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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 149 157 it is the complementary color RGB 52 106 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 149 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 203 149 157: RGB 208 149 152, RGB 225 167 171, RGB 242 185 190, RGB 255 203 209 and RGB 255 221 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 149 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 203 149 157: RGB 203 149 157, RGB 186 131 138, RGB 169 113 119, RGB 152 95 100 and RGB 135 77 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

Complementary color

CMYK 51 / 0 / 8 / 58

HEX #346A62

RGB 52 106 98

HSL 171.11, 0.34%, 0.31%

LAB 41.09, -20.09, -1.04

 

CMYK 0 / 28 / 27 / 18

HEX #D09598

RGB 208 149 152

HSL 356.95, 0.39%, 0.7%

LAB 67.41, 22.62, 7.26

 

CMYK 0 / 26 / 24 / 12

HEX #E1A7AB

RGB 225 167 171

HSL 355.86, 0.49%, 0.77%

LAB 73.92, 21.91, 6.32

 

CMYK 0 / 24 / 21 / 5

HEX #F2B9BE

RGB 242 185 190

HSL 354.74, 0.69%, 0.84%

LAB 80.34, 21.28, 5.45

 

CMYK 0 / 20 / 18 / 0

HEX #FFCBD1

RGB 255 203 209

HSL 353.08, 1%, 0.9%

LAB 86.29, 19.27, 4.04

 

CMYK 0 / 13 / 11 / 0

HEX #FFDDE4

RGB 255 221 228

HSL 347.65, 1%, 0.93%

LAB 91.04, 12.85, 0.91

 

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

CMYK 0 / 30 / 26 / 27

HEX #BA838A

RGB 186 131 138

HSL 352.36, 0.28%, 0.62%

LAB 60.34, 22.19, 4.73

 

CMYK 0 / 33 / 30 / 34

HEX #A97177

RGB 169 113 119

HSL 353.57, 0.25%, 0.55%

LAB 53.58, 23, 5.76

 

CMYK 0 / 38 / 34 / 40

HEX #985F64

RGB 152 95 100

HSL 354.74, 0.23%, 0.48%

LAB 46.68, 23.9, 6.93

 

CMYK 0 / 43 / 40 / 47

HEX #874D51

RGB 135 77 81

HSL 355.86, 0.27%, 0.42%

LAB 39.67, 24.92, 8.3

 

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

CMYK 0 / 26 / 26 / 21

HEX #CA9595

RGB 202 149 149

HSL 0, 0.33%, 0.69%

LAB 66.69, 19.92, 7.83

 

CMYK 0 / 22 / 26 / 21

HEX #CA9E95

RGB 202 158 149

HSL 10.19, 0.33%, 0.69%

LAB 68.88, 15, 10.95

 

CMYK 0 / 17 / 26 / 21

HEX #CAA795

RGB 202 167 149

HSL 20.38, 0.33%, 0.69%

LAB 71.12, 10.09, 14.11

 

CMYK 0 / 13 / 26 / 21

HEX #CAB095

RGB 202 176 149

HSL 30.57, 0.33%, 0.69%

LAB 73.4, 5.24, 17.29

 

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

CMYK 0 / 27 / 23 / 0

HEX #FEBAC4

RGB 254 186 196

HSL 351.18, 0.97%, 0.86%

LAB 81.93, 25.93, 4.67

 

CMYK 0 / 26 / 22 / 80

HEX #322527

RGB 50 37 39

HSL 350.77, 0.15%, 0.17%

LAB 16.24, 6.54, 1.03

 

CMYK 0 / 27 / 23 / 60

HEX #654A4E

RGB 101 74 78

HSL 351.11, 0.15%, 0.34%

LAB 34.43, 12.15, 2.11

 

CMYK 0 / 26 / 22 / 40

HEX #987076

RGB 152 112 118

HSL 351, 0.16%, 0.52%

LAB 51.35, 16.76, 2.89

 

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

CMYK 1 / 0 / 26 / 21

HEX #C8CA95

RGB 200 202 149

HSL 62.26, 0.33%, 0.69%

LAB 80.01, -9.21, 26.31

 

CMYK 26 / 12 / 0 / 21

HEX #95B2CA

RGB 149 178 202

HSL 207.17, 0.33%, 0.69%

LAB 71.21, -4.44, -15.43

 

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

CMYK 22 / 0 / 26 / 21

HEX #9DCA95

RGB 157 202 149

HSL 110.94, 0.33%, 0.69%

LAB 77.03, -24.89, 21.77

 

CMYK 26 / 22 / 0 / 21

HEX #959DCA

RGB 149 157 202

HSL 230.94, 0.33%, 0.69%

LAB 65.57, 7.18, -24

 

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

CMYK 1 / 0 / 26 / 21

HEX #C8CA95

RGB 200 202 149

HSL 62.26, 0.33%, 0.69%

LAB 80.01, -9.21, 26.31

 

CMYK 26 / 0 / 4 / 21

HEX #95CAC2

RGB 149 202 194

HSL 170.94, 0.33%, 0.69%

LAB 77.59, -18.84, -1.59

 

CMYK 25 / 26 / 0 / 21

HEX #9795CA

RGB 151 149 202

HSL 242.26, 0.33%, 0.69%

LAB 63.62, 12.33, -26.98

 

CMYK 0 / 27 / 23 / 20

HEX #CB959D

RGB 203 149 157

HSL 351.11, 0.34%, 0.69%

LAB 67, 21.47, 3.8

 

CMYK 9 / 0 / 26 / 21

HEX #B8CA95

RGB 184 202 149

HSL 80.38, 0.33%, 0.69%

LAB 78.81, -15.22, 24.49

 

CMYK 26 / 0 / 4 / 21

HEX #95CAC2

RGB 149 202 194

HSL 170.94, 0.33%, 0.69%

LAB 77.59, -18.84, -1.59

 

CMYK 17 / 26 / 0 / 21

HEX #A795CA

RGB 167 149 202

HSL 260.38, 0.33%, 0.69%

LAB 64.94, 17.32, -24.84

 

Description

Color code: RGB 203 149 157 | qconv.com Color code: RGB 203 149 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 149 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 149 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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