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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 125 58 it is the complementary color RGB 51 130 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 125 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 125 58: RGB 209 125 53, RGB 226 143 72, RGB 243 161 91, RGB 255 179 110 and RGB 255 197 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 125 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 125 58: RGB 204 125 58, RGB 187 107 39, RGB 170 89 20, RGB 153 71 1 and RGB 136 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

Complementary color

CMYK 74 / 34 / 0 / 23

HEX #3382C5

RGB 51 130 197

HSL 207.53, 0.59%, 0.49%

LAB 52.62, -1.25, -41.73

 

CMYK 0 / 40 / 75 / 18

HEX #D17D35

RGB 209 125 53

HSL 27.69, 0.63%, 0.51%

LAB 60.32, 26.91, 51.24

 

CMYK 0 / 37 / 68 / 11

HEX #E28F48

RGB 226 143 72

HSL 27.66, 0.73%, 0.58%

LAB 66.73, 25.3, 49.78

 

CMYK 0 / 34 / 63 / 5

HEX #F3A15B

RGB 243 161 91

HSL 27.63, 0.86%, 0.65%

LAB 73.09, 23.87, 48.23

 

CMYK 0 / 30 / 57 / 0

HEX #FFB36E

RGB 255 179 110

HSL 28.55, 1%, 0.72%

LAB 78.83, 20.6, 45.91

 

CMYK 0 / 23 / 49 / 0

HEX #FFC581

RGB 255 197 129

HSL 32.38, 1%, 0.75%

LAB 83.33, 12.77, 41.91

 

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

CMYK 0 / 43 / 79 / 27

HEX #BB6B27

RGB 187 107 39

HSL 27.57, 0.65%, 0.44%

LAB 53.2, 26.8, 49.45

 

CMYK 0 / 48 / 88 / 33

HEX #AA5914

RGB 170 89 20

HSL 27.6, 0.79%, 0.37%

LAB 46.63, 28.79, 50.16

 

CMYK 0 / 54 / 99 / 40

HEX #994701

RGB 153 71 1

HSL 27.63, 0.99%, 0.3%

LAB 40.05, 30.96, 49.84

 

CMYK 0 / 61 / 100 / 47

HEX #883500

RGB 136 53 0

HSL 23.38, 1%, 0.27%

LAB 33.52, 33.32, 44.93

 

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

CMYK 0 / 28 / 72 / 20

HEX #CB9338

RGB 203 147 56

HSL 37.14, 0.59%, 0.51%

LAB 64.84, 12.55, 54.28

 

CMYK 0 / 16 / 72 / 20

HEX #CBAB38

RGB 203 171 56

HSL 46.94, 0.59%, 0.51%

LAB 70.95, -0.37, 60.38

 

CMYK 0 / 3 / 72 / 20

HEX #CBC438

RGB 203 196 56

HSL 57.14, 0.59%, 0.51%

LAB 77.56, -13.32, 66.79

 

CMYK 8 / 0 / 72 / 20

HEX #BACB38

RGB 186 203 56

HSL 66.94, 0.59%, 0.51%

LAB 78.13, -23.94, 66.88

 

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 39 / 71 / 80

HEX #331F0F

RGB 51 31 15

HSL 26.67, 0.55%, 0.13%

LAB 13.93, 7.66, 14.28

 

CMYK 0 / 38 / 72 / 60

HEX #663F1D

RGB 102 63 29

HSL 27.95, 0.56%, 0.26%

LAB 30.56, 13.55, 27.37

 

CMYK 0 / 39 / 71 / 40

HEX #995E2C

RGB 153 94 44

HSL 27.52, 0.55%, 0.39%

LAB 45.58, 19.53, 37.84

 

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

CMYK 47 / 0 / 72 / 20

HEX #6BCB38

RGB 107 203 56

HSL 99.18, 0.59%, 0.51%

LAB 73.63, -53.1, 60.93

 

CMYK 69 / 72 / 0 / 20

HEX #3F38CB

RGB 63 56 203

HSL 242.86, 0.59%, 0.51%

LAB 34.39, 48.38, -74.62

 

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

CMYK 72 / 0 / 40 / 20

HEX #38CB7A

RGB 56 203 122

HSL 146.94, 0.59%, 0.51%

LAB 72.86, -56.39, 29.62

 

CMYK 40 / 72 / 0 / 20

HEX #7A38CB

RGB 122 56 203

HSL 266.94, 0.59%, 0.51%

LAB 40.04, 56.91, -65.13

 

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

CMYK 47 / 0 / 72 / 20

HEX #6BCB38

RGB 107 203 56

HSL 99.18, 0.59%, 0.51%

LAB 73.63, -53.1, 60.93

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 25 / 72 / 0 / 20

HEX #9838CB

RGB 152 56 203

HSL 279.18, 0.59%, 0.51%

LAB 43.97, 62.49, -58.59

 

CMYK 0 / 39 / 72 / 20

HEX #CC7D3A

RGB 204 125 58

HSL 27.53, 0.59%, 0.51%

LAB 59.72, 25.05, 48.09

 

CMYK 69 / 0 / 72 / 20

HEX #3FCB38

RGB 63 203 56

HSL 117.14, 0.59%, 0.51%

LAB 72.26, -63.9, 59.11

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 3 / 72 / 0 / 20

HEX #C438CB

RGB 196 56 203

HSL 297.14, 0.59%, 0.51%

LAB 50.54, 71.42, -47.68

 

Description

Color code: RGB 204 125 58 | qconv.com Color code: RGB 204 125 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 125 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 125 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 72 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 72% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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