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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 66 104 it is the complementary color RGB 55 189 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 66 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 66 104: RGB 205 66 99, RGB 222 84 118, RGB 239 102 137, RGB 255 120 156 and RGB 255 138 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 66 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 66 104: RGB 200 66 104, RGB 183 48 85, RGB 166 30 66, RGB 149 12 47 and RGB 132 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

Complementary color

CMYK 71 / 0 / 20 / 26

HEX #37BD97

RGB 55 189 151

HSL 162.99, 0.55%, 0.48%

LAB 69.07, -44.8, 8.95

 

CMYK 0 / 68 / 52 / 20

HEX #CD4263

RGB 205 66 99

HSL 345.76, 0.58%, 0.53%

LAB 49.22, 56.92, 12.27

 

CMYK 0 / 62 / 47 / 13

HEX #DE5476

RGB 222 84 118

HSL 345.22, 0.68%, 0.6%

LAB 55.26, 56.51, 9.76

 

CMYK 0 / 57 / 43 / 6

HEX #EF6689

RGB 239 102 137

HSL 344.67, 0.81%, 0.67%

LAB 61.36, 55.86, 7.69

 

CMYK 0 / 53 / 39 / 0

HEX #FF789C

RGB 255 120 156

HSL 344, 1%, 0.74%

LAB 67.35, 54.75, 5.7

 

CMYK 0 / 46 / 31 / 0

HEX #FF8AAF

RGB 255 138 175

HSL 341.03, 1%, 0.77%

LAB 71.24, 48.24, 0.66

 

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

CMYK 0 / 74 / 54 / 28

HEX #B73055

RGB 183 48 85

HSL 343.56, 0.58%, 0.45%

LAB 42.52, 55.81, 10.96

 

CMYK 0 / 82 / 60 / 35

HEX #A61E42

RGB 166 30 66

HSL 344.12, 0.69%, 0.38%

LAB 36.8, 55.09, 14.63

 

CMYK 0 / 92 / 68 / 42

HEX #950C2F

RGB 149 12 47

HSL 344.67, 0.85%, 0.32%

LAB 31.48, 53.21, 19.35

 

CMYK 0 / 100 / 79 / 48

HEX #84001C

RGB 132 0 28

HSL 347.27, 1%, 0.26%

LAB 26.7, 49.79, 25.17

 

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

CMYK 0 / 67 / 58 / 22

HEX #C74153

RGB 199 65 83

HSL 351.94, 0.54%, 0.52%

LAB 47.68, 54.2, 19.7

 

CMYK 0 / 65 / 67 / 22

HEX #C74541

RGB 199 69 65

HSL 1.79, 0.54%, 0.52%

LAB 47.98, 51.41, 30.82

 

CMYK 0 / 54 / 67 / 22

HEX #C75C41

RGB 199 92 65

HSL 12.09, 0.54%, 0.52%

LAB 52.04, 40.75, 35.68

 

CMYK 0 / 43 / 67 / 22

HEX #C77241

RGB 199 114 65

HSL 21.94, 0.54%, 0.52%

LAB 56.64, 29.29, 41.02

 

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

CMYK 0 / 67 / 48 / 2

HEX #FB5383

RGB 251 83 131

HSL 342.86, 0.95%, 0.65%

LAB 60.19, 66.91, 9.77

 

CMYK 0 / 66 / 49 / 82

HEX #2F1018

RGB 47 16 24

HSL 344.52, 0.49%, 0.12%

LAB 9.33, 16.87, 2

 

CMYK 0 / 67 / 48 / 62

HEX #622033

RGB 98 32 51

HSL 342.73, 0.51%, 0.25%

LAB 23.23, 31.64, 3.72

 

CMYK 0 / 67 / 48 / 42

HEX #95314D

RGB 149 49 77

HSL 343.2, 0.51%, 0.39%

LAB 36.22, 44.11, 6.26

 

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

CMYK 0 / 7 / 67 / 22

HEX #C7BA41

RGB 199 186 65

HSL 54.18, 0.54%, 0.52%

LAB 74.6, -9.47, 60.37

 

CMYK 67 / 20 / 0 / 22

HEX #419FC7

RGB 65 159 199

HSL 197.91, 0.54%, 0.52%

LAB 61.69, -15, -28.66

 

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

CMYK 47 / 0 / 67 / 22

HEX #69C741

RGB 105 199 65

HSL 102.09, 0.54%, 0.52%

LAB 72.38, -51.46, 56.22

 

CMYK 67 / 47 / 0 / 22

HEX #4169C7

RGB 65 105 199

HSL 222.09, 0.54%, 0.52%

LAB 46.11, 16.95, -53.22

 

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

CMYK 0 / 7 / 67 / 22

HEX #C7BA41

RGB 199 186 65

HSL 54.18, 0.54%, 0.52%

LAB 74.6, -9.47, 60.37

 

CMYK 67 / 0 / 20 / 22

HEX #41C79F

RGB 65 199 159

HSL 162.09, 0.54%, 0.52%

LAB 72.54, -45.59, 9.59

 

CMYK 67 / 61 / 0 / 22

HEX #414EC7

RGB 65 78 199

HSL 234.18, 0.54%, 0.52%

LAB 39.06, 34.13, -64.63

 

CMYK 0 / 67 / 48 / 22

HEX #C84268

RGB 200 66 104

HSL 342.99, 0.55%, 0.52%

LAB 48.48, 55.81, 8.06

 

CMYK 14 / 0 / 67 / 22

HEX #ACC741

RGB 172 199 65

HSL 72.09, 0.54%, 0.52%

LAB 76.07, -27.25, 61.2

 

CMYK 67 / 0 / 20 / 22

HEX #41C79F

RGB 65 199 159

HSL 162.09, 0.54%, 0.52%

LAB 72.54, -45.59, 9.59

 

CMYK 54 / 67 / 0 / 22

HEX #5C41C7

RGB 92 65 199

HSL 252.09, 0.54%, 0.52%

LAB 38.16, 46.1, -66.02

 

Description

Color code: RGB 200 66 104 | qconv.com Color code: RGB 200 66 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 66 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 66 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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