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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 45 6 it is the complementary color RGB 55 210 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 45 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 45 6: RGB 205 45 1, RGB 222 63 20, RGB 239 81 39, RGB 255 99 58 and RGB 255 117 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 45 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 45 6: RGB 200 45 6, RGB 183 27 0, RGB 166 9 0, RGB 149 0 0 and RGB 132 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

Complementary color

CMYK 78 / 16 / 0 / 2

HEX #37D2F9

RGB 55 210 249

HSL 192.06, 0.94%, 0.6%

LAB 78.31, -26.53, -30.36

 

CMYK 0 / 78 / 100 / 20

HEX #CD2D01

RGB 205 45 1

HSL 12.94, 0.99%, 0.4%

LAB 45.44, 60.25, 57.77

 

CMYK 0 / 72 / 91 / 13

HEX #DE3F14

RGB 222 63 20

HSL 12.77, 0.83%, 0.47%

LAB 50.84, 59.81, 57.17

 

CMYK 0 / 66 / 84 / 6

HEX #EF5127

RGB 239 81 39

HSL 12.6, 0.86%, 0.55%

LAB 56.47, 58.88, 55.41

 

CMYK 0 / 61 / 77 / 0

HEX #FF633A

RGB 255 99 58

HSL 12.49, 1%, 0.61%

LAB 62.07, 57.36, 52.85

 

CMYK 0 / 54 / 70 / 0

HEX #FF754D

RGB 255 117 77

HSL 13.48, 1%, 0.65%

LAB 65.37, 50.02, 46.85

 

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

CMYK 0 / 85 / 100 / 28

HEX #B71B00

RGB 183 27 0

HSL 8.85, 1%, 0.36%

LAB 39.33, 58.51, 52.9

 

CMYK 0 / 95 / 100 / 35

HEX #A60900

RGB 166 9 0

HSL 3.25, 1%, 0.33%

LAB 34.6, 56.93, 48.67

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

CMYK 0 / 61 / 97 / 23

HEX #C54C06

RGB 197 76 6

HSL 21.99, 0.94%, 0.4%

LAB 48.33, 45.82, 57.17

 

CMYK 0 / 45 / 97 / 23

HEX #C56C06

RGB 197 108 6

HSL 32.04, 0.94%, 0.4%

LAB 54.67, 29.75, 61.18

 

CMYK 0 / 29 / 97 / 23

HEX #C58C06

RGB 197 140 6

HSL 42.09, 0.94%, 0.4%

LAB 62.2, 12.33, 66.32

 

CMYK 0 / 13 / 97 / 23

HEX #C5AC06

RGB 197 172 6

HSL 52.15, 0.94%, 0.4%

LAB 70.45, -4.89, 72.23

 

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

CMYK 0 / 78 / 97 / 2

HEX #FB3808

RGB 251 56 8

HSL 11.85, 0.97%, 0.51%

LAB 55.44, 70.62, 65.84

 

CMYK 0 / 77 / 98 / 82

HEX #2F0B01

RGB 47 11 1

HSL 13.04, 0.96%, 0.09%

LAB 7.64, 17.6, 11.41

 

CMYK 0 / 78 / 97 / 62

HEX #621603

RGB 98 22 3

HSL 12, 0.94%, 0.2%

LAB 20.74, 33.15, 29.78

 

CMYK 0 / 77 / 97 / 42

HEX #952204

RGB 149 34 4

HSL 12.41, 0.95%, 0.3%

LAB 33.01, 46.28, 44.24

 

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

CMYK 39 / 0 / 97 / 23

HEX #79C506

RGB 121 197 6

HSL 83.87, 0.94%, 0.4%

LAB 72.24, -48.09, 71.26

 

CMYK 97 / 78 / 0 / 23

HEX #062CC5

RGB 6 44 197

HSL 228.06, 0.94%, 0.4%

LAB 29.09, 49.73, -79.96

 

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

CMYK 97 / 0 / 78 / 23

HEX #06C52C

RGB 6 197 44

HSL 131.94, 0.94%, 0.4%

LAB 69.58, -69.04, 60.26

 

CMYK 78 / 97 / 0 / 23

HEX #2C06C5

RGB 44 6 197

HSL 251.94, 0.94%, 0.4%

LAB 25.85, 64.6, -85.3

 

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

CMYK 39 / 0 / 97 / 23

HEX #79C506

RGB 121 197 6

HSL 83.87, 0.94%, 0.4%

LAB 72.24, -48.09, 71.26

 

CMYK 97 / 19 / 0 / 23

HEX #069FC5

RGB 6 159 197

HSL 191.94, 0.94%, 0.4%

LAB 60.66, -20.91, -29.2

 

CMYK 58 / 97 / 0 / 23

HEX #5206C5

RGB 82 6 197

HSL 263.87, 0.94%, 0.4%

LAB 29.3, 66.41, -79.48

 

CMYK 0 / 78 / 97 / 22

HEX #C82D06

RGB 200 45 6

HSL 12.06, 0.94%, 0.4%

LAB 44.47, 58.8, 55.27

 

CMYK 68 / 0 / 97 / 23

HEX #3FC506

RGB 63 197 6

HSL 102.09, 0.94%, 0.4%

LAB 70.18, -64.23, 68.75

 

CMYK 97 / 19 / 0 / 23

HEX #069FC5

RGB 6 159 197

HSL 191.94, 0.94%, 0.4%

LAB 60.66, -20.91, -29.2

 

CMYK 29 / 97 / 0 / 23

HEX #8C06C5

RGB 140 6 197

HSL 282.09, 0.94%, 0.4%

LAB 37.37, 72.05, -65.91

 

Description

Color code: RGB 200 45 6 | qconv.com Color code: RGB 200 45 6 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 45 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 45 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 97 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 97% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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