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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 243 254 it is the complementary color RGB 236 12 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 243 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 19 243 254: RGB 24 243 249, RGB 41 255 255, RGB 58 255 255, RGB 75 255 255 and RGB 92 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 243 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 19 243 254: RGB 19 243 254, RGB 2 225 235, RGB 0 207 216, RGB 0 189 197 and RGB 0 171 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

Complementary color

CMYK 0 / 95 / 100 / 7

HEX #EC0C01

RGB 236 12 1

HSL 2.81, 0.99%, 0.46%

LAB 49.61, 74.63, 63.22

 

CMYK 90 / 2 / 0 / 2

HEX #18F3F9

RGB 24 243 249

HSL 181.6, 0.95%, 0.54%

LAB 87.55, -43.99, -16.35

 

CMYK 84 / 0 / 0 / 0

HEX #29FFFF

RGB 41 255 255

HSL 180, 1%, 0.58%

LAB 91.33, -46.67, -13.8

 

CMYK 77 / 0 / 0 / 0

HEX #3AFFFF

RGB 58 255 255

HSL 180, 1%, 0.61%

LAB 91.52, -45.41, -13.49

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

CMYK 99 / 4 / 0 / 8

HEX #02E1EB

RGB 2 225 235

HSL 182.58, 0.98%, 0.46%

LAB 81.76, -40.72, -17.7

 

CMYK 100 / 4 / 0 / 15

HEX #00CFD8

RGB 0 207 216

HSL 182.5, 1%, 0.42%

LAB 75.81, -38.36, -16.51

 

CMYK 100 / 4 / 0 / 23

HEX #00BDC5

RGB 0 189 197

HSL 182.44, 1%, 0.39%

LAB 69.77, -35.93, -15.29

 

CMYK 100 / 4 / 0 / 30

HEX #00ABB2

RGB 0 171 178

HSL 182.36, 1%, 0.35%

LAB 63.62, -33.45, -14.05

 

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

CMYK 92 / 18 / 0 / 1

HEX #15CFFD

RGB 21 207 253

HSL 191.9, 0.98%, 0.54%

LAB 77.21, -25.97, -34.23

 

CMYK 92 / 34 / 0 / 1

HEX #15A8FD

RGB 21 168 253

HSL 201.98, 0.98%, 0.54%

LAB 65.95, -5.24, -51.84

 

CMYK 92 / 49 / 0 / 1

HEX #1581FD

RGB 21 129 253

HSL 212.07, 0.98%, 0.54%

LAB 55.02, 17.98, -69.32

 

CMYK 92 / 64 / 0 / 1

HEX #155BFD

RGB 21 91 253

HSL 221.9, 0.98%, 0.54%

LAB 45.27, 41.89, -85.23

 

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

CMYK 92 / 4 / 0 / 80

HEX #043032

RGB 4 48 50

HSL 182.61, 0.85%, 0.11%

LAB 17.32, -13.31, -5.45

 

CMYK 92 / 4 / 0 / 60

HEX #086165

RGB 8 97 101

HSL 182.58, 0.85%, 0.21%

LAB 37, -21.68, -9.07

 

CMYK 93 / 5 / 0 / 40

HEX #0B9198

RGB 11 145 152

HSL 182.98, 0.87%, 0.32%

LAB 54.65, -28.83, -12.85

 

CMYK 93 / 4 / 0 / 20

HEX #0FC2CB

RGB 15 194 203

HSL 182.87, 0.86%, 0.43%

LAB 71.55, -35.94, -15.88

 

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

CMYK 70 / 92 / 0 / 1

HEX #4B15FD

RGB 75 21 253

HSL 253.97, 0.98%, 0.54%

LAB 36.22, 76.69, -100.12

 

CMYK 0 / 34 / 92 / 1

HEX #FDA815

RGB 253 168 21

HSL 38.02, 0.98%, 0.54%

LAB 75.42, 21.73, 76.45

 

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

CMYK 0 / 92 / 3 / 1

HEX #FD15F6

RGB 253 21 246

HSL 301.81, 0.98%, 0.54%

LAB 59.95, 95.27, -56.45

 

CMYK 3 / 0 / 92 / 1

HEX #F6FD15

RGB 246 253 21

HSL 61.81, 0.98%, 0.54%

LAB 95.95, -24.11, 91.6

 

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

CMYK 70 / 92 / 0 / 1

HEX #4B15FD

RGB 75 21 253

HSL 253.97, 0.98%, 0.54%

LAB 36.22, 76.69, -100.12

 

CMYK 0 / 89 / 92 / 1

HEX #FD1D15

RGB 253 29 21

HSL 2.07, 0.98%, 0.54%

LAB 53.83, 77.05, 61.68

 

CMYK 21 / 0 / 92 / 1

HEX #C7FD15

RGB 199 253 21

HSL 73.97, 0.98%, 0.54%

LAB 92.77, -42.77, 87.75

 

CMYK 93 / 4 / 0 / 0

HEX #13F3FE

RGB 19 243 254

HSL 182.81, 0.99%, 0.54%

LAB 87.68, -42.69, -18.78

 

CMYK 43 / 92 / 0 / 1

HEX #9115FD

RGB 145 21 253

HSL 272.07, 0.98%, 0.54%

LAB 43.72, 81.77, -87.46

 

CMYK 0 / 89 / 92 / 1

HEX #FD1D15

RGB 253 29 21

HSL 2.07, 0.98%, 0.54%

LAB 53.83, 77.05, 61.68

 

CMYK 49 / 0 / 92 / 1

HEX #81FD15

RGB 129 253 21

HSL 92.07, 0.98%, 0.54%

LAB 89.38, -66.52, 83.6

 

Description

Color code: RGB 19 243 254 | qconv.com Color code: RGB 19 243 254 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 243 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 243 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 4 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 4% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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