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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 121 180 it is the complementary color RGB 55 134 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 121 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 121 180: RGB 205 121 175, RGB 222 139 194, RGB 239 157 213, RGB 255 175 232 and RGB 255 193 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 121 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 121 180: RGB 200 121 180, RGB 183 103 161, RGB 166 85 142, RGB 149 67 123 and RGB 132 49 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

Complementary color

CMYK 59 / 0 / 44 / 47

HEX #37864B

RGB 55 134 75

HSL 135.19, 0.42%, 0.37%

LAB 49.94, -37.87, 24.67

 

CMYK 0 / 41 / 15 / 20

HEX #CD79AF

RGB 205 121 175

HSL 321.43, 0.46%, 0.64%

LAB 61.44, 40.14, -14.58

 

CMYK 0 / 37 / 13 / 13

HEX #DE8BC2

RGB 222 139 194

HSL 320.24, 0.56%, 0.71%

LAB 67.94, 39.37, -15.29

 

CMYK 0 / 34 / 11 / 6

HEX #EF9DD5

RGB 239 157 213

HSL 319.02, 0.72%, 0.78%

LAB 74.36, 38.63, -15.93

 

CMYK 0 / 31 / 9 / 0

HEX #FFAFE8

RGB 255 175 232

HSL 317.25, 1%, 0.84%

LAB 80.6, 37.59, -16.69

 

CMYK 0 / 24 / 2 / 0

HEX #FFC1FB

RGB 255 193 251

HSL 303.87, 1%, 0.88%

LAB 85.18, 31.43, -19.94

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 44 / 12 / 28

HEX #B767A1

RGB 183 103 161

HSL 316.5, 0.36%, 0.56%

LAB 54.39, 40.08, -17.46

 

CMYK 0 / 49 / 14 / 35

HEX #A6558E

RGB 166 85 142

HSL 317.78, 0.32%, 0.49%

LAB 47.7, 40.84, -16.64

 

CMYK 0 / 55 / 17 / 42

HEX #95437B

RGB 149 67 123

HSL 319.02, 0.38%, 0.42%

LAB 40.95, 41.53, -15.64

 

CMYK 0 / 63 / 21 / 48

HEX #843168

RGB 132 49 104

HSL 320.24, 0.46%, 0.35%

LAB 34.19, 42.01, -14.33

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 40 / 17 / 22

HEX #C879A7

RGB 200 121 167

HSL 325.06, 0.42%, 0.63%

LAB 60.56, 37.17, -11.4

 

CMYK 0 / 40 / 23 / 22

HEX #C8799A

RGB 200 121 154

HSL 334.94, 0.42%, 0.63%

LAB 60.15, 35.17, -4.54

 

CMYK 0 / 40 / 30 / 22

HEX #C8798C

RGB 200 121 140

HSL 345.57, 0.42%, 0.63%

LAB 59.75, 33.2, 2.94

 

CMYK 0 / 40 / 37 / 22

HEX #C8797F

RGB 200 121 127

HSL 355.44, 0.42%, 0.63%

LAB 59.42, 31.53, 9.96

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 39 / 10 / 2

HEX #FB98E2

RGB 251 152 226

HSL 315.15, 0.93%, 0.79%

LAB 75.11, 47.2, -21.78

 

CMYK 0 / 40 / 11 / 82

HEX #2F1C2A

RGB 47 28 42

HSL 315.79, 0.25%, 0.15%

LAB 13.24, 12.12, -5.61

 

CMYK 0 / 40 / 10 / 62

HEX #623B58

RGB 98 59 88

HSL 315.38, 0.25%, 0.31%

LAB 30.47, 22.08, -10.21

 

CMYK 0 / 40 / 10 / 42

HEX #955A86

RGB 149 90 134

HSL 315.25, 0.25%, 0.47%

LAB 46.21, 31, -14.32

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 22 / 40 / 22

HEX #C89C79

RGB 200 156 121

HSL 26.58, 0.42%, 0.63%

LAB 67.6, 11.69, 24.6

 

CMYK 40 / 0 / 6 / 22

HEX #79C8BC

RGB 121 200 188

HSL 170.89, 0.42%, 0.63%

LAB 75.45, -27.1, -1.65

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 10 / 0 / 40 / 22

HEX #B4C879

RGB 180 200 121

HSL 75.19, 0.42%, 0.63%

LAB 77.51, -19.46, 37.25

 

CMYK 40 / 10 / 0 / 22

HEX #79B4C8

RGB 121 180 200

HSL 195.19, 0.42%, 0.63%

LAB 70.09, -13.96, -16.18

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 22 / 40 / 22

HEX #C89C79

RGB 200 156 121

HSL 26.58, 0.42%, 0.63%

LAB 67.6, 11.69, 24.6

 

CMYK 40 / 0 / 30 / 22

HEX #79C88C

RGB 121 200 140

HSL 134.43, 0.42%, 0.63%

LAB 74.36, -37.1, 22.57

 

CMYK 40 / 18 / 0 / 22

HEX #79A4C8

RGB 121 164 200

HSL 207.34, 0.42%, 0.63%

LAB 65.58, -5.32, -23.03

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 10 / 40 / 22

HEX #C8B479

RGB 200 180 121

HSL 44.81, 0.42%, 0.63%

LAB 73.74, -1.23, 32.7

 

CMYK 40 / 0 / 30 / 22

HEX #79C88C

RGB 121 200 140

HSL 134.43, 0.42%, 0.63%

LAB 74.36, -37.1, 22.57

 

CMYK 40 / 30 / 0 / 22

HEX #798CC8

RGB 121 140 200

HSL 225.57, 0.42%, 0.63%

LAB 58.97, 8.32, -33.24

 

Description

Color code: RGB 200 121 180 | qconv.com Color code: RGB 200 121 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 121 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 121 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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