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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 133 31 it is the complementary color RGB 52 122 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 133 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 203 133 31: RGB 208 133 26, RGB 225 151 45, RGB 242 169 64, RGB 255 187 83 and RGB 255 205 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 133 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 203 133 31: RGB 203 133 31, RGB 186 115 12, RGB 169 97 0, RGB 152 79 0 and RGB 135 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

Complementary color

CMYK 77 / 46 / 0 / 12

HEX #347AE0

RGB 52 122 224

HSL 215.58, 0.74%, 0.54%

LAB 51.87, 13.65, -58.21

 

CMYK 0 / 36 / 88 / 18

HEX #D0851A

RGB 208 133 26

HSL 35.27, 0.78%, 0.46%

LAB 61.88, 21.29, 62.68

 

CMYK 0 / 33 / 80 / 12

HEX #E1972D

RGB 225 151 45

HSL 35.33, 0.75%, 0.53%

LAB 68.26, 19.41, 62.8

 

CMYK 0 / 30 / 74 / 5

HEX #F2A940

RGB 242 169 64

HSL 35.39, 0.87%, 0.6%

LAB 74.59, 17.77, 62.15

 

CMYK 0 / 27 / 67 / 0

HEX #FFBB53

RGB 255 187 83

HSL 36.28, 1%, 0.66%

LAB 80.42, 14.68, 60.53

 

CMYK 0 / 20 / 60 / 0

HEX #FFCD66

RGB 255 205 102

HSL 40.39, 1%, 0.7%

LAB 84.94, 6.5, 56.96

 

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

CMYK 0 / 38 / 94 / 27

HEX #BA730C

RGB 186 115 12

HSL 35.52, 0.88%, 0.39%

LAB 54.79, 21.29, 59.44

 

CMYK 0 / 43 / 100 / 34

HEX #A96100

RGB 169 97 0

HSL 34.44, 1%, 0.33%

LAB 48.24, 23.62, 56.36

 

CMYK 0 / 48 / 100 / 40

HEX #984F00

RGB 152 79 0

HSL 31.18, 1%, 0.3%

LAB 41.64, 26.16, 51.03

 

CMYK 0 / 55 / 100 / 47

HEX #873D00

RGB 135 61 0

HSL 27.11, 1%, 0.26%

LAB 34.98, 28.7, 45.68

 

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 0 / 7 / 85 / 20

HEX #CCBD1E

RGB 204 189 30

HSL 54.83, 0.74%, 0.46%

LAB 75.65, -10.23, 72.66

 

CMYK 7 / 0 / 85 / 20

HEX #BDCC1E

RGB 189 204 30

HSL 65.17, 0.74%, 0.46%

LAB 78.52, -24.13, 74.53

 

CMYK 22 / 0 / 85 / 20

HEX #A0CC1E

RGB 160 204 30

HSL 75.17, 0.74%, 0.46%

LAB 76.53, -35.99, 72.06

 

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

CMYK 0 / 35 / 85 / 0

HEX #FEA627

RGB 254 166 39

HSL 35.44, 0.99%, 0.57%

LAB 75.13, 23.53, 72.03

 

CMYK 0 / 34 / 84 / 80

HEX #322108

RGB 50 33 8

HSL 35.71, 0.72%, 0.11%

LAB 14.31, 5.14, 17.89

 

CMYK 0 / 35 / 85 / 60

HEX #65420F

RGB 101 66 15

HSL 35.58, 0.74%, 0.23%

LAB 31.11, 10.46, 34.88

 

CMYK 0 / 34 / 85 / 40

HEX #986417

RGB 152 100 23

HSL 35.81, 0.74%, 0.34%

LAB 46.78, 14.72, 48.24

 

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

CMYK 67 / 0 / 85 / 20

HEX #44CC1E

RGB 68 204 30

HSL 106.9, 0.74%, 0.46%

LAB 72.57, -64.8, 67.08

 

CMYK 70 / 85 / 0 / 20

HEX #3E1ECC

RGB 62 30 204

HSL 251.03, 0.74%, 0.46%

LAB 30.19, 60.82, -82.16

 

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

CMYK 85 / 0 / 36 / 20

HEX #1ECC83

RGB 30 204 131

HSL 154.83, 0.74%, 0.46%

LAB 72.96, -57.93, 25

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

CMYK 67 / 0 / 85 / 20

HEX #44CC1E

RGB 68 204 30

HSL 106.9, 0.74%, 0.46%

LAB 72.57, -64.8, 67.08

 

CMYK 85 / 50 / 0 / 20

HEX #1E66CC

RGB 30 102 204

HSL 215.17, 0.74%, 0.46%

LAB 44.43, 16.66, -58.86

 

CMYK 19 / 85 / 0 / 20

HEX #A61ECC

RGB 166 30 204

HSL 286.9, 0.74%, 0.46%

LAB 43.35, 73.21, -60.06

 

CMYK 0 / 34 / 85 / 20

HEX #CB851F

RGB 203 133 31

HSL 35.58, 0.74%, 0.46%

LAB 61.28, 19.24, 60.45

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2C

RGB 30 204 44

HSL 124.83, 0.74%, 0.46%

LAB 71.99, -69.58, 62.64

 

CMYK 85 / 50 / 0 / 20

HEX #1E66CC

RGB 30 102 204

HSL 215.17, 0.74%, 0.46%

LAB 44.43, 16.66, -58.86

 

CMYK 0 / 85 / 7 / 20

HEX #CC1EBD

RGB 204 30 189

HSL 305.17, 0.74%, 0.46%

LAB 48.81, 77.49, -42.24

 

Description

Color code: RGB 203 133 31 | qconv.com Color code: RGB 203 133 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 133 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 133 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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