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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 110 91 it is the complementary color RGB 51 145 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 110 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 110 91: RGB 209 110 86, RGB 226 128 105, RGB 243 146 124, RGB 255 164 143 and RGB 255 182 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 110 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 110 91: RGB 204 110 91, RGB 187 92 72, RGB 170 74 53, RGB 153 56 34 and RGB 136 38 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

Complementary color

CMYK 69 / 12 / 0 / 36

HEX #3391A4

RGB 51 145 164

HSL 190.09, 0.53%, 0.42%

LAB 55.72, -20.99, -18.05

 

CMYK 0 / 47 / 59 / 18

HEX #D16E56

RGB 209 110 86

HSL 11.71, 0.57%, 0.58%

LAB 57.44, 36.8, 30.91

 

CMYK 0 / 43 / 54 / 11

HEX #E28069

RGB 226 128 105

HSL 11.4, 0.68%, 0.65%

LAB 63.86, 35.51, 29.01

 

CMYK 0 / 40 / 49 / 5

HEX #F3927C

RGB 243 146 124

HSL 11.09, 0.83%, 0.72%

LAB 70.22, 34.33, 27.32

 

CMYK 0 / 36 / 44 / 0

HEX #FFA48F

RGB 255 164 143

HSL 11.25, 1%, 0.78%

LAB 75.94, 31.35, 24.91

 

CMYK 0 / 29 / 36 / 0

HEX #FFB6A2

RGB 255 182 162

HSL 12.9, 1%, 0.82%

LAB 80.36, 24.01, 20.73

 

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

CMYK 0 / 51 / 61 / 27

HEX #BB5C48

RGB 187 92 72

HSL 10.43, 0.46%, 0.51%

LAB 50.32, 36.58, 29.22

 

CMYK 0 / 56 / 69 / 33

HEX #AA4A35

RGB 170 74 53

HSL 10.77, 0.52%, 0.44%

LAB 43.8, 37.98, 31.6

 

CMYK 0 / 63 / 78 / 40

HEX #993822

RGB 153 56 34

HSL 11.09, 0.64%, 0.37%

LAB 37.33, 39.37, 34.3

 

CMYK 0 / 72 / 89 / 47

HEX #88260F

RGB 136 38 15

HSL 11.4, 0.8%, 0.3%

LAB 31.01, 40.54, 37.04

 

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

CMYK 0 / 37 / 55 / 20

HEX #CC805B

RGB 204 128 91

HSL 19.65, 0.53%, 0.58%

LAB 60.81, 25.63, 32.25

 

CMYK 0 / 28 / 55 / 20

HEX #CC935B

RGB 204 147 91

HSL 29.73, 0.53%, 0.58%

LAB 65.33, 15.27, 37.88

 

CMYK 0 / 19 / 55 / 20

HEX #CCA65B

RGB 204 166 91

HSL 39.82, 0.53%, 0.58%

LAB 70.08, 4.98, 43.64

 

CMYK 0 / 9 / 55 / 20

HEX #CCB95B

RGB 204 185 91

HSL 49.91, 0.53%, 0.58%

LAB 75.01, -5.08, 49.44

 

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 45 / 55 / 80

HEX #331C17

RGB 51 28 23

HSL 10.71, 0.38%, 0.15%

LAB 13.21, 10.64, 8.24

 

CMYK 0 / 46 / 55 / 60

HEX #66372E

RGB 102 55 46

HSL 9.64, 0.38%, 0.29%

LAB 28.78, 19.88, 14.8

 

CMYK 0 / 46 / 56 / 40

HEX #995344

RGB 153 83 68

HSL 10.59, 0.38%, 0.43%

LAB 43.32, 27.51, 21.63

 

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

CMYK 20 / 0 / 55 / 20

HEX #A3CC5B

RGB 163 204 91

HSL 81.77, 0.53%, 0.58%

LAB 77.12, -31.14, 51.09

 

CMYK 55 / 43 / 0 / 20

HEX #5B75CC

RGB 91 117 204

HSL 226.19, 0.53%, 0.58%

LAB 51.04, 16.02, -48.12

 

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

CMYK 55 / 0 / 46 / 20

HEX #5BCC6E

RGB 91 204 110

HSL 130.09, 0.53%, 0.58%

LAB 73.89, -51.94, 37.24

 

CMYK 46 / 55 / 0 / 20

HEX #6E5BCC

RGB 110 91 204

HSL 250.09, 0.53%, 0.58%

LAB 45.85, 36.02, -56.36

 

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

CMYK 20 / 0 / 55 / 20

HEX #A3CC5B

RGB 163 204 91

HSL 81.77, 0.53%, 0.58%

LAB 77.12, -31.14, 51.09

 

CMYK 55 / 9 / 0 / 20

HEX #5BB9CC

RGB 91 185 204

HSL 190.09, 0.53%, 0.58%

LAB 70.37, -22.44, -18.07

 

CMYK 35 / 55 / 0 / 20

HEX #845BCC

RGB 132 91 204

HSL 261.77, 0.53%, 0.58%

LAB 47.94, 41.11, -52.89

 

CMYK 0 / 46 / 55 / 20

HEX #CC6E5B

RGB 204 110 91

HSL 10.09, 0.53%, 0.58%

LAB 56.83, 35.25, 27.16

 

CMYK 37 / 0 / 55 / 20

HEX #80CC5B

RGB 128 204 91

HSL 100.35, 0.53%, 0.58%

LAB 75.16, -43.7, 48.31

 

CMYK 55 / 9 / 0 / 20

HEX #5BB9CC

RGB 91 185 204

HSL 190.09, 0.53%, 0.58%

LAB 70.37, -22.44, -18.07

 

CMYK 19 / 55 / 0 / 20

HEX #A65BCC

RGB 166 91 204

HSL 279.82, 0.53%, 0.58%

LAB 51.78, 49.66, -46.54

 

Description

Color code: RGB 204 110 91 | qconv.com Color code: RGB 204 110 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 110 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 110 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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