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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 124 78 it is the complementary color RGB 53 131 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 124 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 202 124 78: RGB 207 124 73, RGB 224 142 92, RGB 241 160 111, RGB 255 178 130 and RGB 255 196 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 124 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 202 124 78: RGB 202 124 78, RGB 185 106 59, RGB 168 88 40, RGB 151 70 21 and RGB 134 52 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

Complementary color

CMYK 70 / 26 / 0 / 31

HEX #3583B1

RGB 53 131 177

HSL 202.26, 0.54%, 0.45%

LAB 52.02, -8.64, -31.21

 

CMYK 0 / 40 / 65 / 19

HEX #CF7C49

RGB 207 124 73

HSL 22.84, 0.58%, 0.55%

LAB 60.03, 27.7, 41.04

 

CMYK 0 / 37 / 59 / 12

HEX #E08E5C

RGB 224 142 92

HSL 22.73, 0.68%, 0.62%

LAB 66.49, 26.3, 39.32

 

CMYK 0 / 34 / 54 / 5

HEX #F1A06F

RGB 241 160 111

HSL 22.62, 0.82%, 0.69%

LAB 72.89, 25.07, 37.7

 

CMYK 0 / 30 / 49 / 0

HEX #FFB282

RGB 255 178 130

HSL 23.04, 1%, 0.75%

LAB 78.88, 22.79, 35.71

 

CMYK 0 / 23 / 42 / 0

HEX #FFC495

RGB 255 196 149

HSL 26.6, 1%, 0.79%

LAB 83.39, 15.24, 31.71

 

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

CMYK 0 / 43 / 68 / 27

HEX #B96A3B

RGB 185 106 59

HSL 22.38, 0.52%, 0.48%

LAB 52.88, 27.47, 39.37

 

CMYK 0 / 48 / 76 / 34

HEX #A85828

RGB 168 88 40

HSL 22.5, 0.62%, 0.41%

LAB 46.25, 29.16, 41.21

 

CMYK 0 / 54 / 86 / 41

HEX #974615

RGB 151 70 21

HSL 22.62, 0.76%, 0.34%

LAB 39.6, 31.06, 42.75

 

CMYK 0 / 61 / 99 / 47

HEX #863402

RGB 134 52 2

HSL 22.73, 0.97%, 0.27%

LAB 32.98, 33.05, 43.6

 

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

CMYK 0 / 29 / 61 / 21

HEX #CA904E

RGB 202 144 78

HSL 31.94, 0.54%, 0.55%

LAB 64.2, 15.07, 43.18

 

CMYK 0 / 18 / 61 / 21

HEX #CAA54E

RGB 202 165 78

HSL 42.1, 0.54%, 0.55%

LAB 69.48, 3.68, 49.24

 

CMYK 0 / 8 / 61 / 21

HEX #CAB94E

RGB 202 185 78

HSL 51.77, 0.54%, 0.55%

LAB 74.7, -6.88, 55.04

 

CMYK 2 / 0 / 61 / 21

HEX #C6CA4E

RGB 198 202 78

HSL 61.94, 0.54%, 0.55%

LAB 78.92, -17.21, 59.52

 

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

CMYK 0 / 39 / 61 / 1

HEX #FD9B62

RGB 253 155 98

HSL 22.06, 0.97%, 0.69%

LAB 73.03, 31.48, 44.94

 

CMYK 0 / 39 / 61 / 81

HEX #311E13

RGB 49 30 19

HSL 22, 0.44%, 0.13%

LAB 13.4, 7.72, 11.19

 

CMYK 0 / 39 / 61 / 61

HEX #643D27

RGB 100 61 39

HSL 21.64, 0.44%, 0.27%

LAB 29.89, 14.62, 20.59

 

CMYK 0 / 38 / 62 / 41

HEX #975D3A

RGB 151 93 58

HSL 22.58, 0.44%, 0.41%

LAB 45.24, 20.16, 29.8

 

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

CMYK 35 / 0 / 61 / 21

HEX #83CA4E

RGB 131 202 78

HSL 94.35, 0.54%, 0.55%

LAB 74.58, -43.13, 53.53

 

CMYK 61 / 59 / 0 / 21

HEX #4E52CA

RGB 78 82 202

HSL 238.06, 0.54%, 0.55%

LAB 41.09, 34.65, -63.04

 

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

CMYK 61 / 0 / 39 / 21

HEX #4ECA7B

RGB 78 202 123

HSL 141.77, 0.54%, 0.55%

LAB 73.08, -51.93, 29.49

 

CMYK 39 / 61 / 0 / 21

HEX #7B4ECA

RGB 123 78 202

HSL 261.77, 0.54%, 0.55%

LAB 44.12, 45.75, -57.93

 

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

CMYK 35 / 0 / 61 / 21

HEX #83CA4E

RGB 131 202 78

HSL 94.35, 0.54%, 0.55%

LAB 74.58, -43.13, 53.53

 

CMYK 61 / 23 / 0 / 21

HEX #4E9CCA

RGB 78 156 202

HSL 202.26, 0.54%, 0.55%

LAB 61.36, -10.17, -30.81

 

CMYK 27 / 61 / 0 / 21

HEX #944ECA

RGB 148 78 202

HSL 273.87, 0.54%, 0.55%

LAB 46.99, 51.4, -53.17

 

CMYK 0 / 39 / 61 / 21

HEX #CA7C4E

RGB 202 124 78

HSL 22.26, 0.54%, 0.55%

LAB 59.45, 25.97, 37.56

 

CMYK 53 / 0 / 61 / 21

HEX #5ECA4E

RGB 94 202 78

HSL 112.26, 0.54%, 0.55%

LAB 73, -54.5, 51.33

 

CMYK 61 / 23 / 0 / 21

HEX #4E9CCA

RGB 78 156 202

HSL 202.26, 0.54%, 0.55%

LAB 61.36, -10.17, -30.81

 

CMYK 8 / 61 / 0 / 21

HEX #B94ECA

RGB 185 78 202

HSL 291.77, 0.54%, 0.55%

LAB 51.87, 60.28, -45.1

 

Description

Color code: RGB 202 124 78 | qconv.com Color code: RGB 202 124 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 124 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 124 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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