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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 189 152 it is the complementary color RGB 55 66 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 189 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 189 152: RGB 205 189 147, RGB 222 207 166, RGB 239 225 185, RGB 255 243 204 and RGB 255 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 189 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 189 152: RGB 200 189 152, RGB 183 171 133, RGB 166 153 114, RGB 149 135 95 and RGB 132 117 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

 

Complementary color

CMYK 47 / 36 / 0 / 60

HEX #374267

RGB 55 66 103

HSL 226.25, 0.3%, 0.31%

LAB 28.61, 6.49, -23.1

 

CMYK 0 / 8 / 28 / 20

HEX #CDBD93

RGB 205 189 147

HSL 43.45, 0.37%, 0.69%

LAB 76.97, -0.79, 23.32

 

CMYK 0 / 7 / 25 / 13

HEX #DECFA6

RGB 222 207 166

HSL 43.93, 0.46%, 0.76%

LAB 83.39, -1.13, 22.29

 

CMYK 0 / 6 / 23 / 6

HEX #EFE1B9

RGB 239 225 185

HSL 44.44, 0.63%, 0.83%

LAB 89.72, -1.43, 21.32

 

CMYK 0 / 5 / 20 / 0

HEX #FFF3CC

RGB 255 243 204

HSL 45.88, 1%, 0.9%

LAB 95.88, -2.06, 20.28

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

SW® 7732

CMYK 0 / 7 / 27 / 28

HEX #B7AB85

RGB 183 171 133

HSL 45.6, 0.26%, 0.62%

LAB 70.1, -1.72, 21.16

 

CMYK 0 / 8 / 31 / 35

HEX #A69972

RGB 166 153 114

HSL 45, 0.23%, 0.55%

LAB 63.43, -1.35, 22.27

 

CMYK 0 / 9 / 36 / 42

HEX #95875F

RGB 149 135 95

HSL 44.44, 0.22%, 0.48%

LAB 56.63, -0.92, 23.45

 

CMYK 0 / 11 / 42 / 48

HEX #84754C

RGB 132 117 76

HSL 43.93, 0.27%, 0.41%

LAB 49.68, -0.38, 24.73

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

SW® 7732

CMYK 0 / 2 / 24 / 22

HEX #C7C498

RGB 199 196 152

HSL 56.17, 0.3%, 0.69%

LAB 78.4, -6.07, 22.53

 

CMYK 3 / 0 / 24 / 22

HEX #C2C798

RGB 194 199 152

HSL 66.38, 0.3%, 0.69%

LAB 78.8, -9.52, 23.02

 

CMYK 6 / 0 / 24 / 22

HEX #BBC798

RGB 187 199 152

HSL 75.32, 0.3%, 0.69%

LAB 78.27, -12.13, 22.21

 

CMYK 10 / 0 / 24 / 22

HEX #B3C798

RGB 179 199 152

HSL 85.53, 0.3%, 0.69%

LAB 77.7, -15.09, 21.33

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

SW® 7732

CMYK 0 / 6 / 24 / 2

HEX #FBEDBF

RGB 251 237 191

HSL 46, 0.88%, 0.87%

LAB 93.81, -2.29, 24.03

 

CMYK 0 / 6 / 23 / 82

HEX #2F2C24

RGB 47 44 36

HSL 43.64, 0.13%, 0.16%

LAB 18.07, -0.33, 5.69

 

CMYK 0 / 5 / 24 / 62

HEX #625D4A

RGB 98 93 74

HSL 47.5, 0.14%, 0.34%

LAB 39.45, -1.48, 11.66

 

CMYK 0 / 5 / 24 / 42

HEX #958D71

RGB 149 141 113

HSL 46.67, 0.15%, 0.51%

LAB 58.63, -1.76, 16.04

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

SW® 7732

CMYK 23 / 0 / 24 / 22

HEX #99C798

RGB 153 199 152

HSL 118.72, 0.3%, 0.69%

LAB 76, -24.28, 18.72

 

CMYK 15 / 24 / 0 / 22

HEX #A998C7

RGB 169 152 199

HSL 261.7, 0.3%, 0.69%

LAB 65.76, 15.6, -21.9

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

SW® 7732

CMYK 24 / 0 / 6 / 22

HEX #98C7BC

RGB 152 199 188

HSL 165.96, 0.3%, 0.69%

LAB 76.77, -17.69, 0.46

 

CMYK 6 / 24 / 0 / 22

HEX #BC98C7

RGB 188 152 199

HSL 285.96, 0.3%, 0.69%

LAB 67.48, 21.84, -19.12

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

SW® 7732

CMYK 23 / 0 / 24 / 22

HEX #99C798

RGB 153 199 152

HSL 118.72, 0.3%, 0.69%

LAB 76, -24.28, 18.72

 

CMYK 24 / 18 / 0 / 22

HEX #98A3C7

RGB 152 163 199

HSL 225.96, 0.3%, 0.69%

LAB 67.27, 4.02, -19.72

 

CMYK 1 / 24 / 0 / 22

HEX #C698C7

RGB 198 152 199

HSL 298.72, 0.3%, 0.69%

LAB 68.45, 25.19, -17.56

 

CMYK 0 / 5 / 24 / 22

HEX #C8BD98

RGB 200 189 152

HSL 46.25, 0.3%, 0.69%

LAB 76.64, -2.03, 20.13

SW® 7732

CMYK 24 / 0 / 18 / 22

HEX #98C7A4

RGB 152 199 164

HSL 135.32, 0.3%, 0.69%

LAB 76.19, -22.46, 12.56

 

CMYK 24 / 18 / 0 / 22

HEX #98A3C7

RGB 152 163 199

HSL 225.96, 0.3%, 0.69%

LAB 67.27, 4.02, -19.72

 

CMYK 0 / 24 / 6 / 22

HEX #C798BB

RGB 199 152 187

HSL 315.32, 0.3%, 0.69%

LAB 68.16, 23.31, -11.31

 

Description

Color code: RGB 200 189 152 | qconv.com Color code: RGB 200 189 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 189 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 189 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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