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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 84 79 it is the complementary color RGB 51 171 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 84 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 84 79: RGB 209 84 74, RGB 226 102 93, RGB 243 120 112, RGB 255 138 131 and RGB 255 156 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 84 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 84 79: RGB 204 84 79, RGB 187 66 60, RGB 170 48 41, RGB 153 30 22 and RGB 136 12 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

Complementary color

CMYK 71 / 3 / 0 / 31

HEX #33ABB0

RGB 51 171 176

HSL 182.4, 0.55%, 0.45%

LAB 64.13, -30.4, -12.11

 

CMYK 0 / 60 / 65 / 18

HEX #D1544A

RGB 209 84 74

HSL 4.44, 0.59%, 0.55%

LAB 52.28, 48.77, 31.26

 

CMYK 0 / 55 / 59 / 11

HEX #E2665D

RGB 226 102 93

HSL 4.06, 0.7%, 0.63%

LAB 58.47, 47.63, 28.78

 

CMYK 0 / 51 / 54 / 5

HEX #F37870

RGB 243 120 112

HSL 3.66, 0.85%, 0.7%

LAB 64.69, 46.47, 26.64

 

CMYK 0 / 46 / 49 / 0

HEX #FF8A83

RGB 255 138 131

HSL 3.39, 1%, 0.76%

LAB 70.23, 43.52, 23.75

 

CMYK 0 / 39 / 41 / 0

HEX #FF9C96

RGB 255 156 150

HSL 3.43, 1%, 0.79%

LAB 74.34, 36.23, 18.91

 

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

CMYK 0 / 65 / 68 / 27

HEX #BB423C

RGB 187 66 60

HSL 2.83, 0.51%, 0.48%

LAB 45.34, 48.33, 30.06

 

CMYK 0 / 72 / 76 / 33

HEX #AA3029

RGB 170 48 41

HSL 3.26, 0.61%, 0.41%

LAB 39.28, 49.06, 33.35

 

CMYK 0 / 80 / 86 / 40

HEX #991E16

RGB 153 30 22

HSL 3.66, 0.75%, 0.34%

LAB 33.48, 49.2, 37.02

 

CMYK 0 / 91 / 98 / 47

HEX #880C03

RGB 136 12 3

HSL 4.06, 0.96%, 0.27%

LAB 28.12, 48.2, 39.83

 

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

CMYK 0 / 50 / 62 / 20

HEX #CB664D

RGB 203 102 77

HSL 11.9, 0.55%, 0.55%

LAB 54.8, 37.97, 32.47

 

CMYK 0 / 39 / 62 / 20

HEX #CB7B4D

RGB 203 123 77

HSL 21.9, 0.55%, 0.55%

LAB 59.34, 26.86, 37.99

 

CMYK 0 / 29 / 62 / 20

HEX #CB904D

RGB 203 144 77

HSL 31.9, 0.55%, 0.55%

LAB 64.31, 15.42, 43.83

 

CMYK 0 / 19 / 62 / 20

HEX #CBA54D

RGB 203 165 77

HSL 41.9, 0.55%, 0.55%

LAB 69.57, 4.04, 49.84

 

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 59 / 61 / 80

HEX #331514

RGB 51 21 20

HSL 1.94, 0.44%, 0.14%

LAB 11.21, 14.99, 7.62

 

CMYK 0 / 59 / 61 / 60

HEX #662A28

RGB 102 42 40

HSL 1.94, 0.44%, 0.28%

LAB 25.67, 26.86, 14.62

 

CMYK 0 / 59 / 61 / 40

HEX #993F3B

RGB 153 63 59

HSL 2.55, 0.44%, 0.42%

LAB 38.97, 37.41, 21.46

 

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

CMYK 15 / 0 / 62 / 20

HEX #ADCB4D

RGB 173 203 77

HSL 74.29, 0.55%, 0.55%

LAB 77.36, -27.94, 57.72

 

CMYK 62 / 39 / 0 / 20

HEX #4D7BCB

RGB 77 123 203

HSL 218.1, 0.55%, 0.55%

LAB 51.9, 9.23, -46.23

 

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

CMYK 62 / 0 / 60 / 20

HEX #4DCB51

RGB 77 203 81

HSL 121.9, 0.55%, 0.55%

LAB 72.82, -58.66, 49.65

 

CMYK 60 / 62 / 0 / 20

HEX #514DCB

RGB 81 77 203

HSL 241.9, 0.55%, 0.55%

LAB 40.19, 38.53, -65.06

 

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

CMYK 15 / 0 / 62 / 20

HEX #ADCB4D

RGB 173 203 77

HSL 74.29, 0.55%, 0.55%

LAB 77.36, -27.94, 57.72

 

CMYK 62 / 2 / 0 / 20

HEX #4DC7CB

RGB 77 199 203

HSL 181.9, 0.55%, 0.55%

LAB 74.02, -32.17, -12.08

 

CMYK 48 / 62 / 0 / 20

HEX #6A4DCB

RGB 106 77 203

HSL 253.81, 0.55%, 0.55%

LAB 42.28, 43.06, -61.57

 

CMYK 0 / 59 / 61 / 20

HEX #CC544F

RGB 204 84 79

HSL 2.4, 0.55%, 0.55%

LAB 51.54, 47.33, 27.27

 

CMYK 33 / 0 / 62 / 20

HEX #88CB4D

RGB 136 203 77

HSL 91.9, 0.55%, 0.55%

LAB 75.13, -41.91, 54.64

 

CMYK 62 / 2 / 0 / 20

HEX #4DC7CB

RGB 77 199 203

HSL 181.9, 0.55%, 0.55%

LAB 74.02, -32.17, -12.08

 

CMYK 29 / 62 / 0 / 20

HEX #904DCB

RGB 144 77 203

HSL 271.9, 0.55%, 0.55%

LAB 46.38, 51.22, -54.75

 

Description

Color code: RGB 204 84 79 | qconv.com Color code: RGB 204 84 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 84 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 84 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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