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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 53 120 it is the complementary color RGB 53 202 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 53 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 202 53 120: RGB 207 53 115, RGB 224 71 134, RGB 241 89 153, RGB 255 107 172 and RGB 255 125 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 53 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 202 53 120: RGB 202 53 120, RGB 185 35 101, RGB 168 17 82, RGB 151 0 63 and RGB 134 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

Complementary color

CMYK 74 / 0 / 33 / 21

HEX #35CA87

RGB 53 202 135

HSL 153.02, 0.58%, 0.5%

LAB 72.73, -53.91, 22.63

 

CMYK 0 / 74 / 44 / 19

HEX #CF3573

RGB 207 53 115

HSL 335.84, 0.62%, 0.51%

LAB 48.32, 63.56, 1.29

 

CMYK 0 / 68 / 40 / 12

HEX #E04786

RGB 224 71 134

HSL 335.29, 0.71%, 0.58%

LAB 54.11, 63.87, -1.35

 

CMYK 0 / 63 / 37 / 5

HEX #F15999

RGB 241 89 153

HSL 334.74, 0.84%, 0.65%

LAB 60.02, 63.74, -3.5

 

CMYK 0 / 58 / 33 / 0

HEX #FF6BAC

RGB 255 107 172

HSL 333.65, 1%, 0.71%

LAB 65.56, 62.44, -6

 

CMYK 0 / 51 / 25 / 0

HEX #FF7DBF

RGB 255 125 191

HSL 329.54, 1%, 0.75%

LAB 69.25, 56.6, -11.23

 

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

CMYK 0 / 81 / 45 / 27

HEX #B92365

RGB 185 35 101

HSL 333.6, 0.68%, 0.43%

LAB 41.93, 61.68, 0.14

 

CMYK 0 / 90 / 51 / 34

HEX #A81152

RGB 168 17 82

HSL 334.17, 0.82%, 0.36%

LAB 36.62, 59.63, 4.12

 

CMYK 0 / 100 / 58 / 41

HEX #97003F

RGB 151 0 63

HSL 334.97, 1%, 0.3%

LAB 31.67, 56.45, 9.06

 

CMYK 0 / 100 / 67 / 47

HEX #86002C

RGB 134 0 44

HSL 340.3, 1%, 0.26%

LAB 27.44, 51.05, 15.48

 

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

CMYK 0 / 74 / 53 / 21

HEX #C9355F

RGB 201 53 95

HSL 342.97, 0.58%, 0.5%

LAB 46.7, 60.16, 11.08

 

CMYK 0 / 74 / 65 / 21

HEX #C93546

RGB 201 53 70

HSL 353.11, 0.58%, 0.5%

LAB 46.19, 58.46, 25.7

 

CMYK 0 / 70 / 74 / 21

HEX #C93C35

RGB 201 60 53

HSL 2.84, 0.58%, 0.5%

LAB 46.85, 55.1, 36.51

 

CMYK 0 / 58 / 74 / 21

HEX #C95535

RGB 201 85 53

HSL 12.97, 0.58%, 0.5%

LAB 50.89, 44.3, 40.97

 

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

CMYK 0 / 74 / 41 / 1

HEX #FD4296

RGB 253 66 150

HSL 333.05, 0.98%, 0.63%

LAB 58.96, 74.98, -3.09

 

CMYK 0 / 73 / 41 / 81

HEX #310D1D

RGB 49 13 29

HSL 333.33, 0.58%, 0.12%

LAB 9.24, 20.23, -1.91

 

CMYK 0 / 74 / 41 / 61

HEX #641A3B

RGB 100 26 59

HSL 333.24, 0.59%, 0.25%

LAB 22.87, 36, -2.26

 

CMYK 0 / 74 / 40 / 41

HEX #97285A

RGB 151 40 90

HSL 332.97, 0.58%, 0.37%

LAB 35.66, 49.69, -2.84

 

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

CMYK 0 / 18 / 74 / 21

HEX #C9A435

RGB 201 164 53

HSL 45, 0.58%, 0.5%

LAB 68.91, 2.35, 59.49

 

CMYK 74 / 11 / 0 / 21

HEX #35B3C9

RGB 53 179 201

HSL 188.92, 0.58%, 0.5%

LAB 67.44, -26.43, -20.98

 

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

CMYK 40 / 0 / 74 / 21

HEX #78C935

RGB 120 201 53

HSL 92.84, 0.58%, 0.5%

LAB 73.56, -48.37, 62.1

 

CMYK 74 / 40 / 0 / 21

HEX #3578C9

RGB 53 120 201

HSL 212.84, 0.58%, 0.5%

LAB 49.99, 6.53, -48.19

 

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

CMYK 0 / 18 / 74 / 21

HEX #C9A435

RGB 201 164 53

HSL 45, 0.58%, 0.5%

LAB 68.91, 2.35, 59.49

 

CMYK 74 / 0 / 33 / 21

HEX #35C986

RGB 53 201 134

HSL 152.84, 0.58%, 0.5%

LAB 72.4, -53.73, 22.71

 

CMYK 74 / 55 / 0 / 21

HEX #355AC9

RGB 53 90 201

HSL 225, 0.58%, 0.5%

LAB 41.67, 25.58, -61.58

 

CMYK 0 / 74 / 41 / 21

HEX #CA3578

RGB 202 53 120

HSL 333.02, 0.58%, 0.5%

LAB 47.57, 62.67, -2.97

 

CMYK 3 / 0 / 74 / 21

HEX #C2C935

RGB 194 201 53

HSL 62.84, 0.58%, 0.5%

LAB 78.17, -19.77, 68.13

 

CMYK 74 / 0 / 33 / 21

HEX #35C986

RGB 53 201 134

HSL 152.84, 0.58%, 0.5%

LAB 72.4, -53.73, 22.71

 

CMYK 70 / 74 / 0 / 21

HEX #3C35C9

RGB 60 53 201

HSL 242.84, 0.58%, 0.5%

LAB 33.4, 49.09, -75.09

 

Description

Color code: RGB 202 53 120 | qconv.com Color code: RGB 202 53 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 53 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 53 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 41 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 41% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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