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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 224 161 it is the complementary color RGB 55 31 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 224 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 224 161: RGB 205 224 156, RGB 222 242 175, RGB 239 255 194, RGB 255 255 213 and RGB 255 255 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 224 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 224 161: RGB 200 224 161, RGB 183 206 142, RGB 166 188 123, RGB 149 170 104 and RGB 132 152 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

Complementary color

CMYK 41 / 67 / 0 / 63

HEX #371F5E

RGB 55 31 94

HSL 262.86, 0.5%, 0.25%

LAB 18.37, 27.02, -33.54

 

CMYK 8 / 0 / 30 / 12

HEX #CDE09C

RGB 205 224 156

HSL 76.76, 0.52%, 0.75%

LAB 86.35, -17.48, 31.27

 

CMYK 8 / 0 / 28 / 5

HEX #DEF2AF

RGB 222 242 175

HSL 77.91, 0.72%, 0.82%

LAB 92.63, -17.54, 30.23

 

CMYK 6 / 0 / 24 / 0

HEX #EFFFC2

RGB 239 255 194

HSL 75.74, 1%, 0.88%

LAB 97.54, -15.16, 27.47

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

CMYK 11 / 0 / 31 / 19

HEX #B7CE8E

RGB 183 206 142

HSL 81.56, 0.4%, 0.68%

LAB 79.71, -18.6, 29.35

 

CMYK 12 / 0 / 35 / 26

HEX #A6BC7B

RGB 166 188 123

HSL 80.31, 0.33%, 0.61%

LAB 73.22, -18.56, 30.46

 

CMYK 12 / 0 / 39 / 33

HEX #95AA68

RGB 149 170 104

HSL 79.09, 0.28%, 0.54%

LAB 66.63, -18.5, 31.63

 

CMYK 13 / 0 / 44 / 40

HEX #849855

RGB 132 152 85

HSL 77.91, 0.28%, 0.46%

LAB 59.9, -18.41, 32.84

 

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

CMYK 15 / 0 / 29 / 13

HEX #BDDF9F

RGB 189 223 159

HSL 91.88, 0.5%, 0.75%

LAB 85.05, -22.37, 27.79

 

CMYK 20 / 0 / 29 / 13

HEX #B2DF9F

RGB 178 223 159

HSL 102.19, 0.5%, 0.75%

LAB 84.35, -26.23, 26.73

 

CMYK 25 / 0 / 29 / 13

HEX #A7DF9F

RGB 167 223 159

HSL 112.5, 0.5%, 0.75%

LAB 83.7, -29.97, 25.74

 

CMYK 29 / 0 / 28 / 13

HEX #9FDFA1

RGB 159 223 161

HSL 121.88, 0.5%, 0.75%

LAB 83.29, -32.27, 24.08

 

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

CMYK 10 / 0 / 30 / 92

HEX #12140E

RGB 18 20 14

HSL 80, 0.18%, 0.07%

LAB 5.97, -2.01, 2.96

 

CMYK 11 / 0 / 28 / 72

HEX #3F4733

RGB 63 71 51

HSL 84, 0.16%, 0.24%

LAB 28.91, -7.47, 10.98

 

CMYK 11 / 0 / 28 / 52

HEX #6D7A58

RGB 109 122 88

HSL 82.94, 0.16%, 0.41%

LAB 49.34, -11.29, 17.06

 

CMYK 11 / 0 / 28 / 32

HEX #9AAD7C

RGB 154 173 124

HSL 83.27, 0.23%, 0.58%

LAB 68.18, -15.33, 23.05

 

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

CMYK 29 / 0 / 13 / 13

HEX #9FDFC3

RGB 159 223 195

HSL 153.75, 0.5%, 0.75%

LAB 84.01, -26.02, 7.26

 

CMYK 1 / 29 / 0 / 13

HEX #DD9FDF

RGB 221 159 223

HSL 298.13, 0.5%, 0.75%

LAB 73.22, 33.45, -23.33

 

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

CMYK 29 / 11 / 0 / 13

HEX #9FC7DF

RGB 159 199 223

HSL 202.5, 0.5%, 0.75%

LAB 78.2, -7.73, -16.25

 

CMYK 0 / 29 / 11 / 13

HEX #DF9FC7

RGB 223 159 199

HSL 322.5, 0.5%, 0.75%

LAB 72.63, 29.86, -11.01

 

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

CMYK 29 / 0 / 13 / 13

HEX #9FDFC3

RGB 159 223 195

HSL 153.75, 0.5%, 0.75%

LAB 84.01, -26.02, 7.26

 

CMYK 18 / 29 / 0 / 13

HEX #B69FDF

RGB 182 159 223

HSL 261.56, 0.5%, 0.75%

LAB 69.52, 21.11, -29.32

 

CMYK 0 / 29 / 16 / 13

HEX #DF9FBB

RGB 223 159 187

HSL 333.75, 0.5%, 0.75%

LAB 72.28, 27.91, -4.92

 

CMYK 11 / 0 / 28 / 12

HEX #C8E0A1

RGB 200 224 161

HSL 82.86, 0.5%, 0.75%

LAB 86.09, -18.62, 28.29

 

CMYK 29 / 0 / 4 / 13

HEX #9FDFD6

RGB 159 223 214

HSL 171.56, 0.5%, 0.75%

LAB 84.48, -22.04, -2.1

 

CMYK 18 / 29 / 0 / 13

HEX #B69FDF

RGB 182 159 223

HSL 261.56, 0.5%, 0.75%

LAB 69.52, 21.11, -29.32

 

CMYK 0 / 29 / 25 / 13

HEX #DF9FA7

RGB 223 159 167

HSL 352.5, 0.5%, 0.75%

LAB 71.74, 24.91, 5.36

 

Description

Color code: RGB 200 224 161 | qconv.com Color code: RGB 200 224 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 224 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 224 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 28% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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