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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 129 84 it is the complementary color RGB 49 126 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 129 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 206 129 84: RGB 211 129 79, RGB 228 147 98, RGB 245 165 117, RGB 255 183 136 and RGB 255 201 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 129 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 206 129 84: RGB 206 129 84, RGB 189 111 65, RGB 172 93 46, RGB 155 75 27 and RGB 138 57 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

Complementary color

CMYK 71 / 26 / 0 / 33

HEX #317EAB

RGB 49 126 171

HSL 202.13, 0.55%, 0.43%

LAB 50.11, -8.45, -30.73

 

CMYK 0 / 39 / 63 / 17

HEX #D3814F

RGB 211 129 79

HSL 22.73, 0.6%, 0.57%

LAB 61.75, 27.04, 40.05

 

CMYK 0 / 36 / 57 / 11

HEX #E49362

RGB 228 147 98

HSL 22.62, 0.71%, 0.64%

LAB 68.2, 25.71, 38.36

 

CMYK 0 / 33 / 52 / 4

HEX #F5A575

RGB 245 165 117

HSL 22.5, 0.86%, 0.71%

LAB 74.58, 24.52, 36.79

 

CMYK 0 / 28 / 47 / 0

HEX #FFB788

RGB 255 183 136

HSL 23.7, 1%, 0.77%

LAB 80.13, 20.73, 34.2

 

CMYK 0 / 21 / 39 / 0

HEX #FFC99B

RGB 255 201 155

HSL 27.6, 1%, 0.8%

LAB 84.69, 13.28, 30.31

 

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

CMYK 0 / 41 / 66 / 26

HEX #BD6F41

RGB 189 111 65

HSL 22.26, 0.49%, 0.5%

LAB 54.63, 26.78, 38.35

 

CMYK 0 / 46 / 73 / 33

HEX #AC5D2E

RGB 172 93 46

HSL 22.38, 0.58%, 0.43%

LAB 48, 28.4, 40.2

 

CMYK 0 / 52 / 83 / 39

HEX #9B4B1B

RGB 155 75 27

HSL 22.5, 0.7%, 0.36%

LAB 41.34, 30.24, 41.92

 

CMYK 0 / 59 / 94 / 46

HEX #8A3908

RGB 138 57 8

HSL 22.62, 0.89%, 0.29%

LAB 34.7, 32.24, 42.79

 

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

CMYK 0 / 27 / 59 / 20

HEX #CD9555

RGB 205 149 85

HSL 32, 0.55%, 0.57%

LAB 65.85, 14.13, 41.65

 

CMYK 0 / 18 / 59 / 20

HEX #CDA955

RGB 205 169 85

HSL 42, 0.55%, 0.57%

LAB 70.88, 3.33, 47.56

 

CMYK 0 / 8 / 59 / 20

HEX #CDBD55

RGB 205 189 85

HSL 52, 0.55%, 0.57%

LAB 76.09, -7.19, 53.5

 

CMYK 2 / 0 / 59 / 20

HEX #C9CD55

RGB 201 205 85

HSL 62, 0.55%, 0.57%

LAB 80.03, -16.98, 57.79

 

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

CMYK 0 / 50 / 50 / 99

HEX #020101

RGB 2 1 1

HSL 0, 0.33%, 0.01%

LAB 0.33, 0.26, 0.09

 

CMYK 0 / 38 / 58 / 79

HEX #352116

RGB 53 33 22

HSL 21.29, 0.41%, 0.15%

LAB 14.97, 8.08, 11.33

 

CMYK 0 / 38 / 60 / 59

HEX #68412A

RGB 104 65 42

HSL 22.26, 0.42%, 0.29%

LAB 31.56, 14.29, 20.94

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

CMYK 33 / 0 / 59 / 20

HEX #89CD55

RGB 137 205 85

HSL 94, 0.55%, 0.57%

LAB 75.85, -41.69, 51.95

 

CMYK 59 / 57 / 0 / 20

HEX #5559CD

RGB 85 89 205

HSL 238, 0.55%, 0.57%

LAB 43.48, 32.52, -60.86

 

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

CMYK 59 / 0 / 37 / 20

HEX #55CD81

RGB 85 205 129

HSL 142, 0.55%, 0.57%

LAB 74.3, -50.56, 28.03

 

CMYK 37 / 59 / 0 / 20

HEX #8155CD

RGB 129 85 205

HSL 262, 0.55%, 0.57%

LAB 46.41, 44.02, -55.94

 

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

CMYK 33 / 0 / 59 / 20

HEX #89CD55

RGB 137 205 85

HSL 94, 0.55%, 0.57%

LAB 75.85, -41.69, 51.95

 

CMYK 59 / 21 / 0 / 20

HEX #55A1CD

RGB 85 161 205

HSL 202, 0.55%, 0.57%

LAB 63.2, -10.64, -29.62

 

CMYK 25 / 59 / 0 / 20

HEX #9955CD

RGB 153 85 205

HSL 274, 0.55%, 0.57%

LAB 49.1, 49.71, -51.47

 

CMYK 0 / 37 / 59 / 19

HEX #CE8154

RGB 206 129 84

HSL 22.13, 0.55%, 0.57%

LAB 61.19, 25.35, 36.57

 

CMYK 51 / 0 / 59 / 20

HEX #65CD55

RGB 101 205 85

HSL 112, 0.55%, 0.57%

LAB 74.24, -53.01, 49.7

 

CMYK 59 / 21 / 0 / 20

HEX #55A1CD

RGB 85 161 205

HSL 202, 0.55%, 0.57%

LAB 63.2, -10.64, -29.62

 

CMYK 8 / 59 / 0 / 20

HEX #BD55CD

RGB 189 85 205

HSL 292, 0.55%, 0.57%

LAB 53.73, 58.68, -43.82

 

Description

Color code: RGB 206 129 84 | qconv.com Color code: RGB 206 129 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 129 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 129 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 59 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 59% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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