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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 178 159 it is the complementary color RGB 51 77 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 178 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 178 159: RGB 209 178 154, RGB 226 196 173, RGB 243 214 192, RGB 255 232 211 and RGB 255 250 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 178 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 178 159: RGB 204 178 159, RGB 187 160 140, RGB 170 142 121, RGB 153 124 102 and RGB 136 106 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

Complementary color

CMYK 47 / 20 / 0 / 62

HEX #334D60

RGB 51 77 96

HSL 205.33, 0.31%, 0.29%

LAB 31.48, -4.12, -14.21

 

CMYK 0 / 15 / 26 / 18

HEX #D1B29A

RGB 209 178 154

HSL 26.18, 0.37%, 0.71%

LAB 74.65, 7.55, 16.42

 

CMYK 0 / 13 / 23 / 11

HEX #E2C4AD

RGB 226 196 173

HSL 26.04, 0.48%, 0.78%

LAB 81.11, 7.1, 15.46

 

CMYK 0 / 12 / 21 / 5

HEX #F3D6C0

RGB 243 214 192

HSL 25.88, 0.68%, 0.85%

LAB 87.46, 6.7, 14.55

 

CMYK 0 / 9 / 17 / 0

HEX #FFE8D3

RGB 255 232 211

HSL 28.64, 1%, 0.91%

LAB 93.31, 4.54, 13.05

 

CMYK 0 / 2 / 10 / 0

HEX #FFFAE6

RGB 255 250 230

HSL 48, 1%, 0.95%

LAB 98.17, -1.66, 10.17

 

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

CMYK 0 / 14 / 25 / 27

HEX #BBA08C

RGB 187 160 140

HSL 25.53, 0.26%, 0.64%

LAB 67.72, 6.81, 14.1

 

CMYK 0 / 16 / 29 / 33

HEX #AA8E79

RGB 170 142 121

HSL 25.71, 0.22%, 0.57%

LAB 61.02, 7.31, 15.13

 

CMYK 0 / 19 / 33 / 40

HEX #997C66

RGB 153 124 102

HSL 25.88, 0.2%, 0.5%

LAB 54.18, 7.9, 16.25

 

CMYK 0 / 22 / 39 / 47

HEX #886A53

RGB 136 106 83

HSL 26.04, 0.24%, 0.43%

LAB 47.19, 8.6, 17.49

 

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

CMYK 0 / 9 / 22 / 20

HEX #CBB89E

RGB 203 184 158

HSL 34.67, 0.3%, 0.71%

LAB 75.73, 2.63, 15.67

 

CMYK 0 / 5 / 22 / 20

HEX #CBC09E

RGB 203 192 158

HSL 45.33, 0.3%, 0.71%

LAB 77.79, -1.61, 18.55

 

CMYK 0 / 1 / 22 / 20

HEX #CBC89E

RGB 203 200 158

HSL 56, 0.3%, 0.71%

LAB 79.88, -5.78, 21.44

 

CMYK 1 / 0 / 22 / 20

HEX #C8CB9E

RGB 200 203 158

HSL 64, 0.3%, 0.71%

LAB 80.44, -8.46, 22.16

 

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 12 / 22 / 80

HEX #332D28

RGB 51 45 40

HSL 27.27, 0.12%, 0.18%

LAB 18.94, 1.69, 4.22

 

CMYK 0 / 13 / 22 / 60

HEX #665950

RGB 102 89 80

HSL 24.55, 0.12%, 0.36%

LAB 38.81, 3.66, 7.15

 

CMYK 0 / 12 / 22 / 40

HEX #998677

RGB 153 134 119

HSL 26.47, 0.14%, 0.53%

LAB 57.23, 4.7, 10.71

 

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

CMYK 14 / 0 / 22 / 20

HEX #AFCB9E

RGB 175 203 158

HSL 97.33, 0.3%, 0.71%

LAB 78.63, -17.61, 19.39

 

CMYK 22 / 22 / 0 / 20

HEX #9E9ECB

RGB 158 158 203

HSL 240, 0.3%, 0.71%

LAB 66.55, 9.63, -23

 

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

CMYK 22 / 0 / 13 / 20

HEX #9ECBB1

RGB 158 203 177

HSL 145.33, 0.3%, 0.71%

LAB 77.97, -20.03, 8.16

 

CMYK 13 / 22 / 0 / 20

HEX #B19ECB

RGB 177 158 203

HSL 265.33, 0.3%, 0.71%

LAB 68.1, 15.7, -20.49

 

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

CMYK 14 / 0 / 22 / 20

HEX #AFCB9E

RGB 175 203 158

HSL 97.33, 0.3%, 0.71%

LAB 78.63, -17.61, 19.39

 

CMYK 22 / 9 / 0 / 20

HEX #9EB8CB

RGB 158 184 203

HSL 205.33, 0.3%, 0.71%

LAB 73.46, -4.69, -12.54

 

CMYK 8 / 22 / 0 / 20

HEX #BA9ECB

RGB 186 158 203

HSL 277.33, 0.3%, 0.71%

LAB 68.9, 18.65, -19.2

 

CMYK 0 / 13 / 22 / 20

HEX #CCB29F

RGB 204 178 159

HSL 25.33, 0.31%, 0.71%

LAB 74.31, 6.36, 13.15

 

CMYK 21 / 0 / 22 / 20

HEX #A1CB9E

RGB 161 203 158

HSL 116, 0.3%, 0.71%

LAB 77.73, -22.5, 18

 

CMYK 22 / 9 / 0 / 20

HEX #9EB8CB

RGB 158 184 203

HSL 205.33, 0.3%, 0.71%

LAB 73.46, -4.69, -12.54

 

CMYK 1 / 22 / 0 / 20

HEX #C89ECB

RGB 200 158 203

HSL 296, 0.3%, 0.71%

LAB 70.21, 23.32, -17.1

 

Description

Color code: RGB 204 178 159 | qconv.com Color code: RGB 204 178 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 178 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 178 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 22 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 22% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - AP Pension
Link: http://www.appension.dk

16% - AS KNOW AS/公式直営通...
Link: http://asonline.asknowas.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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