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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 139 191 it is the complementary color RGB 53 116 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 139 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 202 139 191: RGB 207 139 186, RGB 224 157 205, RGB 241 175 224, RGB 255 193 243 and RGB 255 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 139 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 202 139 191: RGB 202 139 191, RGB 185 121 172, RGB 168 103 153, RGB 151 85 134 and RGB 134 67 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

Complementary color

CMYK 54 / 0 / 45 / 55

HEX #357440

RGB 53 116 64

HSL 130.48, 0.37%, 0.33%

LAB 43.68, -32.43, 22.69

 

CMYK 0 / 33 / 10 / 19

HEX #CF8BBA

RGB 207 139 186

HSL 318.53, 0.41%, 0.68%

LAB 65.96, 33, -13.96

 

CMYK 0 / 30 / 8 / 12

HEX #E09DCD

RGB 224 157 205

HSL 317.01, 0.52%, 0.75%

LAB 72.47, 32.29, -14.54

 

CMYK 0 / 27 / 7 / 5

HEX #F1AFE0

RGB 241 175 224

HSL 315.45, 0.7%, 0.82%

LAB 78.89, 31.63, -15.08

 

CMYK 0 / 24 / 5 / 0

HEX #FFC1F3

RGB 255 193 243

HSL 311.61, 1%, 0.88%

LAB 84.93, 30.03, -16.07

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

CMYK 0 / 35 / 7 / 27

HEX #B979AC

RGB 185 121 172

HSL 312.19, 0.31%, 0.6%

LAB 58.94, 32.91, -16.87

 

CMYK 0 / 39 / 9 / 34

HEX #A86799

RGB 168 103 153

HSL 313.85, 0.27%, 0.53%

LAB 52.2, 33.68, -16.28

 

CMYK 0 / 44 / 11 / 41

HEX #975586

RGB 151 85 134

HSL 315.45, 0.28%, 0.46%

LAB 45.36, 34.48, -15.59

 

CMYK 0 / 50 / 14 / 47

HEX #864373

RGB 134 67 115

HSL 317.01, 0.33%, 0.39%

LAB 38.41, 35.27, -14.77

 

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

CMYK 0 / 31 / 10 / 21

HEX #C98BB5

RGB 201 139 181

HSL 319.35, 0.36%, 0.67%

LAB 65.14, 30.09, -12.46

 

CMYK 0 / 31 / 15 / 21

HEX #C98BAA

RGB 201 139 170

HSL 330, 0.36%, 0.67%

LAB 64.79, 28.24, -6.77

 

CMYK 0 / 31 / 20 / 21

HEX #C98BA0

RGB 201 139 160

HSL 339.68, 0.36%, 0.67%

LAB 64.5, 26.66, -1.54

 

CMYK 0 / 31 / 25 / 21

HEX #C98B96

RGB 201 139 150

HSL 349.35, 0.36%, 0.67%

LAB 64.23, 25.17, 3.72

 

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

CMYK 0 / 31 / 6 / 1

HEX #FDAEEF

RGB 253 174 239

HSL 310.63, 0.95%, 0.84%

LAB 80.4, 38.65, -20.79

 

CMYK 0 / 31 / 6 / 81

HEX #31222E

RGB 49 34 46

HSL 312, 0.18%, 0.16%

LAB 15.46, 9.69, -5.12

 

CMYK 0 / 31 / 5 / 61

HEX #64455F

RGB 100 69 95

HSL 309.68, 0.18%, 0.33%

LAB 33.55, 18.07, -10.02

 

CMYK 0 / 31 / 5 / 41

HEX #97688F

RGB 151 104 143

HSL 310.21, 0.18%, 0.5%

LAB 50.05, 25.37, -13.83

 

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

CMYK 0 / 19 / 31 / 21

HEX #C9A28B

RGB 201 162 139

HSL 22.26, 0.36%, 0.67%

LAB 69.56, 11.05, 17.41

 

CMYK 31 / 0 / 7 / 21

HEX #8BC9BB

RGB 139 201 187

HSL 166.45, 0.36%, 0.67%

LAB 76.59, -22.83, 0.65

 

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

CMYK 5 / 0 / 31 / 21

HEX #BFC98B

RGB 191 201 139

HSL 69.68, 0.36%, 0.67%

LAB 78.88, -13.47, 29.91

 

CMYK 31 / 5 / 0 / 21

HEX #8BBFC9

RGB 139 191 201

HSL 189.68, 0.36%, 0.67%

LAB 74.17, -14.53, -10.51

 

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

CMYK 0 / 19 / 31 / 21

HEX #C9A28B

RGB 201 162 139

HSL 22.26, 0.36%, 0.67%

LAB 69.56, 11.05, 17.41

 

CMYK 31 / 0 / 25 / 21

HEX #8BC996

RGB 139 201 150

HSL 130.65, 0.36%, 0.67%

LAB 75.74, -30.22, 19.3

 

CMYK 31 / 11 / 0 / 21

HEX #8BB3C9

RGB 139 179 201

HSL 201.29, 0.36%, 0.67%

LAB 70.83, -8.18, -15.51

 

CMYK 0 / 31 / 5 / 21

HEX #CA8BBF

RGB 202 139 191

HSL 310.48, 0.37%, 0.67%

LAB 65.58, 32.18, -17.4

 

CMYK 0 / 10 / 31 / 21

HEX #C9B58B

RGB 201 181 139

HSL 40.65, 0.36%, 0.67%

LAB 74.4, 0.83, 24.04

 

CMYK 31 / 0 / 25 / 21

HEX #8BC996

RGB 139 201 150

HSL 130.65, 0.36%, 0.67%

LAB 75.74, -30.22, 19.3

 

CMYK 31 / 20 / 0 / 21

HEX #8BA0C9

RGB 139 160 201

HSL 219.68, 0.36%, 0.67%

LAB 65.63, 2.25, -23.41

 

Description

Color code: RGB 202 139 191 | qconv.com Color code: RGB 202 139 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 139 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 139 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 5 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 5% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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