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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 235 202 it is the complementary color RGB 236 20 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 235 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 235 202 shade: RGB 24 235 197, RGB 41 253 216, RGB 58 255 235, RGB 75 255 254 and RGB 92 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 235 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 235 202 shade: RGB 19 235 202, RGB 2 217 183, RGB 0 199 164, RGB 0 181 145 and RGB 0 163 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 235 202 shade: RGB 19 236 203, RGB 19 236 144, RGB 19 236 86, RGB 19 236 27 and RGB 69 236 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 235 202 shade: RGB 19 236 203, RGB 19 211 236, RGB 19 152 236, RGB 19 94 236 and RGB 19 35 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 235 202 shade matches the following richer shades: RGB 19 236 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 235 202 shade: RGB 19 236 203, RGB 40 215 188, RGB 60 195 174, RGB 81 174 160 and RGB 102 153 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 235 202 shade: RGB 19 236 84, RGB 19 236 142, RGB 19 236 200, RGB 19 214 236 and RGB 19 156 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 235 202 shade: RGB 13 160 137, RGB 16 198 170, RGB 19 236 203, RGB 57 239 211 and RGB 95 242 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 235 202 shade: RGB 19 235 202, RGB 26 19 236 and RGB 236 113 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 235 202 shade: RGB 19 235 202, RGB 200 19 236 and RGB 236 200 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 235 202 shade: RGB 19 235 202, RGB 26 19 236, RGB 236 19 55 and RGB 229 236 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 235 202 shade: RGB 19 235 202, RGB 91 19 236, RGB 236 19 55 and RGB 164 236 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 14 / 8

HEX #13EBCA

RGB 19 235 202

HSL 170.83, 0.85%, 0.5%

LAB 83.87, -53.81, 2.89

 

Complementary color

CMYK 0 / 92 / 78 / 7

HEX #EC1435

RGB 236 20 53

HSL 350.83, 0.85%, 0.5%

LAB 50.2, 74.67, 42.12

 

CMYK 90 / 0 / 16 / 8

HEX #18EBC5

RGB 24 235 197

HSL 169.19, 0.84%, 0.51%

LAB 83.78, -54.88, 5.38

 

CMYK 84 / 0 / 15 / 1

HEX #29FDD8

RGB 41 253 216

HSL 169.53, 0.98%, 0.58%

LAB 89.71, -56.28, 4.06

 

CMYK 77 / 0 / 8 / 0

HEX #3AFFEB

RGB 58 255 235

HSL 173.91, 1%, 0.61%

LAB 90.97, -50.83, -3.94

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFE

RGB 75 255 254

HSL 179.67, 1%, 0.65%

LAB 91.76, -43.95, -12.58

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 92 / 0 / 14 / 8

HEX #13EBCA

RGB 19 235 202

HSL 170.83, 0.85%, 0.5%

LAB 83.87, -53.81, 2.89

 

CMYK 99 / 0 / 16 / 15

HEX #02D9B7

RGB 2 217 183

HSL 170.51, 0.98%, 0.43%

LAB 77.91, -52, 4.31

 

CMYK 100 / 0 / 18 / 22

HEX #00C7A4

RGB 0 199 164

HSL 169.45, 1%, 0.39%

LAB 71.91, -49.74, 5.87

 

CMYK 100 / 0 / 20 / 29

HEX #00B591

RGB 0 181 145

HSL 168.07, 1%, 0.35%

LAB 65.82, -47.39, 7.52

 

CMYK 100 / 0 / 23 / 36

HEX #00A37E

RGB 0 163 126

HSL 166.38, 1%, 0.32%

LAB 59.62, -44.98, 9.23

 

CMYK 92 / 0 / 14 / 7

HEX #13ECCB

RGB 19 236 203

HSL 170.88, 0.85%, 0.5%

LAB 84.19, -53.95, 2.83

 

CMYK 92 / 0 / 39 / 7

HEX #13EC90

RGB 19 236 144

HSL 154.56, 0.85%, 0.5%

LAB 82.99, -67.28, 31.71

 

CMYK 92 / 0 / 64 / 7

HEX #13EC56

RGB 19 236 86

HSL 138.53, 0.85%, 0.5%

LAB 82.27, -75.95, 57.95

 

CMYK 92 / 0 / 89 / 7

HEX #13EC1B

RGB 19 236 27

HSL 122.21, 0.85%, 0.5%

LAB 81.95, -80.03, 75.58

 

CMYK 71 / 0 / 92 / 7

HEX #45EC13

RGB 69 236 19

HSL 106.18, 0.85%, 0.5%

LAB 82.54, -74.87, 77.51

 

CMYK 92 / 0 / 14 / 7

HEX #13ECCB

RGB 19 236 203

HSL 170.88, 0.85%, 0.5%

LAB 84.19, -53.95, 2.83

 

CMYK 92 / 11 / 0 / 7

HEX #13D3EC

RGB 19 211 236

HSL 186.91, 0.85%, 0.5%

LAB 77.75, -33.48, -24.31

 

CMYK 92 / 36 / 0 / 7

HEX #1398EC

RGB 19 152 236

HSL 203.23, 0.85%, 0.5%

LAB 60.47, -2.42, -51.2

 

CMYK 92 / 60 / 0 / 7

HEX #135EEC

RGB 19 94 236

HSL 219.26, 0.85%, 0.5%

LAB 44.52, 33.59, -76.93

 

CMYK 92 / 85 / 0 / 7

HEX #1323EC

RGB 19 35 236

HSL 235.58, 0.85%, 0.5%

LAB 32.69, 66.25, -96.47

 

CMYK 92 / 0 / 14 / 7

HEX #13ECCB

RGB 19 236 203

HSL 170.88, 0.85%, 0.5%

LAB 84.19, -53.95, 2.83

 

CMYK 92 / 0 / 14 / 7

HEX #13ECCB

RGB 19 236 203

HSL 170.88, 0.85%, 0.5%

LAB 84.19, -53.95, 2.83

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 69 / 0 / 11 / 24

HEX #3CC3AE

RGB 60 195 174

HSL 170.67, 0.53%, 0.5%

LAB 71.59, -40.85, 0.05

 

CMYK 53 / 0 / 8 / 32

HEX #51AEA0

RGB 81 174 160

HSL 170.97, 0.36%, 0.5%

LAB 65.4, -31.06, -1.22

 

CMYK 33 / 0 / 5 / 40

HEX #669991

RGB 102 153 145

HSL 170.59, 0.2%, 0.5%

LAB 59.57, -18.83, -1.23

 

CMYK 92 / 0 / 64 / 7

HEX #13EC54

RGB 19 236 84

HSL 137.97, 0.85%, 0.5%

LAB 82.25, -76.17, 58.76

 

CMYK 92 / 0 / 40 / 7

HEX #13EC8E

RGB 19 236 142

HSL 154.01, 0.85%, 0.5%

LAB 82.96, -67.66, 32.68

 

CMYK 92 / 0 / 15 / 7

HEX #13ECC8

RGB 19 236 200

HSL 170.05, 0.85%, 0.5%

LAB 84.12, -54.72, 4.3

 

CMYK 92 / 9 / 0 / 7

HEX #13D6EC

RGB 19 214 236

HSL 186.08, 0.85%, 0.5%

LAB 78.63, -34.9, -22.97

 

CMYK 92 / 34 / 0 / 7

HEX #139CEC

RGB 19 156 236

HSL 202.12, 0.85%, 0.5%

LAB 61.63, -4.72, -49.37

 

CMYK 92 / 0 / 14 / 37

HEX #0DA089

RGB 13 160 137

HSL 170.61, 0.85%, 0.34%

LAB 59.01, -40.2, 2.17

 

CMYK 92 / 0 / 14 / 22

HEX #10C6AA

RGB 16 198 170

HSL 170.77, 0.85%, 0.42%

LAB 71.83, -47.21, 2.5

 

CMYK 92 / 0 / 14 / 7

HEX #13ECCB

RGB 19 236 203

HSL 170.88, 0.85%, 0.5%

LAB 84.19, -53.95, 2.83

 

CMYK 76 / 0 / 12 / 6

HEX #39EFD3

RGB 57 239 211

HSL 170.77, 0.85%, 0.58%

LAB 85.66, -50.48, 0.8

 

CMYK 61 / 0 / 9 / 5

HEX #5FF2DC

RGB 95 242 220

HSL 171.02, 0.85%, 0.66%

LAB 87.54, -44.3, -1.08

 

CMYK 92 / 0 / 14 / 8

HEX #13EBCA

RGB 19 235 202

HSL 170.83, 0.85%, 0.5%

LAB 83.87, -53.81, 2.89

 

CMYK 89 / 92 / 0 / 7

HEX #1A13EC

RGB 26 19 236

HSL 241.94, 0.85%, 0.5%

LAB 31.21, 71.42, -98.94

 

CMYK 0 / 52 / 92 / 7

HEX #EC7113

RGB 236 113 19

HSL 25.99, 0.85%, 0.5%

LAB 61.39, 43.04, 65.81

 

CMYK 92 / 0 / 14 / 8

HEX #13EBCA

RGB 19 235 202

HSL 170.83, 0.85%, 0.5%

LAB 83.87, -53.81, 2.89

 

CMYK 15 / 92 / 0 / 7

HEX #C813EC

RGB 200 19 236

HSL 290.05, 0.85%, 0.5%

LAB 50.45, 85.72, -66.58

 

CMYK 0 / 15 / 92 / 7

HEX #ECC813

RGB 236 200 19

HSL 50.05, 0.85%, 0.5%

LAB 81.4, -2.23, 80.41

 

CMYK 92 / 0 / 14 / 8

HEX #13EBCA

RGB 19 235 202

HSL 170.83, 0.85%, 0.5%

LAB 83.87, -53.81, 2.89

 

CMYK 89 / 92 / 0 / 7

HEX #1A13EC

RGB 26 19 236

HSL 241.94, 0.85%, 0.5%

LAB 31.21, 71.42, -98.94

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 3 / 0 / 92 / 7

HEX #E5EC13

RGB 229 236 19

HSL 61.94, 0.85%, 0.5%

LAB 90.18, -23.06, 86.84

 

CMYK 92 / 0 / 14 / 8

HEX #13EBCA

RGB 19 235 202

HSL 170.83, 0.85%, 0.5%

LAB 83.87, -53.81, 2.89

 

CMYK 61 / 92 / 0 / 7

HEX #5B13EC

RGB 91 19 236

HSL 259.91, 0.85%, 0.5%

LAB 35.49, 73.9, -91.7

 

CMYK 0 / 92 / 77 / 7

HEX #EC1337

RGB 236 19 55

HSL 350.05, 0.85%, 0.5%

LAB 50.19, 74.85, 40.96

 

CMYK 31 / 0 / 92 / 7

HEX #A4EC13

RGB 164 236 19

HSL 79.91, 0.85%, 0.5%

LAB 85.97, -48.62, 81.73

 

Description

Color code: RGB 19 235 202 | qconv.com Color code: RGB 19 235 202 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 235 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 235 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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