210.17, 0.78%, 0.54%

LAB 56.55, 5.29, -53.54

 

CMYK 0 / 45 / 90 / 17

HEX #D47515

RGB 212 117 21

HSL 30.16, 0.82%, 0.46%

LAB 58.76, 31.45, 61.85

 

CMYK 0 / 41 / 83 / 10

HEX #E58728

RGB 229 135 40

HSL 30.16, 0.78%, 0.53%

LAB 65.07, 29.44, 61.95

 

CMYK 0 / 38 / 76 / 4

HEX #F6993B

RGB 246 153 59

HSL 30.16, 0.91%, 0.6%

LAB 71.34, 27.64, 61.17

 

CMYK 0 / 33 / 69 / 0

HEX #FFAB4E

RGB 255 171 78

HSL 31.53, 1%, 0.65%

LAB 76.64, 22.77, 58.72

 

CMYK 0 / 26 / 62 / 0

HEX #FFBD61

RGB 255 189 97

HSL 34.94, 1%, 0.69%

LAB 81.03, 14.47, 54.83

 

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

CMYK 0 / 48 / 96 / 25

HEX #BE6307

RGB 190 99 7

HSL 30.16, 0.93%, 0.39%

LAB 51.71, 31.62, 58.54

 

CMYK 0 / 53 / 100 / 32

HEX #AD5100

RGB 173 81 0

HSL 28.09, 1%, 0.34%

LAB 45.32, 33.97, 54.89

 

CMYK 0 / 60 / 100 / 39

HEX #9C3F00

RGB 156 63 0

HSL 24.23, 1%, 0.31%

LAB 38.94, 36.3, 49.79

 

CMYK 0 / 68 / 100 / 45

HEX #8B2D00

RGB 139 45 0

HSL 19.42, 1%, 0.27%

LAB 32.63, 38.32, 44.65

 

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

CMYK 0 / 29 / 88 / 18

HEX #D09319

RGB 208 147 25

HSL 40, 0.79%, 0.46%

LAB 65.24, 13.67, 65.6

 

CMYK 0 / 14 / 88 / 18

HEX #D0B219

RGB 208 178 25

HSL 50.16, 0.79%, 0.46%

LAB 73.1, -2.9, 71.83

 

CMYK 0 / 0 / 88 / 18

HEX #D0D019

RGB 208 208 25

HSL 60, 0.79%, 0.46%

LAB 81.07, -18.17, 78.16

 

CMYK 14 / 0 / 88 / 18

HEX #B2D019

RGB 178 208 25

HSL 69.84, 0.79%, 0.46%

LAB 78.84, -30.71, 75.43

 

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

CMYK 0 / 33 / 100 / 99

HEX #030200

RGB 3 2 0

HSL 40, 1%, 0.01%

LAB 0.57, -0.02, 0.85

 

CMYK 0 / 43 / 87 / 79

HEX #361F07

RGB 54 31 7

HSL 30.64, 0.77%, 0.12%

LAB 14.29, 8.63, 18.39

 

CMYK 0 / 44 / 88 / 59

HEX #693B0D

RGB 105 59 13

HSL 30, 0.78%, 0.23%

LAB 29.81, 16.63, 34.77

 

CMYK 0 / 44 / 87 / 39

HEX #9C5814

RGB 156 88 20

HSL 30, 0.77%, 0.35%

LAB 44.37, 23.28, 47.48

 

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

CMYK 62 / 0 / 88 / 18

HEX #50D019

RGB 80 208 25

HSL 101.97, 0.79%, 0.46%

LAB 74.12, -63.7, 69.57

 

CMYK 79 / 88 / 0 / 18

HEX #2C19D0

RGB 44 25 208

HSL 246.23, 0.79%, 0.46%

LAB 28.86, 62.72, -86.73

 

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

CMYK 88 / 0 / 44 / 18

HEX #19D075

RGB 25 208 117

HSL 150.16, 0.79%, 0.46%

LAB 73.93, -62.38, 33.5

 

CMYK 44 / 88 / 0 / 18

HEX #7519D0

RGB 117 25 208

HSL 270.16, 0.79%, 0.46%

LAB 36.04, 68.38, -74.61

 

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

CMYK 62 / 0 / 88 / 18

HEX #50D019

RGB 80 208 25

HSL 101.97, 0.79%, 0.46%

LAB 74.12, -63.7, 69.57

 

CMYK 88 / 44 / 0 / 18

HEX #1975D0

RGB 25 117 208

HSL 209.84, 0.79%, 0.46%

LAB 48.86, 8.33, -54.02

 

CMYK 26 / 88 / 0 / 18

HEX #9919D0

RGB 153 25 208

HSL 281.97, 0.79%, 0.46%

LAB 41.25, 73.03, -65.88

 

CMYK 0 / 43 / 87 / 19

HEX #CF751A

RGB 207 117 26

HSL 30.17, 0.78%, 0.46%

LAB 58.1, 29.47, 59.61

 

CMYK 88 / 0 / 88 / 18

HEX #19D019

RGB 25 208 25

HSL 120, 0.79%, 0.46%

LAB 73.15, -72.08, 68.35

 

CMYK 88 / 44 / 0 / 18

HEX #1975D0

RGB 25 117 208

HSL 209.84, 0.79%, 0.46%

LAB 48.86, 8.33, -54.02

 

CMYK 0 / 88 / 0 / 18

HEX #D019D0

RGB 208 25 208

HSL 300, 0.79%, 0.46%

LAB 50.29, 81.8, -50.85

 

Description

Color code: RGB 207 117 26 | qconv.com Color code: RGB 207 117 26 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 117 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 117 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 87 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 87% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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