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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 98 66 it is the complementary color RGB 55 157 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 98 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 98 66: RGB 205 98 61, RGB 222 116 80, RGB 239 134 99, RGB 255 152 118 and RGB 255 170 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 98 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 98 66: RGB 200 98 66, RGB 183 80 47, RGB 166 62 28, RGB 149 44 9 and RGB 132 26 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

Complementary color

CMYK 71 / 17 / 0 / 26

HEX #379DBD

RGB 55 157 189

HSL 194.33, 0.55%, 0.48%

LAB 60.43, -18.67, -25.02

 

CMYK 0 / 52 / 70 / 20

HEX #CD623D

RGB 205 98 61

HSL 15.42, 0.59%, 0.52%

LAB 54.08, 39.81, 40.44

 

CMYK 0 / 48 / 64 / 13

HEX #DE7450

RGB 222 116 80

HSL 15.21, 0.68%, 0.59%

LAB 60.43, 38.33, 38.29

 

CMYK 0 / 44 / 59 / 6

HEX #EF8663

RGB 239 134 99

HSL 15, 0.81%, 0.66%

LAB 66.75, 36.94, 36.33

 

CMYK 0 / 40 / 54 / 0

HEX #FF9876

RGB 255 152 118

HSL 14.89, 1%, 0.73%

LAB 72.91, 35.29, 34.36

 

CMYK 0 / 33 / 46 / 0

HEX #FFAA89

RGB 255 170 137

HSL 16.78, 1%, 0.77%

LAB 77.17, 27.63, 29.78

 

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

CMYK 0 / 56 / 74 / 28

HEX #B7502F

RGB 183 80 47

HSL 14.56, 0.59%, 0.45%

LAB 46.99, 39.67, 39.08

 

CMYK 0 / 63 / 83 / 35

HEX #A63E1C

RGB 166 62 28

HSL 14.78, 0.71%, 0.38%

LAB 40.63, 41.2, 41.46

 

CMYK 0 / 70 / 94 / 42

HEX #952C09

RGB 149 44 9

HSL 15, 0.89%, 0.31%

LAB 34.42, 42.55, 43.17

 

CMYK 0 / 80 / 100 / 48

HEX #841A00

RGB 132 26 0

HSL 11.82, 1%, 0.26%

LAB 28.5, 43.34, 41

 

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

CMYK 0 / 40 / 67 / 22

HEX #C77741

RGB 199 119 65

HSL 24.18, 0.54%, 0.52%

LAB 57.77, 26.59, 42.3

 

CMYK 0 / 29 / 67 / 22

HEX #C78D41

RGB 199 141 65

HSL 34.03, 0.54%, 0.52%

LAB 62.99, 14.58, 48.1

 

CMYK 0 / 18 / 67 / 22

HEX #C7A441

RGB 199 164 65

HSL 44.33, 0.54%, 0.52%

LAB 68.81, 2.1, 54.35

 

CMYK 0 / 7 / 67 / 22

HEX #C7BA41

RGB 199 186 65

HSL 54.18, 0.54%, 0.52%

LAB 74.6, -9.47, 60.37

 

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

CMYK 0 / 51 / 67 / 2

HEX #FB7B53

RGB 251 123 83

HSL 14.29, 0.95%, 0.65%

LAB 65.98, 45.98, 44.29

 

CMYK 0 / 51 / 66 / 82

HEX #2F1710

RGB 47 23 16

HSL 13.55, 0.49%, 0.12%

LAB 10.95, 11.22, 9.6

 

CMYK 0 / 51 / 67 / 62

HEX #623020

RGB 98 48 32

HSL 14.55, 0.51%, 0.25%

LAB 26.2, 21.03, 20.34

 

CMYK 0 / 51 / 67 / 42

HEX #954931

RGB 149 73 49

HSL 14.4, 0.51%, 0.39%

LAB 40.21, 29.9, 28.84

 

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

CMYK 29 / 0 / 67 / 22

HEX #8DC741

RGB 141 199 65

HSL 85.97, 0.54%, 0.52%

LAB 74.12, -39.31, 58.58

 

CMYK 67 / 56 / 0 / 22

HEX #4157C7

RGB 65 87 199

HSL 230.15, 0.54%, 0.52%

LAB 41.32, 28.43, -60.96

 

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

CMYK 67 / 0 / 52 / 22

HEX #41C760

RGB 65 199 96

HSL 133.88, 0.54%, 0.52%

LAB 71.43, -57.71, 40.92

 

CMYK 52 / 67 / 0 / 22

HEX #6041C7

RGB 96 65 199

HSL 253.88, 0.54%, 0.52%

LAB 38.54, 46.77, -65.39

 

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

CMYK 29 / 0 / 67 / 22

HEX #8DC741

RGB 141 199 65

HSL 85.97, 0.54%, 0.52%

LAB 74.12, -39.31, 58.58

 

CMYK 67 / 16 / 0 / 22

HEX #41A8C7

RGB 65 168 199

HSL 193.88, 0.54%, 0.52%

LAB 64.36, -19.79, -24.54

 

CMYK 38 / 67 / 0 / 22

HEX #7B41C7

RGB 123 65 199

HSL 265.97, 0.54%, 0.52%

LAB 41.4, 51.8, -60.61

 

CMYK 0 / 51 / 67 / 22

HEX #C86242

RGB 200 98 66

HSL 14.33, 0.55%, 0.52%

LAB 53.39, 38.16, 36.76

 

CMYK 49 / 0 / 67 / 22

HEX #65C741

RGB 101 199 65

HSL 103.88, 0.54%, 0.52%

LAB 72.23, -52.64, 56

 

CMYK 67 / 16 / 0 / 22

HEX #41A8C7

RGB 65 168 199

HSL 193.88, 0.54%, 0.52%

LAB 64.36, -19.79, -24.54

 

CMYK 18 / 67 / 0 / 22

HEX #A441C7

RGB 164 65 199

HSL 284.33, 0.54%, 0.52%

LAB 46.71, 60.45, -51.77

 

Description

Color code: RGB 200 98 66 | qconv.com Color code: RGB 200 98 66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 98 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 98 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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