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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 86 163 it is the complementary color RGB 51 169 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 86 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 86 163: RGB 209 86 158, RGB 226 104 177, RGB 243 122 196, RGB 255 140 215 and RGB 255 158 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 86 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 86 163: RGB 204 86 163, RGB 187 68 144, RGB 170 50 125, RGB 153 32 106 and RGB 136 14 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

Complementary color

CMYK 70 / 0 / 46 / 34

HEX #33A95C

RGB 51 169 92

HSL 140.85, 0.54%, 0.43%

LAB 61.53, -49.8, 30.45

 

CMYK 0 / 59 / 24 / 18

HEX #D1569E

RGB 209 86 158

HSL 324.88, 0.57%, 0.58%

LAB 54.74, 56.15, -14.83

 

CMYK 0 / 54 / 22 / 11

HEX #E268B1

RGB 226 104 177

HSL 324.1, 0.68%, 0.65%

LAB 61, 55.64, -16.12

 

CMYK 0 / 50 / 19 / 5

HEX #F37AC4

RGB 243 122 196

HSL 323.31, 0.83%, 0.72%

LAB 67.25, 55, -17.21

 

CMYK 0 / 45 / 16 / 0

HEX #FF8CD7

RGB 255 140 215

HSL 320.87, 1%, 0.77%

LAB 72.84, 52.75, -19.15

 

CMYK 0 / 38 / 8 / 0

HEX #FF9EEA

RGB 255 158 234

HSL 312.99, 1%, 0.81%

LAB 77.07, 46.71, -23.11

 

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

CMYK 0 / 64 / 23 / 27

HEX #BB4490

RGB 187 68 144

HSL 321.68, 0.47%, 0.5%

LAB 47.9, 55.67, -17.25

 

CMYK 0 / 71 / 26 / 33

HEX #AA327D

RGB 170 50 125

HSL 322.5, 0.55%, 0.43%

LAB 41.7, 55.56, -15.42

 

CMYK 0 / 79 / 31 / 40

HEX #99206A

RGB 153 32 106

HSL 323.31, 0.65%, 0.36%

LAB 35.69, 54.75, -12.99

 

CMYK 0 / 90 / 36 / 47

HEX #880E57

RGB 136 14 87

HSL 324.1, 0.81%, 0.29%

LAB 30, 52.76, -9.66

 

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

CMYK 0 / 58 / 29 / 20

HEX #CC5691

RGB 204 86 145

HSL 330, 0.54%, 0.57%

LAB 53.53, 52.92, -9.07

 

CMYK 0 / 58 / 39 / 20

HEX #CC567D

RGB 204 86 125

HSL 340.17, 0.54%, 0.57%

LAB 52.92, 50.51, 1.88

 

CMYK 0 / 58 / 49 / 20

HEX #CC5669

RGB 204 86 105

HSL 350.34, 0.54%, 0.57%

LAB 52.41, 48.48, 13.07

 

CMYK 0 / 58 / 58 / 20

HEX #CC5656

RGB 204 86 86

HSL 0, 0.54%, 0.57%

LAB 52.02, 46.89, 23.8

 

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 57 / 20 / 80

HEX #331629

RGB 51 22 41

HSL 320.69, 0.4%, 0.14%

LAB 12.21, 17.65, -6.39

 

CMYK 0 / 58 / 20 / 60

HEX #662B52

RGB 102 43 82

HSL 320.34, 0.41%, 0.28%

LAB 27.19, 31.73, -11.23

 

CMYK 0 / 58 / 20 / 40

HEX #99417A

RGB 153 65 122

HSL 321.14, 0.4%, 0.43%

LAB 41.15, 43.64, -14.67

 

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

CMYK 0 / 27 / 58 / 20

HEX #CC9556

RGB 204 149 86

HSL 32.03, 0.54%, 0.57%

LAB 65.75, 13.78, 40.99

 

CMYK 58 / 0 / 4 / 20

HEX #56CCC4

RGB 86 204 196

HSL 175.93, 0.54%, 0.57%

LAB 75.54, -34.86, -5.99

 

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

CMYK 19 / 0 / 58 / 20

HEX #A5CC56

RGB 165 204 86

HSL 79.83, 0.54%, 0.57%

LAB 77.2, -30.83, 53.48

 

CMYK 58 / 19 / 0 / 20

HEX #56A5CC

RGB 86 165 204

HSL 199.83, 0.54%, 0.57%

LAB 64.36, -12.93, -27.27

 

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

CMYK 0 / 27 / 58 / 20

HEX #CC9556

RGB 204 149 86

HSL 32.03, 0.54%, 0.57%

LAB 65.75, 13.78, 40.99

 

CMYK 58 / 0 / 39 / 20

HEX #56CC7D

RGB 86 204 125

HSL 139.83, 0.54%, 0.57%

LAB 73.96, -50.65, 29.66

 

CMYK 58 / 31 / 0 / 20

HEX #568DCC

RGB 86 141 204

HSL 212.03, 0.54%, 0.57%

LAB 57.45, 0.57, -38.01

 

CMYK 0 / 58 / 20 / 20

HEX #CC56A3

RGB 204 86 163

HSL 320.85, 0.54%, 0.57%

LAB 54.17, 55.37, -18.69

 

CMYK 0 / 10 / 58 / 20

HEX #CCB856

RGB 204 184 86

HSL 49.83, 0.54%, 0.57%

LAB 74.69, -4.94, 51.44

 

CMYK 58 / 0 / 39 / 20

HEX #56CC7D

RGB 86 204 125

HSL 139.83, 0.54%, 0.57%

LAB 73.96, -50.65, 29.66

 

CMYK 58 / 49 / 0 / 20

HEX #5669CC

RGB 86 105 204

HSL 230.34, 0.54%, 0.57%

LAB 47.55, 22.43, -53.72

 

Description

Color code: RGB 204 86 163 | qconv.com Color code: RGB 204 86 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 86 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 86 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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