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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 161 232 it is the complementary color RGB 50 94 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 161 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 205 161 232: RGB 210 161 227, RGB 227 179 246, RGB 244 197 255, RGB 255 215 255 and RGB 255 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 161 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 205 161 232: RGB 205 161 232, RGB 188 143 213, RGB 171 125 194, RGB 154 107 175 and RGB 137 89 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

Complementary color

CMYK 47 / 0 / 76 / 63

HEX #325E17

RGB 50 94 23

HSL 97.18, 0.61%, 0.23%

LAB 35.49, -28.86, 34.22

 

CMYK 7 / 29 / 0 / 11

HEX #D2A1E3

RGB 210 161 227

HSL 284.55, 0.54%, 0.76%

LAB 72.72, 29.62, -26.38

 

CMYK 8 / 27 / 0 / 4

HEX #E3B3F6

RGB 227 179 246

HSL 282.99, 0.79%, 0.83%

LAB 79.17, 29.01, -26.66

 

CMYK 4 / 23 / 0 / 0

HEX #F4C5FF

RGB 244 197 255

HSL 288.62, 1%, 0.89%

LAB 85.19, 26.53, -22.15

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

CMYK 12 / 33 / 0 / 16

HEX #BC8FD5

RGB 188 143 213

HSL 278.57, 0.45%, 0.7%

LAB 65.86, 29.72, -29.39

 

CMYK 12 / 36 / 0 / 24

HEX #AB7DC2

RGB 171 125 194

HSL 280, 0.36%, 0.63%

LAB 59.18, 30.43, -29.19

 

CMYK 12 / 39 / 0 / 31

HEX #9A6BAF

RGB 154 107 175

HSL 281.47, 0.3%, 0.55%

LAB 52.38, 31.18, -28.98

 

CMYK 12 / 43 / 0 / 39

HEX #89599C

RGB 137 89 156

HSL 282.99, 0.27%, 0.48%

LAB 45.45, 31.99, -28.77

 

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

CMYK 7 / 31 / 0 / 9

HEX #D8A0E8

RGB 216 160 232

HSL 286.67, 0.61%, 0.77%

LAB 73.26, 33.05, -28.22

 

CMYK 2 / 31 / 0 / 9

HEX #E4A0E8

RGB 228 160 232

HSL 296.67, 0.61%, 0.77%

LAB 74.48, 36.82, -26.24

 

CMYK 0 / 31 / 4 / 9

HEX #E8A0DF

RGB 232 160 223

HSL 307.5, 0.61%, 0.77%

LAB 74.59, 36.46, -21.14

 

CMYK 0 / 31 / 9 / 9

HEX #E8A0D3

RGB 232 160 211

HSL 317.5, 0.61%, 0.77%

LAB 74.19, 34.39, -15.17

 

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

CMYK 11 / 32 / 0 / 89

HEX #19131C

RGB 25 19 28

HSL 280, 0.19%, 0.09%

LAB 6.83, 5.1, -5.15

 

CMYK 11 / 30 / 0 / 69

HEX #46374F

RGB 70 55 79

HSL 277.5, 0.18%, 0.26%

LAB 25.56, 11.92, -12.13

 

CMYK 12 / 31 / 0 / 49

HEX #735A82

RGB 115 90 130

HSL 277.5, 0.18%, 0.43%

LAB 42.11, 18.27, -18.53

 

CMYK 12 / 30 / 0 / 29

HEX #A07EB5

RGB 160 126 181

HSL 277.09, 0.27%, 0.6%

LAB 57.78, 23.54, -24.03

 

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

CMYK 0 / 31 / 25 / 9

HEX #E8A0AD

RGB 232 160 173

HSL 349.17, 0.61%, 0.77%

LAB 73.1, 28.51, 4.13

 

CMYK 31 / 0 / 24 / 9

HEX #A0E8B0

RGB 160 232 176

HSL 133.33, 0.61%, 0.77%

LAB 86.17, -33.57, 20.26

 

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

CMYK 0 / 12 / 31 / 9

HEX #E8CCA0

RGB 232 204 160

HSL 36.67, 0.61%, 0.77%

LAB 83.38, 3.44, 25.56

 

CMYK 31 / 0 / 12 / 9

HEX #A0E8CC

RGB 160 232 204

HSL 156.67, 0.61%, 0.77%

LAB 86.77, -28.23, 6.5

 

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

CMYK 0 / 31 / 25 / 9

HEX #E8A0AD

RGB 232 160 173

HSL 349.17, 0.61%, 0.77%

LAB 73.1, 28.51, 4.13

 

CMYK 19 / 0 / 31 / 9

HEX #BCE8A0

RGB 188 232 160

HSL 96.67, 0.61%, 0.77%

LAB 87.46, -26.92, 30.51

 

CMYK 31 / 0 / 6 / 9

HEX #A0E8DB

RGB 160 232 219

HSL 169.17, 0.61%, 0.77%

LAB 87.14, -25.07, -0.83

 

CMYK 12 / 31 / 0 / 9

HEX #CDA1E8

RGB 205 161 232

HSL 277.18, 0.61%, 0.77%

LAB 72.43, 29.07, -29.6

 

CMYK 0 / 28 / 31 / 9

HEX #E8A8A0

RGB 232 168 160

HSL 6.67, 0.61%, 0.77%

LAB 74.63, 22.49, 13.46

 

CMYK 19 / 0 / 31 / 9

HEX #BCE8A0

RGB 188 232 160

HSL 96.67, 0.61%, 0.77%

LAB 87.46, -26.92, 30.51

 

CMYK 31 / 4 / 0 / 9

HEX #A0DFE8

RGB 160 223 232

HSL 187.5, 0.61%, 0.77%

LAB 85.03, -17.7, -10.8

 

Description

Color code: RGB 205 161 232 | qconv.com Color code: RGB 205 161 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 161 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 161 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 31 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 31% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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