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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 45 75 it is the complementary color RGB 54 210 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 45 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 201 45 75: RGB 206 45 70, RGB 223 63 89, RGB 240 81 108, RGB 255 99 127 and RGB 255 117 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 45 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 201 45 75: RGB 201 45 75, RGB 184 27 56, RGB 167 9 37, RGB 150 0 18 and RGB 133 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

Complementary color

CMYK 74 / 0 / 14 / 18

HEX #36D2B4

RGB 54 210 180

HSL 168.46, 0.63%, 0.52%

LAB 76.18, -46.57, 3.46

 

CMYK 0 / 78 / 66 / 19

HEX #CE2D46

RGB 206 45 70

HSL 350.68, 0.64%, 0.49%

LAB 46.23, 62.45, 25.95

 

CMYK 0 / 72 / 60 / 13

HEX #DF3F59

RGB 223 63 89

HSL 350.25, 0.71%, 0.56%

LAB 51.8, 62.75, 22.32

 

CMYK 0 / 66 / 55 / 6

HEX #F0516C

RGB 240 81 108

HSL 349.81, 0.84%, 0.63%

LAB 57.55, 62.54, 19.3

 

CMYK 0 / 61 / 50 / 0

HEX #FF637F

RGB 255 99 127

HSL 349.23, 1%, 0.69%

LAB 63.11, 61.39, 16.27

 

CMYK 0 / 54 / 43 / 0

HEX #FF7592

RGB 255 117 146

HSL 347.39, 1%, 0.73%

LAB 66.56, 55.12, 10.26

 

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

CMYK 0 / 85 / 70 / 28

HEX #B81B38

RGB 184 27 56

HSL 348.92, 0.74%, 0.41%

LAB 40.01, 60.22, 25.85

 

CMYK 0 / 95 / 78 / 35

HEX #A70925

RGB 167 9 37

HSL 349.37, 0.9%, 0.35%

LAB 35.09, 57.95, 30.97

 

CMYK 0 / 100 / 88 / 41

HEX #960012

RGB 150 0 18

HSL 352.8, 1%, 0.29%

LAB 30.71, 54.21, 36.48

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

CMYK 0 / 77 / 75 / 22

HEX #C72D32

RGB 199 45 50

HSL 358.05, 0.63%, 0.48%

LAB 44.59, 59.49, 35.59

 

CMYK 0 / 67 / 77 / 22

HEX #C7412D

RGB 199 65 45

HSL 7.79, 0.63%, 0.48%

LAB 47.12, 52.16, 41.11

 

CMYK 0 / 54 / 77 / 22

HEX #C75B2D

RGB 199 91 45

HSL 17.92, 0.63%, 0.48%

LAB 51.63, 40.28, 45.73

 

CMYK 0 / 41 / 77 / 22

HEX #C7752D

RGB 199 117 45

HSL 28.05, 0.63%, 0.48%

LAB 57.13, 26.69, 51.19

 

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

CMYK 0 / 78 / 63 / 1

HEX #FC385E

RGB 252 56 94

HSL 348.37, 0.97%, 0.6%

LAB 56.42, 73.4, 26.4

 

CMYK 0 / 77 / 63 / 81

HEX #300B12

RGB 48 11 18

HSL 348.65, 0.63%, 0.12%

LAB 8.23, 19.5, 4.58

 

CMYK 0 / 78 / 63 / 61

HEX #631625

RGB 99 22 37

HSL 348.31, 0.64%, 0.24%

LAB 21.43, 35.12, 10.95

 

CMYK 0 / 77 / 63 / 41

HEX #962238

RGB 150 34 56

HSL 348.62, 0.63%, 0.36%

LAB 33.8, 48.53, 16.52

 

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

CMYK 0 / 0 / 77 / 22

HEX #C7C72D

RGB 199 199 45

HSL 60, 0.63%, 0.48%

LAB 77.98, -16.98, 70.6

 

CMYK 77 / 31 / 0 / 22

HEX #2D89C7

RGB 45 137 199

HSL 204.16, 0.63%, 0.48%

LAB 54.63, -5.38, -39.71

 

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

CMYK 62 / 0 / 77 / 22

HEX #4CC72D

RGB 76 199 45

HSL 107.92, 0.63%, 0.48%

LAB 71.26, -60.65, 61.93

 

CMYK 77 / 62 / 0 / 22

HEX #2D4CC7

RGB 45 76 199

HSL 227.92, 0.63%, 0.48%

LAB 37.57, 32.99, -67.11

 

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

CMYK 0 / 0 / 77 / 22

HEX #C7C72D

RGB 199 199 45

HSL 60, 0.63%, 0.48%

LAB 77.98, -16.98, 70.6

 

CMYK 77 / 0 / 16 / 22

HEX #2DC7A8

RGB 45 199 168

HSL 167.92, 0.63%, 0.48%

LAB 72.38, -46.01, 4.43

 

CMYK 77 / 77 / 0 / 22

HEX #2D2DC7

RGB 45 45 199

HSL 240, 0.63%, 0.48%

LAB 30.78, 51.47, -78.29

 

CMYK 0 / 78 / 63 / 21

HEX #C92D4B

RGB 201 45 75

HSL 348.46, 0.63%, 0.48%

LAB 45.36, 61.31, 21.59

 

CMYK 23 / 0 / 77 / 22

HEX #99C72D

RGB 153 199 45

HSL 77.92, 0.63%, 0.48%

LAB 74.7, -35.91, 66.4

 

CMYK 77 / 0 / 16 / 22

HEX #2DC7A8

RGB 45 199 168

HSL 167.92, 0.63%, 0.48%

LAB 72.38, -46.01, 4.43

 

CMYK 54 / 77 / 0 / 22

HEX #5B2DC7

RGB 91 45 199

HSL 257.92, 0.63%, 0.48%

LAB 34.45, 56.09, -72.11

 

Description

Color code: RGB 201 45 75 | qconv.com Color code: RGB 201 45 75 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 45 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 45 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 63 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 63% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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