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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 98 170 it is the complementary color RGB 55 157 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 98 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 98 170: RGB 205 98 165, RGB 222 116 184, RGB 239 134 203, RGB 255 152 222 and RGB 255 170 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 98 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 98 170: RGB 200 98 170, RGB 183 80 151, RGB 166 62 132, RGB 149 44 113 and RGB 132 26 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

Complementary color

CMYK 65 / 0 / 46 / 38

HEX #379D55

RGB 55 157 85

HSL 137.65, 0.48%, 0.42%

LAB 57.64, -45.58, 29.17

 

CMYK 0 / 52 / 20 / 20

HEX #CD62A5

RGB 205 98 165

HSL 322.43, 0.52%, 0.59%

LAB 56.52, 50.31, -16.27

 

CMYK 0 / 48 / 17 / 13

HEX #DE74B8

RGB 222 116 184

HSL 321.51, 0.62%, 0.66%

LAB 62.91, 49.62, -17.26

 

CMYK 0 / 44 / 15 / 6

HEX #EF86CB

RGB 239 134 203

HSL 320.57, 0.77%, 0.73%

LAB 69.26, 48.89, -18.11

 

CMYK 0 / 40 / 13 / 0

HEX #FF98DE

RGB 255 152 222

HSL 319.22, 1%, 0.8%

LAB 75.45, 47.83, -19.05

 

CMYK 0 / 33 / 5 / 0

HEX #FFAAF1

RGB 255 170 241

HSL 309.88, 1%, 0.83%

LAB 79.82, 41.71, -22.72

 

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

CMYK 0 / 56 / 17 / 28

HEX #B75097

RGB 183 80 151

HSL 318.64, 0.42%, 0.52%

LAB 49.54, 50.11, -18.97

 

CMYK 0 / 63 / 20 / 35

HEX #A63E84

RGB 166 62 132

HSL 319.62, 0.46%, 0.45%

LAB 43.09, 50.49, -17.65

 

CMYK 0 / 70 / 24 / 42

HEX #952C71

RGB 149 44 113

HSL 320.57, 0.54%, 0.38%

LAB 36.71, 50.45, -15.91

 

CMYK 0 / 80 / 29 / 48

HEX #841A5E

RGB 132 26 94

HSL 321.51, 0.67%, 0.31%

LAB 30.53, 49.63, -13.51

 

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

CMYK 0 / 52 / 23 / 22

HEX #C76099

RGB 199 96 153

HSL 326.8, 0.48%, 0.58%

LAB 54.87, 47.65, -11.84

 

CMYK 0 / 52 / 32 / 22

HEX #C76087

RGB 199 96 135

HSL 337.28, 0.48%, 0.58%

LAB 54.3, 45.22, -2.12

 

CMYK 0 / 52 / 41 / 22

HEX #C76076

RGB 199 96 118

HSL 347.18, 0.48%, 0.58%

LAB 53.83, 43.2, 7.25

 

CMYK 0 / 52 / 49 / 22

HEX #C76065

RGB 199 96 101

HSL 357.09, 0.48%, 0.58%

LAB 53.44, 41.46, 16.73

 

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

CMYK 0 / 51 / 15 / 2

HEX #FB7BD5

RGB 251 123 213

HSL 317.81, 0.94%, 0.73%

LAB 69.1, 59.43, -23.79

 

CMYK 0 / 51 / 15 / 82

HEX #2F1728

RGB 47 23 40

HSL 317.5, 0.34%, 0.14%

LAB 11.76, 15.13, -6.4

 

CMYK 0 / 51 / 15 / 62

HEX #623053

RGB 98 48 83

HSL 318, 0.34%, 0.29%

LAB 27.67, 27.7, -11.21

 

CMYK 0 / 51 / 15 / 42

HEX #95497F

RGB 149 73 127

HSL 317.37, 0.34%, 0.44%

LAB 42.29, 39.09, -16.05

 

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

CMYK 0 / 27 / 52 / 22

HEX #C79260

RGB 199 146 96

HSL 29.13, 0.48%, 0.58%

LAB 64.6, 14.16, 34.21

 

CMYK 52 / 0 / 6 / 22

HEX #60C7BB

RGB 96 199 187

HSL 173.01, 0.48%, 0.58%

LAB 74.14, -32.84, -3.16

 

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

CMYK 15 / 0 / 52 / 22

HEX #AAC760

RGB 170 199 96

HSL 76.89, 0.48%, 0.58%

LAB 76.21, -25.58, 47.82

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

CMYK 0 / 27 / 52 / 22

HEX #C79260

RGB 199 146 96

HSL 29.13, 0.48%, 0.58%

LAB 64.6, 14.16, 34.21

 

CMYK 52 / 0 / 37 / 22

HEX #60C77D

RGB 96 199 125

HSL 136.89, 0.48%, 0.58%

LAB 72.77, -46.22, 28.14

 

CMYK 52 / 25 / 0 / 22

HEX #6095C7

RGB 96 149 199

HSL 209.13, 0.48%, 0.58%

LAB 59.98, -3.44, -31.21

 

CMYK 0 / 51 / 15 / 22

HEX #C862AA

RGB 200 98 170

HSL 317.65, 0.48%, 0.58%

LAB 56, 49.52, -20.02

 

CMYK 0 / 11 / 52 / 22

HEX #C7B160

RGB 199 177 96

HSL 47.18, 0.48%, 0.58%

LAB 72.52, -2.56, 43.95

 

CMYK 52 / 0 / 37 / 22

HEX #60C77D

RGB 96 199 125

HSL 136.89, 0.48%, 0.58%

LAB 72.77, -46.22, 28.14

 

CMYK 52 / 41 / 0 / 22

HEX #6076C7

RGB 96 118 199

HSL 227.18, 0.48%, 0.58%

LAB 51.34, 14.9, -44.77

 

Description

Color code: RGB 200 98 170 | qconv.com Color code: RGB 200 98 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 98 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 98 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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