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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 210 226 it is the complementary color RGB 51 45 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 210 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 210 226: RGB 209 210 221, RGB 226 228 240, RGB 243 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 210 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 210 226: RGB 204 210 226, RGB 187 192 207, RGB 170 174 188, RGB 153 156 169 and RGB 136 138 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

Complementary color

CMYK 0 / 12 / 43 / 80

HEX #332D1D

RGB 51 45 29

HSL 43.64, 0.28%, 0.16%

LAB 18.67, -0.23, 11.36

 

CMYK 5 / 5 / 0 / 13

HEX #D1D2DD

RGB 209 210 221

HSL 235, 0.15%, 0.84%

LAB 84.42, 1.72, -5.55

 

CMYK 6 / 5 / 0 / 6

HEX #E2E4F0

RGB 226 228 240

HSL 231.43, 0.32%, 0.91%

LAB 90.76, 1.55, -6.06

 

CMYK 5 / 4 / 0 / 0

HEX #F3F6FF

RGB 243 246 255

HSL 225, 1%, 0.98%

LAB 96.9, 0.64, -4.66

 

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

CMYK 10 / 7 / 0 / 19

HEX #BBC0CF

RGB 187 192 207

HSL 225, 0.17%, 0.77%

LAB 77.74, 1.21, -8.11

 

CMYK 10 / 7 / 0 / 26

HEX #AAAEBC

RGB 170 174 188

HSL 226.67, 0.12%, 0.7%

LAB 71.18, 1.37, -7.63

 

CMYK 9 / 8 / 0 / 34

HEX #999CA9

RGB 153 156 169

HSL 228.75, 0.09%, 0.63%

LAB 64.49, 1.55, -7.14

 

CMYK 9 / 8 / 0 / 41

HEX #888A96

RGB 136 138 150

HSL 231.43, 0.06%, 0.56%

LAB 57.67, 1.74, -6.64

 

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

CMYK 10 / 9 / 0 / 12

HEX #CACDE1

RGB 202 205 225

HSL 232.17, 0.28%, 0.84%

LAB 82.73, 2.83, -10.23

 

CMYK 10 / 10 / 0 / 12

HEX #CBCAE1

RGB 203 202 225

HSL 242.61, 0.28%, 0.84%

LAB 82.04, 4.75, -11.25

 

CMYK 8 / 10 / 0 / 12

HEX #CFCAE1

RGB 207 202 225

HSL 253.04, 0.28%, 0.84%

LAB 82.35, 6.06, -10.76

 

CMYK 6 / 10 / 0 / 12

HEX #D3CAE1

RGB 211 202 225

HSL 263.48, 0.28%, 0.84%

LAB 82.66, 7.38, -10.26

 

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

CMYK 9 / 9 / 0 / 91

HEX #141416

RGB 20 20 22

HSL 240, 0.05%, 0.08%

LAB 6.39, 0.47, -1.28

 

CMYK 10 / 7 / 0 / 71

HEX #424449

RGB 66 68 73

HSL 222.86, 0.05%, 0.27%

LAB 28.83, 0.34, -3.3

 

CMYK 10 / 7 / 0 / 51

HEX #70737C

RGB 112 115 124

HSL 225, 0.05%, 0.46%

LAB 48.46, 0.79, -5.35

 

CMYK 10 / 7 / 0 / 31

HEX #9EA3AF

RGB 158 163 175

HSL 222.35, 0.1%, 0.65%

LAB 66.94, 0.64, -6.82

 

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

CMYK 1 / 10 / 0 / 12

HEX #DFCAE1

RGB 223 202 225

HSL 294.78, 0.28%, 0.84%

LAB 83.63, 11.38, -8.71

 

CMYK 3 / 0 / 10 / 12

HEX #DAE1CA

RGB 218 225 202

HSL 78.26, 0.28%, 0.84%

LAB 88.46, -6.37, 10.44

 

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

CMYK 0 / 10 / 7 / 12

HEX #E1CAD1

RGB 225 202 209

HSL 341.74, 0.28%, 0.84%

LAB 83.36, 9.22, -0.55

 

CMYK 7 / 0 / 10 / 12

HEX #D1E1CA

RGB 209 225 202

HSL 101.74, 0.28%, 0.84%

LAB 87.81, -9.48, 9.43

 

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

CMYK 1 / 10 / 0 / 12

HEX #DFCAE1

RGB 223 202 225

HSL 294.78, 0.28%, 0.84%

LAB 83.63, 11.38, -8.71

 

CMYK 0 / 3 / 10 / 12

HEX #E1DBCA

RGB 225 219 202

HSL 44.35, 0.28%, 0.84%

LAB 87.45, -0.83, 9.08

 

CMYK 9 / 0 / 10 / 12

HEX #CCE1CA

RGB 204 225 202

HSL 114.78, 0.28%, 0.84%

LAB 87.46, -11.19, 8.88

 

CMYK 10 / 7 / 0 / 11

HEX #CCD2E2

RGB 204 210 226

HSL 223.64, 0.28%, 0.84%

LAB 84.18, 1.04, -8.59

 

CMYK 0 / 10 / 2 / 12

HEX #E1CADC

RGB 225 202 220

HSL 313.04, 0.28%, 0.84%

LAB 83.66, 11.15, -5.99

 

CMYK 0 / 3 / 10 / 12

HEX #E1DBCA

RGB 225 219 202

HSL 44.35, 0.28%, 0.84%

LAB 87.45, -0.83, 9.08

 

CMYK 10 / 0 / 8 / 12

HEX #CAE1CF

RGB 202 225 207

HSL 133.04, 0.28%, 0.84%

LAB 87.44, -10.97, 6.21

 

Description

Color code: RGB 204 210 226 | qconv.com Color code: RGB 204 210 226 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 210 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 210 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 7 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 7% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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