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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 217 98 it is the complementary color RGB 52 38 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 217 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 203 217 98: RGB 208 217 93, RGB 225 235 112, RGB 242 253 131, RGB 255 255 150 and RGB 255 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 217 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 203 217 98: RGB 203 217 98, RGB 186 199 79, RGB 169 181 60, RGB 152 163 41 and RGB 135 145 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

Complementary color

CMYK 67 / 76 / 0 / 38

HEX #34269D

RGB 52 38 157

HSL 247.06, 0.61%, 0.38%

LAB 25.41, 42.38, -62.04

 

CMYK 4 / 0 / 57 / 15

HEX #D0D95D

RGB 208 217 93

HSL 64.35, 0.62%, 0.61%

LAB 83.88, -19.47, 58.71

 

CMYK 4 / 0 / 52 / 8

HEX #E1EB70

RGB 225 235 112

HSL 64.88, 0.75%, 0.68%

LAB 90.13, -19.95, 57.72

 

CMYK 4 / 0 / 48 / 1

HEX #F2FD83

RGB 242 253 131

HSL 65.41, 0.97%, 0.75%

LAB 96.31, -20.35, 56.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

CMYK 7 / 0 / 60 / 22

HEX #BAC74F

RGB 186 199 79

HSL 66.5, 0.52%, 0.55%

LAB 77.19, -20.59, 56.95

 

CMYK 7 / 0 / 67 / 29

HEX #A9B53C

RGB 169 181 60

HSL 65.95, 0.5%, 0.47%

LAB 70.74, -19.98, 57.64

 

CMYK 7 / 0 / 75 / 36

HEX #98A329

RGB 152 163 41

HSL 65.41, 0.6%, 0.4%

LAB 64.19, -19.2, 57.83

 

CMYK 7 / 0 / 85 / 43

HEX #879116

RGB 135 145 22

HSL 64.88, 0.74%, 0.33%

LAB 57.52, -18.21, 57.08

 

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

CMYK 16 / 0 / 55 / 15

HEX #B7D962

RGB 183 217 98

HSL 77.14, 0.61%, 0.62%

LAB 82.15, -28.95, 54.05

 

CMYK 24 / 0 / 55 / 15

HEX #A4D962

RGB 164 217 98

HSL 86.72, 0.61%, 0.62%

LAB 80.96, -36.11, 52.36

 

CMYK 34 / 0 / 55 / 15

HEX #90D962

RGB 144 217 98

HSL 96.81, 0.61%, 0.62%

LAB 79.86, -43.19, 50.8

 

CMYK 43 / 0 / 55 / 15

HEX #7CD962

RGB 124 217 98

HSL 106.89, 0.61%, 0.62%

LAB 78.92, -49.64, 49.46

 

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

CMYK 8 / 0 / 54 / 95

HEX #0C0D06

RGB 12 13 6

HSL 68.57, 0.37%, 0.04%

LAB 3.42, -1.31, 2.64

 

CMYK 6 / 0 / 55 / 75

HEX #3C401D

RGB 60 64 29

HSL 66.86, 0.38%, 0.18%

LAB 25.91, -7.92, 20.69

 

CMYK 6 / 0 / 55 / 55

HEX #6C7334

RGB 108 115 52

HSL 66.67, 0.38%, 0.33%

LAB 46.58, -12.54, 33.52

 

CMYK 7 / 0 / 55 / 35

HEX #9BA64B

RGB 155 166 75

HSL 67.25, 0.38%, 0.47%

LAB 65.55, -17.16, 45.08

 

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

CMYK 55 / 0 / 37 / 15

HEX #62D988

RGB 98 217 136

HSL 139.16, 0.61%, 0.62%

LAB 78.46, -51.21, 30.02

 

CMYK 16 / 55 / 0 / 15

HEX #B762D9

RGB 183 98 217

HSL 282.86, 0.61%, 0.62%

LAB 55.9, 53.26, -47.26

 

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

CMYK 55 / 6 / 0 / 15

HEX #62CBD9

RGB 98 203 217

HSL 187.06, 0.61%, 0.62%

LAB 76.26, -26.41, -16.21

 

CMYK 0 / 55 / 6 / 15

HEX #D962CB

RGB 217 98 203

HSL 307.06, 0.61%, 0.62%

LAB 59.71, 59.77, -33.04

 

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

CMYK 55 / 0 / 37 / 15

HEX #62D988

RGB 98 217 136

HSL 139.16, 0.61%, 0.62%

LAB 78.46, -51.21, 30.02

 

CMYK 48 / 55 / 0 / 15

HEX #7062D9

RGB 112 98 217

HSL 247.06, 0.61%, 0.62%

LAB 48.5, 36.14, -59.52

 

CMYK 0 / 55 / 18 / 15

HEX #D962B3

RGB 217 98 179

HSL 319.16, 0.61%, 0.62%

LAB 58.73, 56.03, -20.83

 

CMYK 6 / 0 / 55 / 15

HEX #CBD962

RGB 203 217 98

HSL 67.06, 0.61%, 0.62%

LAB 83.55, -21.08, 56.02

 

CMYK 55 / 0 / 21 / 15

HEX #62D9AB

RGB 98 217 171

HSL 156.81, 0.61%, 0.62%

LAB 79.13, -44.32, 12.65

 

CMYK 48 / 55 / 0 / 15

HEX #7062D9

RGB 112 98 217

HSL 247.06, 0.61%, 0.62%

LAB 48.5, 36.14, -59.52

 

CMYK 0 / 55 / 34 / 15

HEX #D96290

RGB 217 98 144

HSL 336.81, 0.61%, 0.62%

LAB 57.56, 51.33, -2.3

 

Description

Color code: RGB 203 217 98 | qconv.com Color code: RGB 203 217 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 217 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 217 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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