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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 176 93 it is the complementary color RGB 51 79 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 176 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 176 93: RGB 209 176 88, RGB 226 194 107, RGB 243 212 126, RGB 255 230 145 and RGB 255 248 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 176 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 176 93: RGB 204 176 93, RGB 187 158 74, RGB 170 140 55, RGB 153 122 36 and RGB 136 104 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

Complementary color

CMYK 69 / 51 / 0 / 36

HEX #334FA2

RGB 51 79 162

HSL 224.86, 0.52%, 0.42%

LAB 35.8, 18.02, -48.13

 

CMYK 0 / 16 / 58 / 18

HEX #D1B058

RGB 209 176 88

HSL 43.64, 0.57%, 0.58%

LAB 73.1, 1.52, 48.78

 

CMYK 0 / 14 / 53 / 11

HEX #E2C26B

RGB 226 194 107

HSL 43.87, 0.67%, 0.65%

LAB 79.51, 0.67, 47.53

 

CMYK 0 / 13 / 48 / 5

HEX #F3D47E

RGB 243 212 126

HSL 44.1, 0.83%, 0.72%

LAB 85.83, -0.06, 46.29

 

CMYK 0 / 10 / 43 / 0

HEX #FFE691

RGB 255 230 145

HSL 46.36, 1%, 0.78%

LAB 91.64, -2.65, 44.43

 

CMYK 0 / 3 / 36 / 0

HEX #FFF8A4

RGB 255 248 164

HSL 55.38, 1%, 0.82%

LAB 96.44, -9.63, 41.22

 

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

CMYK 0 / 16 / 60 / 27

HEX #BB9E4A

RGB 187 158 74

HSL 44.6, 0.45%, 0.51%

LAB 66.15, 0.71, 46.97

 

CMYK 0 / 18 / 68 / 33

HEX #AA8C37

RGB 170 140 55

HSL 44.35, 0.51%, 0.44%

LAB 59.51, 1.78, 48.08

 

CMYK 0 / 20 / 76 / 40

HEX #997A24

RGB 153 122 36

HSL 44.1, 0.62%, 0.37%

LAB 52.75, 3.1, 48.82

 

CMYK 0 / 24 / 88 / 47

HEX #886811

RGB 136 104 17

HSL 43.87, 0.78%, 0.3%

LAB 45.87, 4.73, 48.66

 

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

CMYK 0 / 5 / 55 / 20

HEX #CBC05C

RGB 203 192 92

HSL 54.05, 0.52%, 0.58%

LAB 76.78, -9.04, 51

 

CMYK 3 / 0 / 55 / 20

HEX #C4CB5C

RGB 196 203 92

HSL 63.78, 0.52%, 0.58%

LAB 79.17, -17.49, 53.6

 

CMYK 13 / 0 / 55 / 20

HEX #B1CB5C

RGB 177 203 92

HSL 74.05, 0.52%, 0.58%

LAB 77.78, -25.13, 51.63

 

CMYK 22 / 0 / 55 / 20

HEX #9FCB5C

RGB 159 203 92

HSL 83.78, 0.52%, 0.58%

LAB 76.59, -32.1, 49.96

 

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 14 / 55 / 80

HEX #332C17

RGB 51 44 23

HSL 45, 0.38%, 0.15%

LAB 18.22, -0.39, 14.76

 

CMYK 0 / 14 / 54 / 60

HEX #66582F

RGB 102 88 47

HSL 44.73, 0.37%, 0.29%

LAB 37.86, -0.26, 25.71

 

CMYK 0 / 14 / 54 / 40

HEX #998446

RGB 153 132 70

HSL 44.82, 0.37%, 0.44%

LAB 55.8, -0.22, 36.08

 

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

CMYK 51 / 0 / 55 / 20

HEX #63CB5C

RGB 99 203 92

HSL 116.22, 0.52%, 0.58%

LAB 73.63, -51.96, 45.74

 

CMYK 36 / 55 / 0 / 20

HEX #815CCB

RGB 129 92 203

HSL 260, 0.52%, 0.58%

LAB 47.79, 39.55, -52.57

 

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

CMYK 55 / 0 / 15 / 20

HEX #5CCBAD

RGB 92 203 173

HSL 163.78, 0.52%, 0.58%

LAB 74.83, -38.97, 5.4

 

CMYK 15 / 55 / 0 / 20

HEX #AD5CCB

RGB 173 92 203

HSL 283.78, 0.52%, 0.58%

LAB 52.79, 50.77, -44.32

 

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

CMYK 51 / 0 / 55 / 20

HEX #63CB5C

RGB 99 203 92

HSL 116.22, 0.52%, 0.58%

LAB 73.63, -51.96, 45.74

 

CMYK 55 / 40 / 0 / 20

HEX #5C79CB

RGB 92 121 203

HSL 224.32, 0.52%, 0.58%

LAB 52.13, 13.46, -45.81

 

CMYK 3 / 55 / 0 / 20

HEX #C45CCB

RGB 196 92 203

HSL 296.22, 0.52%, 0.58%

LAB 55.79, 56.87, -39.38

 

CMYK 0 / 14 / 54 / 20

HEX #CCB05D

RGB 204 176 93

HSL 44.86, 0.52%, 0.58%

LAB 72.68, -0.19, 45.74

 

CMYK 55 / 0 / 42 / 20

HEX #5CCB76

RGB 92 203 118

HSL 134.05, 0.52%, 0.58%

LAB 73.74, -50.04, 33

 

CMYK 55 / 40 / 0 / 20

HEX #5C79CB

RGB 92 121 203

HSL 224.32, 0.52%, 0.58%

LAB 52.13, 13.46, -45.81

 

CMYK 0 / 55 / 13 / 20

HEX #CB5CB1

RGB 203 92 177

HSL 314.05, 0.52%, 0.58%

LAB 55.61, 54.41, -24.64

 

Description

Color code: RGB 204 176 93 | qconv.com Color code: RGB 204 176 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 176 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 176 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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