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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 129 127 it is the complementary color RGB 50 126 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 129 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 205 129 127: RGB 210 129 122, RGB 227 147 141, RGB 244 165 160, RGB 255 183 179 and RGB 255 201 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 129 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 205 129 127: RGB 205 129 127, RGB 188 111 108, RGB 171 93 89, RGB 154 75 70 and RGB 137 57 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

Complementary color

CMYK 61 / 2 / 0 / 50

HEX #327E80

RGB 50 126 128

HSL 181.54, 0.44%, 0.35%

LAB 48.46, -22.41, -8.09

 

CMYK 0 / 39 / 42 / 18

HEX #D2817A

RGB 210 129 122

HSL 4.77, 0.49%, 0.65%

LAB 62.34, 30.46, 17.08

 

CMYK 0 / 35 / 38 / 11

HEX #E3938D

RGB 227 147 141

HSL 4.19, 0.61%, 0.72%

LAB 68.84, 29.48, 15.73

 

CMYK 0 / 32 / 34 / 4

HEX #F4A5A0

RGB 244 165 160

HSL 3.57, 0.79%, 0.79%

LAB 75.25, 28.58, 14.52

 

CMYK 0 / 28 / 30 / 0

HEX #FFB7B3

RGB 255 183 179

HSL 3.16, 1%, 0.85%

LAB 80.95, 25.57, 12.42

 

CMYK 0 / 21 / 22 / 0

HEX #FFC9C6

RGB 255 201 198

HSL 3.16, 1%, 0.89%

LAB 85.56, 18.71, 8.83

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 0 / 41 / 43 / 26

HEX #BC6F6C

RGB 188 111 108

HSL 2.25, 0.37%, 0.58%

LAB 55.22, 30.13, 14.85

 

CMYK 0 / 46 / 48 / 33

HEX #AB5D59

RGB 171 93 89

HSL 2.93, 0.33%, 0.51%

LAB 48.52, 31.25, 16.47

 

CMYK 0 / 51 / 55 / 40

HEX #9A4B46

RGB 154 75 70

HSL 3.57, 0.38%, 0.44%

LAB 41.76, 32.47, 18.39

 

CMYK 0 / 58 / 63 / 46

HEX #893933

RGB 137 57 51

HSL 4.19, 0.46%, 0.37%

LAB 34.97, 33.73, 20.75

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 0 / 32 / 39 / 20

HEX #CD8C7E

RGB 205 140 126

HSL 10.63, 0.44%, 0.65%

LAB 64.36, 23.01, 17.51

 

CMYK 0 / 25 / 39 / 20

HEX #CD997E

RGB 205 153 126

HSL 20.51, 0.44%, 0.65%

LAB 67.48, 15.92, 21.78

 

CMYK 0 / 19 / 39 / 20

HEX #CDA77E

RGB 205 167 126

HSL 31.14, 0.44%, 0.65%

LAB 70.96, 8.32, 26.46

 

CMYK 0 / 12 / 39 / 20

HEX #CDB47E

RGB 205 180 126

HSL 41.01, 0.44%, 0.65%

LAB 74.27, 1.36, 30.85

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 0 / 37 / 38 / 80

HEX #342120

RGB 52 33 32

HSL 3, 0.24%, 0.16%

LAB 15.07, 9.01, 4.38

 

CMYK 0 / 37 / 38 / 60

HEX #674140

RGB 103 65 64

HSL 1.54, 0.23%, 0.33%

LAB 31.88, 16.4, 7.46

 

CMYK 0 / 37 / 38 / 40

HEX #9A615F

RGB 154 97 95

HSL 2.03, 0.24%, 0.49%

LAB 47.3, 22.91, 10.84

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 8 / 0 / 39 / 20

HEX #BCCD7E

RGB 188 205 126

HSL 72.91, 0.44%, 0.65%

LAB 79.53, -18.27, 37.41

 

CMYK 39 / 24 / 0 / 20

HEX #7E9CCD

RGB 126 156 205

HSL 217.22, 0.44%, 0.65%

LAB 63.85, 1.87, -28.44

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 39 / 0 / 38 / 20

HEX #7ECD7F

RGB 126 205 127

HSL 120.76, 0.44%, 0.65%

LAB 75.84, -40.01, 31.39

 

CMYK 38 / 39 / 0 / 20

HEX #7F7ECD

RGB 127 126 205

HSL 240.76, 0.44%, 0.65%

LAB 55.93, 19.59, -40.79

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 8 / 0 / 39 / 20

HEX #BCCD7E

RGB 188 205 126

HSL 72.91, 0.44%, 0.65%

LAB 79.53, -18.27, 37.41

 

CMYK 39 / 1 / 0 / 20

HEX #7ECBCD

RGB 126 203 205

HSL 181.52, 0.44%, 0.65%

LAB 77.01, -23.19, -8.51

 

CMYK 30 / 39 / 0 / 20

HEX #8F7ECD

RGB 143 126 205

HSL 252.91, 0.44%, 0.65%

LAB 57.24, 24.02, -38.64

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 20 / 0 / 39 / 20

HEX #A4CD7E

RGB 164 205 126

HSL 91.14, 0.44%, 0.65%

LAB 77.91, -27.28, 35

 

CMYK 39 / 1 / 0 / 20

HEX #7ECBCD

RGB 126 203 205

HSL 181.52, 0.44%, 0.65%

LAB 77.01, -23.19, -8.51

 

CMYK 19 / 39 / 0 / 20

HEX #A77ECD

RGB 167 126 205

HSL 271.14, 0.44%, 0.65%

LAB 59.48, 31.06, -34.98

 

Description

Color code: RGB 205 129 127 | qconv.com Color code: RGB 205 129 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 129 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 129 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 38 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 38% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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