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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 186 178 it is the complementary color RGB 49 69 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 186 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 206 186 178: RGB 211 186 173, RGB 228 204 192, RGB 245 222 211, RGB 255 240 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 186 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 206 186 178: RGB 206 186 178, RGB 189 168 159, RGB 172 150 140, RGB 155 132 121 and RGB 138 114 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

Complementary color

CMYK 36 / 10 / 0 / 70

HEX #31454D

RGB 49 69 77

HSL 197.14, 0.22%, 0.25%

LAB 27.97, -5.54, -7.34

 

CMYK 0 / 12 / 18 / 17

HEX #D3BAAD

RGB 211 186 173

HSL 20.53, 0.3%, 0.75%

LAB 77.27, 6.82, 9.84

 

CMYK 0 / 11 / 16 / 11

HEX #E4CCC0

RGB 228 204 192

HSL 20, 0.4%, 0.82%

LAB 83.7, 6.46, 9.03

 

CMYK 0 / 9 / 14 / 4

HEX #F5DED3

RGB 245 222 211

HSL 19.41, 0.63%, 0.89%

LAB 90.03, 6.13, 8.25

 

CMYK 0 / 6 / 10 / 0

HEX #FFF0E6

RGB 255 240 230

HSL 24, 1%, 0.95%

LAB 95.7, 3.4, 6.63

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 0 / 11 / 16 / 26

HEX #BDA89F

RGB 189 168 159

HSL 18, 0.19%, 0.68%

LAB 70.4, 6.11, 7.42

 

CMYK 0 / 13 / 19 / 33

HEX #AC968C

RGB 172 150 140

HSL 18.75, 0.16%, 0.61%

LAB 63.74, 6.5, 8.27

 

CMYK 0 / 15 / 22 / 39

HEX #9B8479

RGB 155 132 121

HSL 19.41, 0.15%, 0.54%

LAB 56.93, 6.94, 9.18

 

CMYK 0 / 17 / 26 / 46

HEX #8A7266

RGB 138 114 102

HSL 20, 0.15%, 0.47%

LAB 49.97, 7.45, 10.17

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 0 / 8 / 14 / 20

HEX #CDBDB1

RGB 205 189 177

HSL 25.71, 0.22%, 0.75%

LAB 77.61, 3.64, 8.09

 

CMYK 0 / 5 / 14 / 20

HEX #CDC2B1

RGB 205 194 177

HSL 36.43, 0.22%, 0.75%

LAB 78.89, 0.99, 9.92

 

CMYK 0 / 3 / 14 / 20

HEX #CDC7B1

RGB 205 199 177

HSL 47.14, 0.22%, 0.75%

LAB 80.18, -1.64, 11.76

 

CMYK 0 / 1 / 14 / 20

HEX #CDCBB1

RGB 205 203 177

HSL 55.71, 0.22%, 0.75%

LAB 81.22, -3.73, 13.23

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 0 / 9 / 13 / 79

HEX #35302E

RGB 53 48 46

HSL 17.14, 0.07%, 0.19%

LAB 20.31, 1.81, 2.08

 

CMYK 0 / 10 / 13 / 59

HEX #685E5A

RGB 104 94 90

HSL 17.14, 0.07%, 0.38%

LAB 40.71, 3.25, 3.74

 

CMYK 0 / 10 / 14 / 39

HEX #9B8C86

RGB 155 140 134

HSL 17.14, 0.1%, 0.57%

LAB 59.38, 4.55, 5.23

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 7 / 0 / 14 / 20

HEX #BFCDB1

RGB 191 205 177

HSL 90, 0.22%, 0.75%

LAB 80.69, -9.8, 12.33

 

CMYK 14 / 12 / 0 / 20

HEX #B1B4CD

RGB 177 180 205

HSL 233.57, 0.22%, 0.75%

LAB 73.8, 3.98, -12.98

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 14 / 0 / 10 / 20

HEX #B1CDB9

RGB 177 205 185

HSL 137.14, 0.22%, 0.75%

LAB 79.9, -13.23, 6.81

 

CMYK 10 / 14 / 0 / 20

HEX #B9B1CD

RGB 185 177 205

HSL 257.14, 0.22%, 0.75%

LAB 73.65, 8.25, -13.14

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 7 / 0 / 14 / 20

HEX #BFCDB1

RGB 191 205 177

HSL 90, 0.22%, 0.75%

LAB 80.69, -9.8, 12.33

 

CMYK 14 / 4 / 0 / 20

HEX #B1C5CD

RGB 177 197 205

HSL 197.14, 0.22%, 0.75%

LAB 78.28, -5.14, -6.31

 

CMYK 7 / 14 / 0 / 20

HEX #BEB1CD

RGB 190 177 205

HSL 267.86, 0.22%, 0.75%

LAB 74.06, 9.91, -12.48

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 11 / 0 / 14 / 20

HEX #B7CDB1

RGB 183 205 177

HSL 107.14, 0.22%, 0.75%

LAB 80.13, -12.61, 11.45

 

CMYK 14 / 4 / 0 / 20

HEX #B1C5CD

RGB 177 197 205

HSL 197.14, 0.22%, 0.75%

LAB 78.28, -5.14, -6.31

 

CMYK 3 / 14 / 0 / 20

HEX #C7B1CD

RGB 199 177 205

HSL 287.14, 0.22%, 0.75%

LAB 74.82, 12.95, -11.27

 

Description

Color code: RGB 206 186 178 | qconv.com Color code: RGB 206 186 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 186 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 186 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 14 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 14% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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