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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 170 115 it is the complementary color RGB 254 85 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 170 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 1 170 115: RGB 6 170 110, RGB 23 188 129, RGB 40 206 148, RGB 57 224 167 and RGB 74 242 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 170 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 1 170 115: RGB 1 170 115, RGB 0 152 96, RGB 0 134 77, RGB 0 116 58 and RGB 0 98 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

Complementary color

CMYK 0 / 67 / 45 / 0

HEX #FE558C

RGB 254 85 140

HSL 340.47, 0.99%, 0.66%

LAB 61.19, 67.82, 6.01

 

CMYK 96 / 0 / 35 / 33

HEX #06AA6E

RGB 6 170 110

HSL 158.05, 0.93%, 0.35%

LAB 61.58, -51.23, 20.8

 

CMYK 88 / 0 / 31 / 26

HEX #17BC81

RGB 23 188 129

HSL 158.55, 0.78%, 0.41%

LAB 67.82, -52.93, 19.06

 

CMYK 81 / 0 / 28 / 19

HEX #28CE94

RGB 40 206 148

HSL 159.04, 0.67%, 0.48%

LAB 74.02, -54.16, 17.49

 

CMYK 75 / 0 / 25 / 12

HEX #39E0A7

RGB 57 224 167

HSL 159.52, 0.73%, 0.55%

LAB 80.16, -55.03, 16.06

 

CMYK 69 / 0 / 23 / 5

HEX #4AF2BA

RGB 74 242 186

HSL 160, 0.87%, 0.62%

LAB 86.26, -55.63, 14.75

 

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

CMYK 100 / 0 / 37 / 40

HEX #009860

RGB 0 152 96

HSL 157.89, 1%, 0.3%

LAB 55.38, -47.84, 20.1

 

CMYK 100 / 0 / 43 / 47

HEX #00864D

RGB 0 134 77

HSL 154.48, 1%, 0.26%

LAB 48.99, -45.16, 22.13

 

CMYK 100 / 0 / 50 / 55

HEX #00743A

RGB 0 116 58

HSL 150, 1%, 0.23%

LAB 42.45, -42.29, 24.24

 

CMYK 100 / 0 / 60 / 62

HEX #006227

RGB 0 98 39

HSL 143.88, 1%, 0.19%

LAB 35.76, -39.12, 26.35

 

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

CMYK 100 / 0 / 17 / 33

HEX #00AC8F

RGB 0 172 143

HSL 169.88, 1%, 0.34%

LAB 62.92, -44.21, 4.46

 

CMYK 100 / 0 / 0 / 33

HEX #00ACAC

RGB 0 172 172

HSL 180, 1%, 0.34%

LAB 63.74, -35.79, -10.52

 

CMYK 100 / 17 / 0 / 33

HEX #008FAC

RGB 0 143 172

HSL 190.12, 1%, 0.34%

LAB 54.68, -21.48, -24.28

 

CMYK 100 / 33 / 0 / 33

HEX #0073AC

RGB 0 115 172

HSL 199.88, 1%, 0.34%

LAB 45.96, -5.7, -37.89

 

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

CMYK 100 / 0 / 32 / 13

HEX #01DD96

RGB 1 221 150

HSL 160.64, 0.99%, 0.44%

LAB 78.42, -61.41, 22.46

 

CMYK 100 / 0 / 29 / 93

HEX #00110C

RGB 0 17 12

HSL 162.35, 1%, 0.03%

LAB 3.86, -5.71, 0.7

 

CMYK 100 / 0 / 32 / 73

HEX #00442E

RGB 0 68 46

HSL 160.59, 1%, 0.13%

LAB 24.74, -25.71, 7.97

 

CMYK 99 / 0 / 32 / 53

HEX #017751

RGB 1 119 81

HSL 160.68, 0.98%, 0.24%

LAB 43.94, -38.36, 13.04

 

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

CMYK 100 / 87 / 0 / 33

HEX #0017AC

RGB 0 23 172

HSL 231.98, 1%, 0.34%

LAB 22.27, 51.88, -76.43

 

CMYK 0 / 73 / 100 / 33

HEX #AC2E00

RGB 172 46 0

HSL 16.05, 1%, 0.34%

LAB 39.11, 49.52, 51.5

 

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

CMYK 33 / 100 / 0 / 33

HEX #7300AC

RGB 115 0 172

HSL 280.12, 1%, 0.34%

LAB 30.93, 64.97, -61.77

 

CMYK 0 / 33 / 100 / 33

HEX #AC7300

RGB 172 115 0

HSL 40.12, 1%, 0.34%

LAB 52.98, 14.88, 59.63

 

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

CMYK 100 / 87 / 0 / 33

HEX #0017AC

RGB 0 23 172

HSL 231.98, 1%, 0.34%

LAB 22.27, 51.88, -76.43

 

CMYK 0 / 100 / 66 / 33

HEX #AC003A

RGB 172 0 58

HSL 339.77, 1%, 0.34%

LAB 36.13, 61.24, 19.14

 

CMYK 0 / 13 / 100 / 33

HEX #AC9500

RGB 172 149 0

HSL 51.98, 1%, 0.34%

LAB 61.88, -3.96, 65.76

 

CMYK 99 / 0 / 32 / 33

HEX #01AA73

RGB 1 170 115

HSL 160.47, 0.99%, 0.34%

LAB 61.65, -50.34, 18.16

 

CMYK 83 / 100 / 0 / 33

HEX #1D00AC

RGB 29 0 172

HSL 250.12, 1%, 0.34%

LAB 20.98, 59.3, -78.56

 

CMYK 0 / 100 / 66 / 33

HEX #AC003A

RGB 172 0 58

HSL 339.77, 1%, 0.34%

LAB 36.13, 61.24, 19.14

 

CMYK 17 / 0 / 100 / 33

HEX #8FAC00

RGB 143 172 0

HSL 70.12, 1%, 0.34%

LAB 66.02, -28.61, 67.71

 

Description

Color code: RGB 1 170 115 | qconv.com Color code: RGB 1 170 115 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 170 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 170 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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