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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 87 24 it is the complementary color RGB 50 168 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 87 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 205 87 24: RGB 210 87 19, RGB 227 105 38, RGB 244 123 57, RGB 255 141 76 and RGB 255 159 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 87 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 205 87 24: RGB 205 87 24, RGB 188 69 5, RGB 171 51 0, RGB 154 33 0 and RGB 137 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

Complementary color

CMYK 78 / 27 / 0 / 9

HEX #32A8E7

RGB 50 168 231

HSL 200.88, 0.79%, 0.55%

LAB 65.32, -11.07, -40.78

 

CMYK 0 / 59 / 91 / 18

HEX #D25713

RGB 210 87 19

HSL 21.36, 0.83%, 0.45%

LAB 52.47, 45.7, 57.65

 

CMYK 0 / 54 / 83 / 11

HEX #E36926

RGB 227 105 38

HSL 21.27, 0.77%, 0.52%

LAB 58.58, 43.89, 56.92

 

CMYK 0 / 50 / 77 / 4

HEX #F47B39

RGB 244 123 57

HSL 21.18, 0.89%, 0.59%

LAB 64.72, 42.14, 55.42

 

CMYK 0 / 45 / 70 / 0

HEX #FF8D4C

RGB 255 141 76

HSL 21.79, 1%, 0.65%

LAB 70.06, 38.18, 52.55

 

CMYK 0 / 38 / 63 / 0

HEX #FF9F5F

RGB 255 159 95

HSL 24, 1%, 0.69%

LAB 74.11, 30, 47.8

 

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

CMYK 0 / 63 / 97 / 26

HEX #BC4505

RGB 188 69 5

HSL 20.98, 0.95%, 0.38%

LAB 45.58, 45.68, 54.99

 

CMYK 0 / 70 / 100 / 33

HEX #AB3300

RGB 171 51 0

HSL 17.89, 1%, 0.34%

LAB 39.62, 47.26, 51.64

 

CMYK 0 / 79 / 100 / 40

HEX #9A2100

RGB 154 33 0

HSL 12.86, 1%, 0.3%

LAB 33.89, 48.18, 46.93

 

CMYK 0 / 89 / 100 / 46

HEX #890F00

RGB 137 15 0

HSL 6.57, 1%, 0.27%

LAB 28.54, 47.84, 41.48

 

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

CMYK 0 / 44 / 88 / 20

HEX #CD7218

RGB 205 114 24

HSL 29.83, 0.79%, 0.45%

LAB 57.15, 30.18, 59.35

 

CMYK 0 / 30 / 88 / 20

HEX #CD9018

RGB 205 144 24

HSL 39.78, 0.79%, 0.45%

LAB 64.15, 13.96, 64.85

 

CMYK 0 / 15 / 88 / 20

HEX #CDAF18

RGB 205 175 24

HSL 50.06, 0.79%, 0.45%

LAB 72.03, -2.66, 71.06

 

CMYK 0 / 0 / 88 / 20

HEX #CDCD18

RGB 205 205 24

HSL 60, 0.79%, 0.45%

LAB 80.01, -17.99, 77.39

 

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 58 / 88 / 80

HEX #341606

RGB 52 22 6

HSL 20.87, 0.79%, 0.11%

LAB 11.39, 13.6, 14.85

 

CMYK 0 / 57 / 88 / 60

HEX #672C0C

RGB 103 44 12

HSL 21.1, 0.79%, 0.23%

LAB 25.9, 24.51, 31.61

 

CMYK 0 / 58 / 88 / 40

HEX #9A4112

RGB 154 65 18

HSL 20.74, 0.79%, 0.34%

LAB 39.06, 34.81, 43.71

 

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

CMYK 47 / 0 / 88 / 20

HEX #6CCD18

RGB 108 205 24

HSL 92.15, 0.79%, 0.45%

LAB 74.14, -55.11, 70.15

 

CMYK 88 / 82 / 0 / 20

HEX #1824CD

RGB 24 36 205

HSL 236.02, 0.79%, 0.45%

LAB 29.07, 56.77, -84.66

 

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

CMYK 88 / 0 / 59 / 20

HEX #18CD54

RGB 24 205 84

HSL 139.89, 0.79%, 0.45%

LAB 72.56, -66.54, 47.76

 

CMYK 59 / 88 / 0 / 20

HEX #5418CD

RGB 84 24 205

HSL 259.89, 0.79%, 0.45%

LAB 31.68, 64.68, -80.2

 

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

CMYK 47 / 0 / 88 / 20

HEX #6CCD18

RGB 108 205 24

HSL 92.15, 0.79%, 0.45%

LAB 74.14, -55.11, 70.15

 

CMYK 88 / 30 / 0 / 20

HEX #1890CD

RGB 24 144 205

HSL 200.22, 0.79%, 0.45%

LAB 56.63, -9.04, -39.98

 

CMYK 41 / 88 / 0 / 20

HEX #7818CD

RGB 120 24 205

HSL 271.82, 0.79%, 0.45%

LAB 36.09, 68.31, -72.78

 

CMYK 0 / 58 / 88 / 20

HEX #CD5718

RGB 205 87 24

HSL 20.88, 0.79%, 0.45%

LAB 51.68, 43.91, 55.08

 

CMYK 74 / 0 / 88 / 20

HEX #36CD18

RGB 54 205 24

HSL 110.06, 0.79%, 0.45%

LAB 72.57, -67.87, 68.19

 

CMYK 88 / 30 / 0 / 20

HEX #1890CD

RGB 24 144 205

HSL 200.22, 0.79%, 0.45%

LAB 56.63, -9.04, -39.98

 

CMYK 15 / 88 / 0 / 20

HEX #AF18CD

RGB 175 24 205

HSL 290.06, 0.79%, 0.45%

LAB 44.48, 76, -58.74

 

Description

Color code: RGB 205 87 24 | qconv.com Color code: RGB 205 87 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 87 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 87 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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