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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 25 61 it is the complementary color RGB 51 230 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 25 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 25 61: RGB 209 25 56, RGB 226 43 75, RGB 243 61 94, RGB 255 79 113 and RGB 255 97 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 25 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 25 61: RGB 204 25 61, RGB 187 7 42, RGB 170 0 23, RGB 153 0 4 and RGB 136 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

Complementary color

CMYK 78 / 0 / 16 / 10

HEX #33E6C2

RGB 51 230 194

HSL 167.93, 0.78%, 0.55%

LAB 82.48, -51.68, 5.13

 

CMYK 0 / 88 / 73 / 18

HEX #D11938

RGB 209 25 56

HSL 349.89, 0.79%, 0.46%

LAB 44.99, 67.22, 33.04

 

CMYK 0 / 81 / 67 / 11

HEX #E22B4B

RGB 226 43 75

HSL 349.51, 0.76%, 0.53%

LAB 49.98, 68.77, 28.48

 

CMYK 0 / 75 / 61 / 5

HEX #F33D5E

RGB 243 61 94

HSL 349.12, 0.88%, 0.6%

LAB 55.28, 69.48, 24.6

 

CMYK 0 / 69 / 56 / 0

HEX #FF4F71

RGB 255 79 113

HSL 348.41, 1%, 0.65%

LAB 59.93, 68.16, 20.02

 

CMYK 0 / 62 / 48 / 0

HEX #FF6184

RGB 255 97 132

HSL 346.71, 1%, 0.69%

LAB 62.91, 62.65, 13.11

 

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

CMYK 0 / 96 / 78 / 27

HEX #BB072A

RGB 187 7 42

HSL 348.33, 0.93%, 0.38%

LAB 39.38, 63.49, 33.87

 

CMYK 0 / 100 / 86 / 33

HEX #AA0017

RGB 170 0 23

HSL 351.88, 1%, 0.33%

LAB 35.22, 59.46, 39.42

 

CMYK 0 / 100 / 97 / 40

HEX #990004

RGB 153 0 4

HSL 358.43, 1%, 0.3%

LAB 31.3, 54.77, 43.53

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

CMYK 0 / 88 / 83 / 20

HEX #CC1922

RGB 204 25 34

HSL 356.98, 0.78%, 0.45%

LAB 43.72, 65.21, 43.93

 

CMYK 0 / 77 / 88 / 20

HEX #CC2E19

RGB 204 46 25

HSL 7.04, 0.78%, 0.45%

LAB 45.44, 59.96, 49.74

 

CMYK 0 / 63 / 88 / 20

HEX #CC4B19

RGB 204 75 25

HSL 16.76, 0.78%, 0.45%

LAB 49.42, 49.08, 52.88

 

CMYK 0 / 49 / 88 / 20

HEX #CC6919

RGB 204 105 25

HSL 26.82, 0.78%, 0.45%

LAB 55.08, 34.53, 57.35

 

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 88 / 71 / 80

HEX #33060F

RGB 51 6 15

HSL 348, 0.79%, 0.11%

LAB 7.85, 23.09, 5.81

 

CMYK 0 / 87 / 70 / 60

HEX #660D1F

RGB 102 13 31

HSL 347.87, 0.77%, 0.23%

LAB 20.87, 38.72, 14.52

 

CMYK 0 / 88 / 70 / 40

HEX #99132E

RGB 153 19 46

HSL 347.91, 0.78%, 0.34%

LAB 32.78, 52.94, 21.81

 

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

CMYK 0 / 1 / 88 / 20

HEX #CCC919

RGB 204 201 25

HSL 58.99, 0.78%, 0.45%

LAB 78.86, -16.41, 76.26

 

CMYK 88 / 34 / 0 / 20

HEX #1987CC

RGB 25 135 204

HSL 203.13, 0.78%, 0.45%

LAB 53.91, -4.14, -43.7

 

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

CMYK 69 / 0 / 88 / 20

HEX #40CC19

RGB 64 204 25

HSL 106.93, 0.78%, 0.45%

LAB 72.46, -65.78, 67.99

 

CMYK 88 / 69 / 0 / 20

HEX #1940CC

RGB 25 64 204

HSL 226.93, 0.78%, 0.45%

LAB 34.46, 40.98, -75.14

 

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

CMYK 0 / 1 / 88 / 20

HEX #CCC919

RGB 204 201 25

HSL 58.99, 0.78%, 0.45%

LAB 78.86, -16.41, 76.26

 

CMYK 88 / 0 / 19 / 20

HEX #19CCA5

RGB 25 204 165

HSL 166.93, 0.78%, 0.45%

LAB 73.62, -50.5, 7.8

 

CMYK 88 / 86 / 0 / 20

HEX #191CCC

RGB 25 28 204

HSL 238.99, 0.78%, 0.45%

LAB 27.84, 59.88, -86.13

 

CMYK 0 / 88 / 70 / 20

HEX #CC193D

RGB 204 25 61

HSL 347.93, 0.78%, 0.45%

LAB 44.05, 66.14, 28.64

 

CMYK 25 / 0 / 88 / 20

HEX #99CC19

RGB 153 204 25

HSL 77.09, 0.78%, 0.45%

LAB 76.09, -38.87, 72.51

 

CMYK 88 / 0 / 19 / 20

HEX #19CCA5

RGB 25 204 165

HSL 166.93, 0.78%, 0.45%

LAB 73.62, -50.5, 7.8

 

CMYK 63 / 88 / 0 / 20

HEX #4B19CC

RGB 75 25 204

HSL 256.76, 0.78%, 0.45%

LAB 30.76, 63.43, -81.17

 

Description

Color code: RGB 204 25 61 | qconv.com Color code: RGB 204 25 61 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 25 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 25 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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