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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 233 210 it is the complementary color RGB 49 22 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 233 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 206 233 210: RGB 211 233 205, RGB 228 251 224, RGB 245 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 233 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 206 233 210: RGB 206 233 210, RGB 189 215 191, RGB 172 197 172, RGB 155 179 153 and RGB 138 161 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

Complementary color

CMYK 0 / 55 / 8 / 81

HEX #31162D

RGB 49 22 45

HSL 308.89, 0.38%, 0.14%

LAB 12.07, 17.69, -9.56

 

CMYK 9 / 0 / 12 / 9

HEX #D3E9CD

RGB 211 233 205

HSL 107.14, 0.39%, 0.86%

LAB 90.11, -12.32, 11.16

 

CMYK 9 / 0 / 11 / 2

HEX #E4FBE0

RGB 228 251 224

HSL 111.11, 0.77%, 0.93%

LAB 96.36, -12.32, 10.4

 

CMYK 4 / 0 / 5 / 0

HEX #F5FFF3

RGB 245 255 243

HSL 110, 1%, 0.98%

LAB 98.99, -5.39, 4.58

 

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

CMYK 12 / 0 / 11 / 16

HEX #BDD7BF

RGB 189 215 191

HSL 124.62, 0.25%, 0.79%

LAB 83.54, -13.17, 8.93

 

CMYK 13 / 0 / 13 / 23

HEX #ACC5AC

RGB 172 197 172

HSL 120, 0.18%, 0.72%

LAB 77.09, -13.22, 9.71

 

CMYK 13 / 0 / 15 / 30

HEX #9BB399

RGB 155 179 153

HSL 115.38, 0.15%, 0.65%

LAB 70.53, -13.28, 10.53

 

CMYK 14 / 0 / 17 / 37

HEX #8AA186

RGB 138 161 134

HSL 111.11, 0.13%, 0.58%

LAB 63.85, -13.35, 11.4

 

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

CMYK 12 / 0 / 8 / 9

HEX #CDE8D5

RGB 205 232 213

HSL 137.78, 0.37%, 0.86%

LAB 89.63, -12.42, 6.24

 

CMYK 12 / 0 / 6 / 9

HEX #CDE8DA

RGB 205 232 218

HSL 148.89, 0.37%, 0.86%

LAB 89.75, -11.5, 3.8

 

CMYK 12 / 0 / 4 / 9

HEX #CDE8DE

RGB 205 232 222

HSL 157.78, 0.37%, 0.86%

LAB 89.84, -10.75, 1.85

 

CMYK 12 / 0 / 2 / 9

HEX #CDE8E3

RGB 205 232 227

HSL 168.89, 0.37%, 0.86%

LAB 89.97, -9.8, -0.58

 

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

CMYK 10 / 0 / 10 / 89

HEX #1A1D1A

RGB 26 29 26

HSL 120, 0.05%, 0.11%

LAB 10.36, -2.18, 1.58

 

CMYK 11 / 0 / 10 / 69

HEX #475048

RGB 71 80 72

HSL 126.67, 0.06%, 0.3%

LAB 33.02, -5.38, 3.49

 

CMYK 11 / 0 / 10 / 49

HEX #748376

RGB 116 131 118

HSL 128, 0.06%, 0.48%

LAB 53.23, -8.16, 5.17

 

CMYK 12 / 0 / 10 / 29

HEX #A1B6A4

RGB 161 182 164

HSL 128.57, 0.13%, 0.67%

LAB 72.04, -10.72, 6.72

 

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

CMYK 12 / 4 / 0 / 9

HEX #CDDFE8

RGB 205 223 232

HSL 200, 0.37%, 0.86%

LAB 87.77, -4.21, -6.45

 

CMYK 0 / 12 / 9 / 9

HEX #E8CDD4

RGB 232 205 212

HSL 344.44, 0.37%, 0.86%

LAB 84.78, 10.59, -0.01

 

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

CMYK 10 / 12 / 0 / 9

HEX #D1CDE8

RGB 209 205 232

HSL 248.89, 0.37%, 0.86%

LAB 83.47, 6.51, -12.81

 

CMYK 0 / 10 / 12 / 9

HEX #E8D1CD

RGB 232 209 205

HSL 8.89, 0.37%, 0.86%

LAB 85.59, 7.33, 4.88

 

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

CMYK 12 / 4 / 0 / 9

HEX #CDDFE8

RGB 205 223 232

HSL 200, 0.37%, 0.86%

LAB 87.77, -4.21, -6.45

 

CMYK 0 / 12 / 1 / 9

HEX #E8CDE5

RGB 232 205 229

HSL 306.67, 0.37%, 0.86%

LAB 85.24, 13.55, -8.38

 

CMYK 0 / 8 / 12 / 9

HEX #E8D6CD

RGB 232 214 205

HSL 20, 0.37%, 0.86%

LAB 86.83, 4.72, 6.67

 

CMYK 12 / 0 / 10 / 9

HEX #CEE9D2

RGB 206 233 210

HSL 128.89, 0.38%, 0.86%

LAB 89.88, -13.13, 8.19

 

CMYK 12 / 7 / 0 / 9

HEX #CDD7E8

RGB 205 215 232

HSL 217.78, 0.37%, 0.86%

LAB 85.71, -0.06, -9.5

 

CMYK 0 / 12 / 1 / 9

HEX #E8CDE5

RGB 232 205 229

HSL 306.67, 0.37%, 0.86%

LAB 85.24, 13.55, -8.38

 

CMYK 0 / 4 / 12 / 9

HEX #E8DECD

RGB 232 222 205

HSL 37.78, 0.37%, 0.86%

LAB 88.83, 0.58, 9.54

SW® 9180

Description

Color code: RGB 206 233 210 | qconv.com Color code: RGB 206 233 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 233 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 233 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 10 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 10% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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