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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 10 9 it is the complementary color RGB 48 245 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 10 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 207 10 9: RGB 212 10 4, RGB 229 28 23, RGB 246 46 42, RGB 255 64 61 and RGB 255 82 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 10 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 207 10 9: RGB 207 10 9, RGB 190 0 0, RGB 173 0 0, RGB 156 0 0 and RGB 139 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

Complementary color

CMYK 80 / 0 / 0 / 4

HEX #30F5F6

RGB 48 245 246

HSL 180.3, 0.92%, 0.58%

LAB 88.25, -44.37, -13.71

 

CMYK 0 / 95 / 98 / 17

HEX #D40A04

RGB 212 10 4

HSL 1.73, 0.96%, 0.42%

LAB 44.55, 68.83, 57.3

 

CMYK 0 / 88 / 90 / 10

HEX #E51C17

RGB 229 28 23

HSL 1.46, 0.82%, 0.49%

LAB 48.95, 71.07, 55.4

 

CMYK 0 / 81 / 83 / 4

HEX #F62E2A

RGB 246 46 42

HSL 1.18, 0.92%, 0.56%

LAB 53.72, 72.29, 52.08

 

CMYK 0 / 75 / 76 / 0

HEX #FF403D

RGB 255 64 61

HSL 0.93, 1%, 0.62%

LAB 57.33, 70.46, 46.4

 

CMYK 0 / 68 / 69 / 0

HEX #FF5250

RGB 255 82 80

HSL 0.69, 1%, 0.66%

LAB 59.77, 65.11, 38.75

 

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

 

CMYK 0 / 100 / 100 / 25

HEX #BE0000

RGB 190 0 0

HSL 0, 1%, 0.37%

LAB 39.49, 64.21, 53.88

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

 

CMYK 0 / 80 / 96 / 20

HEX #CD2908

RGB 205 41 8

HSL 10.05, 0.92%, 0.42%

LAB 45.06, 61.45, 55.55

 

CMYK 0 / 64 / 96 / 20

HEX #CD4A08

RGB 205 74 8

HSL 20.1, 0.92%, 0.42%

LAB 49.37, 49.62, 58.02

 

CMYK 0 / 48 / 96 / 20

HEX #CD6B08

RGB 205 107 8

HSL 30.15, 0.92%, 0.42%

LAB 55.6, 33.63, 61.97

 

CMYK 0 / 32 / 96 / 20

HEX #CD8B08

RGB 205 139 8

HSL 39.9, 0.92%, 0.42%

LAB 62.9, 16.44, 66.95

 

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 94 / 96 / 79

HEX #360302

RGB 54 3 2

HSL 1.15, 0.93%, 0.11%

LAB 7.71, 24.99, 11.3

 

CMYK 0 / 95 / 95 / 59

HEX #690505

RGB 105 5 5

HSL 0, 0.91%, 0.22%

LAB 20.53, 40.6, 29.17

 

CMYK 0 / 95 / 96 / 39

HEX #9C0807

RGB 156 8 7

HSL 0.4, 0.91%, 0.32%

LAB 32.38, 54.46, 43.36

 

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

 

CMYK 19 / 0 / 96 / 20

HEX #A6CD08

RGB 166 205 8

HSL 71.88, 0.92%, 0.42%

LAB 77.15, -34.47, 76

 

CMYK 96 / 58 / 0 / 20

HEX #0857CD

RGB 8 87 205

HSL 215.94, 0.92%, 0.42%

LAB 40.04, 25.78, -66.58

 

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

 

CMYK 96 / 0 / 96 / 20

HEX #08CD08

RGB 8 205 8

HSL 120, 0.92%, 0.42%

LAB 72.05, -72.64, 69.78

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

 

CMYK 19 / 0 / 96 / 20

HEX #A6CD08

RGB 166 205 8

HSL 71.88, 0.92%, 0.42%

LAB 77.15, -34.47, 76

 

CMYK 96 / 0 / 0 / 20

HEX #08CDCD

RGB 8 205 205

HSL 180, 0.92%, 0.42%

LAB 74.9, -40.57, -11.94

 

CMYK 77 / 96 / 0 / 20

HEX #2F08CD

RGB 47 8 205

HSL 251.88, 0.92%, 0.42%

LAB 27.26, 66.3, -87.65

 

CMYK 0 / 95 / 96 / 19

HEX #CF0A09

RGB 207 10 9

HSL 0.3, 0.92%, 0.42%

LAB 43.51, 67.61, 54.66

 

CMYK 48 / 0 / 96 / 20

HEX #6BCD08

RGB 107 205 8

HSL 89.85, 0.92%, 0.42%

LAB 74.07, -55.76, 72.25

 

CMYK 96 / 0 / 0 / 20

HEX #08CDCD

RGB 8 205 205

HSL 180, 0.92%, 0.42%

LAB 74.9, -40.57, -11.94

 

CMYK 48 / 96 / 0 / 20

HEX #6B08CD

RGB 107 8 205

HSL 270.15, 0.92%, 0.42%

LAB 33.37, 69.86, -77.33

 

Description

Color code: RGB 207 10 9 | qconv.com Color code: RGB 207 10 9 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 10 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 10 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 96 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 96% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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