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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 97 53 it is the complementary color RGB 53 158 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 97 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 202 97 53: RGB 207 97 48, RGB 224 115 67, RGB 241 133 86, RGB 255 151 105 and RGB 255 169 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 97 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 202 97 53: RGB 202 97 53, RGB 185 79 34, RGB 168 61 15, RGB 151 43 0 and RGB 134 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

Complementary color

CMYK 74 / 22 / 0 / 21

HEX #359ECA

RGB 53 158 202

HSL 197.72, 0.58%, 0.5%

LAB 61.2, -15.17, -31.12

 

CMYK 0 / 53 / 77 / 19

HEX #CF6130

RGB 207 97 48

HSL 18.49, 0.62%, 0.5%

LAB 54.06, 40.49, 47.13

 

CMYK 0 / 49 / 70 / 12

HEX #E07343

RGB 224 115 67

HSL 18.34, 0.72%, 0.57%

LAB 60.35, 38.87, 45.11

 

CMYK 0 / 45 / 64 / 5

HEX #F18556

RGB 241 133 86

HSL 18.19, 0.85%, 0.64%

LAB 66.63, 37.36, 43.14

 

CMYK 0 / 41 / 59 / 0

HEX #FF9769

RGB 255 151 105

HSL 18.4, 1%, 0.71%

LAB 72.5, 34.81, 40.74

 

CMYK 0 / 34 / 51 / 0

HEX #FFA97C

RGB 255 169 124

HSL 20.61, 1%, 0.74%

LAB 76.73, 26.96, 36.1

 

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

CMYK 0 / 57 / 82 / 27

HEX #B94F22

RGB 185 79 34

HSL 17.88, 0.69%, 0.43%

LAB 47, 40.43, 45.72

 

CMYK 0 / 64 / 91 / 34

HEX #A83D0F

RGB 168 61 15

HSL 18.04, 0.84%, 0.36%

LAB 40.73, 42.09, 47.18

 

CMYK 0 / 72 / 100 / 41

HEX #972B00

RGB 151 43 0

HSL 17.09, 1%, 0.3%

LAB 34.61, 43.52, 47.02

 

CMYK 0 / 81 / 100 / 47

HEX #861900

RGB 134 25 0

HSL 11.19, 1%, 0.26%

LAB 28.81, 44.31, 41.43

 

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

CMYK 0 / 40 / 74 / 21

HEX #C97835

RGB 201 120 53

HSL 27.16, 0.58%, 0.5%

LAB 58.14, 26.25, 48.67

 

CMYK 0 / 28 / 74 / 21

HEX #C99035

RGB 201 144 53

HSL 36.89, 0.58%, 0.5%

LAB 63.85, 13.17, 54.49

 

CMYK 0 / 16 / 74 / 21

HEX #C9A935

RGB 201 169 53

HSL 47.03, 0.58%, 0.5%

LAB 70.21, -0.32, 60.75

 

CMYK 0 / 3 / 74 / 21

HEX #C9C235

RGB 201 194 53

HSL 57.16, 0.58%, 0.5%

LAB 76.84, -13.3, 67.08

 

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

CMYK 0 / 52 / 74 / 1

HEX #FD7942

RGB 253 121 66

HSL 17.65, 0.98%, 0.63%

LAB 65.71, 46.88, 52.63

 

CMYK 0 / 51 / 73 / 81

HEX #31180D

RGB 49 24 13

HSL 18.33, 0.58%, 0.12%

LAB 11.52, 11.26, 11.99

 

CMYK 0 / 52 / 74 / 61

HEX #64301A

RGB 100 48 26

HSL 17.84, 0.59%, 0.25%

LAB 26.44, 21.52, 24.39

 

CMYK 0 / 52 / 74 / 41

HEX #974928

RGB 151 73 40

HSL 17.84, 0.58%, 0.37%

LAB 40.41, 30.21, 34.22

 

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

CMYK 36 / 0 / 74 / 21

HEX #81C935

RGB 129 201 53

HSL 89.19, 0.58%, 0.5%

LAB 74, -45.29, 62.67

 

CMYK 74 / 65 / 0 / 21

HEX #3546C9

RGB 53 70 201

HSL 233.11, 0.58%, 0.5%

LAB 36.66, 38.34, -69.75

 

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

CMYK 74 / 0 / 53 / 21

HEX #35C95F

RGB 53 201 95

HSL 137.03, 0.58%, 0.5%

LAB 71.8, -60.57, 41.79

 

CMYK 53 / 74 / 0 / 21

HEX #5F35C9

RGB 95 53 201

HSL 257.03, 0.58%, 0.5%

LAB 36.36, 53.43, -70.12

 

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

CMYK 36 / 0 / 74 / 21

HEX #81C935

RGB 129 201 53

HSL 89.19, 0.58%, 0.5%

LAB 74, -45.29, 62.67

 

CMYK 74 / 21 / 0 / 21

HEX #359FC9

RGB 53 159 201

HSL 197.03, 0.58%, 0.5%

LAB 61.46, -16.05, -30.17

 

CMYK 38 / 74 / 0 / 21

HEX #7D35C9

RGB 125 53 201

HSL 269.19, 0.58%, 0.5%

LAB 39.79, 58.28, -64.38

 

CMYK 0 / 52 / 74 / 21

HEX #CA6135

RGB 202 97 53

HSL 17.72, 0.58%, 0.5%

LAB 53.34, 38.77, 43.67

 

CMYK 58 / 0 / 74 / 21

HEX #55C935

RGB 85 201 53

HSL 107.03, 0.58%, 0.5%

LAB 72.2, -58.65, 60.3

 

CMYK 74 / 21 / 0 / 21

HEX #359FC9

RGB 53 159 201

HSL 197.03, 0.58%, 0.5%

LAB 61.46, -16.05, -30.17

 

CMYK 16 / 74 / 0 / 21

HEX #A935C9

RGB 169 53 201

HSL 287.03, 0.58%, 0.5%

LAB 45.9, 66.57, -54.18

 

Description

Color code: RGB 202 97 53 | qconv.com Color code: RGB 202 97 53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 97 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 97 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 74 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 74% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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