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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 195 109 it is the complementary color RGB 54 60 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 195 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 201 195 109: RGB 206 195 104, RGB 223 213 123, RGB 240 231 142, RGB 255 249 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 195 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 201 195 109: RGB 201 195 109, RGB 184 177 90, RGB 167 159 71, RGB 150 141 52 and RGB 133 123 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

Complementary color

CMYK 63 / 59 / 0 / 43

HEX #363C92

RGB 54 60 146

HSL 236.09, 0.46%, 0.39%

LAB 29.64, 25.32, -48.39

 

CMYK 0 / 5 / 50 / 19

HEX #CEC368

RGB 206 195 104

HSL 53.53, 0.51%, 0.61%

LAB 77.96, -8.32, 46.72

 

CMYK 0 / 4 / 45 / 13

HEX #DFD57B

RGB 223 213 123

HSL 54, 0.61%, 0.68%

LAB 84.33, -8.85, 45.53

 

CMYK 0 / 4 / 41 / 6

HEX #F0E78E

RGB 240 231 142

HSL 54.49, 0.77%, 0.75%

LAB 90.61, -9.3, 44.35

 

CMYK 0 / 2 / 37 / 0

HEX #FFF9A1

RGB 255 249 161

HSL 56.17, 1%, 0.82%

LAB 96.65, -10.45, 42.97

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 0 / 4 / 51 / 28

HEX #B8B15A

RGB 184 177 90

HSL 55.53, 0.4%, 0.54%

LAB 71.13, -9.37, 44.94

 

CMYK 0 / 5 / 57 / 35

HEX #A79F47

RGB 167 159 71

HSL 55, 0.4%, 0.47%

LAB 64.54, -8.72, 46.08

 

CMYK 0 / 6 / 65 / 41

HEX #968D34

RGB 150 141 52

HSL 54.49, 0.49%, 0.4%

LAB 57.83, -7.91, 47.07

 

CMYK 0 / 8 / 75 / 48

HEX #857B21

RGB 133 123 33

HSL 54, 0.6%, 0.33%

LAB 50.99, -6.88, 47.61

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 4 / 0 / 46 / 21

HEX #C0C96D

RGB 192 201 109

HSL 65.87, 0.46%, 0.61%

LAB 78.51, -16.57, 44.68

 

CMYK 12 / 0 / 46 / 21

HEX #B0C96D

RGB 176 201 109

HSL 76.3, 0.46%, 0.61%

LAB 77.35, -22.87, 42.99

 

CMYK 20 / 0 / 46 / 21

HEX #A1C96D

RGB 161 201 109

HSL 86.09, 0.46%, 0.61%

LAB 76.35, -28.6, 41.53

 

CMYK 27 / 0 / 46 / 21

HEX #92C96D

RGB 146 201 109

HSL 95.87, 0.46%, 0.61%

LAB 75.44, -34.07, 40.21

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 0 / 3 / 46 / 1

HEX #FCF489

RGB 252 244 137

HSL 55.83, 0.95%, 0.76%

LAB 94.82, -11.56, 52.22

 

CMYK 0 / 2 / 46 / 81

HEX #302F1A

RGB 48 47 26

HSL 57.27, 0.3%, 0.15%

LAB 18.95, -3.53, 13.66

 

CMYK 0 / 3 / 45 / 61

HEX #636036

RGB 99 96 54

HSL 56, 0.29%, 0.3%

LAB 40.06, -5.62, 24.36

 

CMYK 0 / 3 / 46 / 41

HEX #969251

RGB 150 146 81

HSL 56.52, 0.3%, 0.45%

LAB 59.56, -8.16, 34.82

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 46 / 0 / 39 / 21

HEX #6DC97A

RGB 109 201 122

HSL 128.48, 0.46%, 0.61%

LAB 73.82, -44.09, 31.18

 

CMYK 21 / 46 / 0 / 21

HEX #9E6DC9

RGB 158 109 201

HSL 271.96, 0.46%, 0.61%

LAB 54.47, 37.09, -40.62

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 46 / 0 / 3 / 21

HEX #6DC9C3

RGB 109 201 195

HSL 176.09, 0.46%, 0.61%

LAB 75.43, -28.87, -5.53

 

CMYK 3 / 46 / 0 / 21

HEX #C36DC9

RGB 195 109 201

HSL 296.09, 0.46%, 0.61%

LAB 58.75, 47.81, -33.61

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 46 / 0 / 39 / 21

HEX #6DC97A

RGB 109 201 122

HSL 128.48, 0.46%, 0.61%

LAB 73.82, -44.09, 31.18

 

CMYK 46 / 43 / 0 / 21

HEX #6D73C9

RGB 109 115 201

HSL 236.09, 0.46%, 0.61%

LAB 51.53, 20.41, -45.56

 

CMYK 0 / 46 / 6 / 21

HEX #C96DBD

RGB 201 109 189

HSL 307.83, 0.46%, 0.61%

LAB 59, 47.44, -26.33

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 46 / 0 / 26 / 21

HEX #6DC995

RGB 109 201 149

HSL 146.09, 0.46%, 0.61%

LAB 74.31, -39.22, 17.64

 

CMYK 46 / 43 / 0 / 21

HEX #6D73C9

RGB 109 115 201

HSL 236.09, 0.46%, 0.61%

LAB 51.53, 20.41, -45.56

 

CMYK 0 / 46 / 20 / 21

HEX #C96DA1

RGB 201 109 161

HSL 326.09, 0.46%, 0.61%

LAB 57.97, 42.9, -11.81

 

Description

Color code: RGB 201 195 109 | qconv.com Color code: RGB 201 195 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 195 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 195 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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