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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 145 71 it is the complementary color RGB 55 110 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 145 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 145 71: RGB 205 145 66, RGB 222 163 85, RGB 239 181 104, RGB 255 199 123 and RGB 255 217 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 145 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 145 71: RGB 200 145 71, RGB 183 127 52, RGB 166 109 33, RGB 149 91 14 and RGB 132 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

Complementary color

CMYK 70 / 40 / 0 / 28

HEX #376EB8

RGB 55 110 184

HSL 214.42, 0.54%, 0.47%

LAB 46.21, 6.79, -44.42

 

CMYK 0 / 29 / 68 / 20

HEX #CD9142

RGB 205 145 66

HSL 34.1, 0.58%, 0.53%

LAB 64.66, 15.03, 49.65

 

CMYK 0 / 27 / 62 / 13

HEX #DEA355

RGB 222 163 85

HSL 34.16, 0.67%, 0.6%

LAB 71.13, 13.73, 48.31

 

CMYK 0 / 24 / 56 / 6

HEX #EFB568

RGB 239 181 104

HSL 34.22, 0.81%, 0.67%

LAB 77.52, 12.6, 46.92

 

CMYK 0 / 22 / 52 / 0

HEX #FFC77B

RGB 255 199 123

HSL 34.55, 1%, 0.74%

LAB 83.72, 11.21, 45.42

 

CMYK 0 / 15 / 44 / 0

HEX #FFD98E

RGB 255 217 142

HSL 39.82, 1%, 0.78%

LAB 88.37, 3.66, 41.77

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 0 / 31 / 72 / 28

HEX #B77F34

RGB 183 127 52

HSL 34.35, 0.56%, 0.46%

LAB 57.55, 14.61, 47.83

 

CMYK 0 / 34 / 80 / 35

HEX #A66D21

RGB 166 109 33

HSL 34.29, 0.67%, 0.39%

LAB 50.87, 16.29, 48.78

 

CMYK 0 / 39 / 91 / 42

HEX #955B0E

RGB 149 91 14

HSL 34.22, 0.83%, 0.32%

LAB 44.09, 18.28, 48.77

 

CMYK 0 / 45 / 100 / 48

HEX #844900

RGB 132 73 0

HSL 33.18, 1%, 0.26%

LAB 37.24, 20.62, 46.81

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 0 / 17 / 65 / 22

HEX #C7A546

RGB 199 165 70

HSL 44.19, 0.54%, 0.53%

LAB 69.11, 1.86, 52.45

 

CMYK 0 / 7 / 65 / 22

HEX #C7BA46

RGB 199 186 70

HSL 53.95, 0.54%, 0.53%

LAB 74.64, -9.18, 58.36

 

CMYK 4 / 0 / 65 / 22

HEX #BFC746

RGB 191 199 70

HSL 63.72, 0.54%, 0.53%

LAB 77.5, -19.13, 61.15

 

CMYK 15 / 0 / 65 / 22

HEX #A9C746

RGB 169 199 70

HSL 73.95, 0.54%, 0.53%

LAB 75.9, -28.13, 58.98

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 0 / 27 / 65 / 2

HEX #FBB659

RGB 251 182 89

HSL 34.44, 0.95%, 0.67%

LAB 78.86, 15.98, 56

 

CMYK 0 / 28 / 64 / 82

HEX #2F2211

RGB 47 34 17

HSL 34, 0.47%, 0.13%

LAB 14.34, 3.62, 13.59

 

CMYK 0 / 28 / 64 / 62

HEX #624723

RGB 98 71 35

HSL 34.29, 0.47%, 0.26%

LAB 32.31, 7.1, 25.82

 

CMYK 0 / 28 / 64 / 42

HEX #956C35

RGB 149 108 53

HSL 34.38, 0.48%, 0.4%

LAB 48.73, 10.25, 36.55

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 50 / 0 / 65 / 22

HEX #64C746

RGB 100 199 70

HSL 106.05, 0.54%, 0.53%

LAB 72.23, -52.48, 53.95

 

CMYK 54 / 65 / 0 / 22

HEX #5C46C7

RGB 92 70 199

HSL 250.23, 0.54%, 0.53%

LAB 39.21, 43.27, -64.31

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 65 / 0 / 28 / 22

HEX #46C78F

RGB 70 199 143

HSL 153.95, 0.54%, 0.53%

LAB 72.32, -48.35, 17.88

 

CMYK 28 / 65 / 0 / 22

HEX #8F46C7

RGB 143 70 199

HSL 273.95, 0.54%, 0.53%

LAB 44.72, 53.54, -55.11

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 50 / 0 / 65 / 22

HEX #64C746

RGB 100 199 70

HSL 106.05, 0.54%, 0.53%

LAB 72.23, -52.48, 53.95

 

CMYK 65 / 37 / 0 / 22

HEX #467EC7

RGB 70 126 199

HSL 213.95, 0.54%, 0.53%

LAB 52.23, 4.77, -43.45

 

CMYK 15 / 65 / 0 / 22

HEX #A946C7

RGB 169 70 199

HSL 286.05, 0.54%, 0.53%

LAB 48.18, 59.42, -49.37

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 65 / 0 / 60 / 22

HEX #46C74F

RGB 70 199 79

HSL 124.19, 0.54%, 0.53%

LAB 71.36, -58.95, 48.82

 

CMYK 65 / 37 / 0 / 22

HEX #467EC7

RGB 70 126 199

HSL 213.95, 0.54%, 0.53%

LAB 52.23, 4.77, -43.45

 

CMYK 0 / 65 / 4 / 22

HEX #C746BF

RGB 199 70 191

HSL 303.72, 0.54%, 0.53%

LAB 52.16, 65.11, -38.17

 

Description

Color code: RGB 200 145 71 | qconv.com Color code: RGB 200 145 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 145 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 145 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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