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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28D7BC it is the complementary color #D72843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28D7BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28D7BC shade: #2DD7B7, #3EE9CA, #4FFBDD, #60FFF0 and #71FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28D7BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28D7BC shade: #28D7BC, #17C5A9, #06B396, #00A183 and #008F70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28D7BC shade: #28D7BC, #28D78D, #28D75D, #28D72E and #51D728

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28D7BC shade: #28D7BC, #28C3D7, #2894D7, #2864D7 and #2835D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28D7BC shade matches the following richer shades: #28D7BC and #13ECCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28D7BC shade: #28D7BC, #3CC3AE, #51AEA0, #659A92 and #7A8583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28D7BC shade: #28D75C, #28D78B, #28D7BA, #28C6D7 and #2897D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28D7BC shade: #1B927F, #21B59E, #28D7BC, #4ADEC7 and #6DE4D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28D7BC shade: #28D7BC, #2D28D7 and #D77428

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28D7BC shade: #28D7BC, #BA28D7 and #D7BA28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28D7BC shade: #28D7BC, #2D28D7, #D72845 and #D2D728

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28D7BC shade: #28D7BC, #6228D7, #D72845 and #9DD728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

Complementary color

CMYK 0 / 81 / 69 / 16

HEX #D72843

RGB 215 40 67

HSL 350.74, 0.69%, 0.5%

LAB 47.46, 66.14, 29.67

 

CMYK 79 / 0 / 15 / 16

HEX #2DD7B7

RGB 45 215 183

HSL 168.71, 0.68%, 0.51%

LAB 77.62, -48.86, 3.94

 

CMYK 73 / 0 / 13 / 9

HEX #3EE9CA

RGB 62 233 202

HSL 169.12, 0.8%, 0.58%

LAB 83.74, -49.72, 2.75

 

CMYK 69 / 0 / 12 / 2

HEX #4FFBDD

RGB 79 251 221

HSL 169.53, 0.96%, 0.65%

LAB 89.8, -50.35, 1.66

 

CMYK 62 / 0 / 6 / 0

HEX #60FFF0

RGB 96 255 240

HSL 174.34, 1%, 0.69%

LAB 91.82, -44.79, -5.2

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 88 / 0 / 14 / 23

HEX #17C5A9

RGB 23 197 169

HSL 170.34, 0.79%, 0.43%

LAB 71.54, -46.71, 2.64

 

CMYK 97 / 0 / 16 / 30

HEX #06B396

RGB 6 179 150

HSL 169.94, 0.94%, 0.36%

LAB 65.34, -45.02, 4.07

 

CMYK 100 / 0 / 19 / 37

HEX #00A183

RGB 0 161 131

HSL 168.82, 1%, 0.32%

LAB 59.09, -42.84, 5.68

 

CMYK 100 / 0 / 22 / 44

HEX #008F70

RGB 0 143 112

HSL 166.99, 1%, 0.28%

LAB 52.75, -40.39, 7.41

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 81 / 0 / 34 / 16

HEX #28D78D

RGB 40 215 141

HSL 154.63, 0.69%, 0.5%

LAB 76.66, -59.04, 24.8

 

CMYK 81 / 0 / 57 / 16

HEX #28D75D

RGB 40 215 93

HSL 138.17, 0.69%, 0.5%

LAB 75.97, -67.14, 47.71

 

CMYK 81 / 0 / 79 / 16

HEX #28D72E

RGB 40 215 46

HSL 122.06, 0.69%, 0.5%

LAB 75.61, -71.66, 65.54

 

CMYK 62 / 0 / 81 / 16

HEX #51D728

RGB 81 215 40

HSL 105.94, 0.69%, 0.5%

LAB 76.38, -65.18, 68.21

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 81 / 9 / 0 / 16

HEX #28C3D7

RGB 40 195 215

HSL 186.86, 0.69%, 0.5%

LAB 72.49, -31.21, -20.98

 

CMYK 81 / 31 / 0 / 16

HEX #2894D7

RGB 40 148 215

HSL 202.97, 0.69%, 0.5%

LAB 58.54, -6.47, -42.57

 

CMYK 81 / 53 / 0 / 16

HEX #2864D7

RGB 40 100 215

HSL 219.43, 0.69%, 0.5%

LAB 44.9, 23.01, -64.39

 

CMYK 81 / 75 / 0 / 16

HEX #2835D7

RGB 40 53 215

HSL 235.54, 0.69%, 0.5%

LAB 33.78, 52.06, -82.62

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 92 / 0 / 14 / 7

HEX #13ECCB

RGB 19 236 203

HSL 170.88, 0.85%, 0.5%

LAB 84.19, -53.95, 2.83

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 69 / 0 / 11 / 24

HEX #3CC3AE

RGB 60 195 174

HSL 170.67, 0.53%, 0.5%

LAB 71.59, -40.85, 0.05

 

CMYK 53 / 0 / 8 / 32

HEX #51AEA0

RGB 81 174 160

HSL 170.97, 0.36%, 0.5%

LAB 65.4, -31.06, -1.22

 

CMYK 34 / 0 / 5 / 40

HEX #659A92

RGB 101 154 146

HSL 170.94, 0.21%, 0.5%

LAB 59.85, -19.42, -1.4

 

CMYK 8 / 0 / 2 / 48

HEX #7A8583

RGB 122 133 131

HSL 169.09, 0.04%, 0.5%

LAB 54.61, -4.44, -0.31

 

CMYK 81 / 0 / 57 / 16

HEX #28D75C

RGB 40 215 92

HSL 137.83, 0.69%, 0.5%

LAB 75.96, -67.27, 48.15

 

CMYK 81 / 0 / 35 / 16

HEX #28D78B

RGB 40 215 139

HSL 153.94, 0.69%, 0.5%

LAB 76.63, -59.45, 25.79

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BA

RGB 40 215 186

HSL 170.06, 0.69%, 0.5%

LAB 77.64, -48.54, 2.34

 

CMYK 81 / 8 / 0 / 16

HEX #28C6D7

RGB 40 198 215

HSL 185.83, 0.69%, 0.5%

LAB 73.38, -32.65, -19.62

 

CMYK 81 / 30 / 0 / 16

HEX #2897D7

RGB 40 151 215

HSL 201.94, 0.69%, 0.5%

LAB 59.43, -8.17, -41.18

 

CMYK 82 / 0 / 13 / 43

HEX #1B927F

RGB 27 146 127

HSL 170.42, 0.69%, 0.34%

LAB 54.37, -35.77, 1.15

 

CMYK 82 / 0 / 13 / 29

HEX #21B59E

RGB 33 181 158

HSL 170.68, 0.69%, 0.42%

LAB 66.4, -42.13, 1.21

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 67 / 0 / 10 / 13

HEX #4ADEC7

RGB 74 222 199

HSL 170.68, 0.69%, 0.58%

LAB 80.64, -44.2, -0.15

 

CMYK 52 / 0 / 8 / 11

HEX #6DE4D2

RGB 109 228 210

HSL 170.92, 0.69%, 0.66%

LAB 83.65, -37.86, -1.46

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 79 / 81 / 0 / 16

HEX #2D28D7

RGB 45 40 215

HSL 241.71, 0.69%, 0.5%

LAB 31.77, 58.84, -85.96

 

CMYK 0 / 46 / 81 / 16

HEX #D77428

RGB 215 116 40

HSL 26.06, 0.69%, 0.5%

LAB 59.06, 33.66, 55.88

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 13 / 81 / 0 / 16

HEX #BA28D7

RGB 186 40 215

HSL 290.06, 0.69%, 0.5%

LAB 48.09, 76.16, -58.59

 

CMYK 0 / 13 / 81 / 16

HEX #D7BA28

RGB 215 186 40

HSL 50.06, 0.69%, 0.5%

LAB 75.9, -3.64, 70.74

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 79 / 81 / 0 / 16

HEX #2D28D7

RGB 45 40 215

HSL 241.71, 0.69%, 0.5%

LAB 31.77, 58.84, -85.96

 

CMYK 0 / 81 / 68 / 16

HEX #D72845

RGB 215 40 69

HSL 350.06, 0.69%, 0.5%

LAB 47.49, 66.24, 28.51

 

CMYK 2 / 0 / 81 / 16

HEX #D2D728

RGB 210 215 40

HSL 61.71, 0.69%, 0.5%

LAB 83.16, -20.4, 76.8

 

CMYK 81 / 0 / 13 / 16

HEX #28D7BC

RGB 40 215 188

HSL 170.74, 0.69%, 0.5%

LAB 77.69, -48.01, 1.35

 

CMYK 54 / 81 / 0 / 16

HEX #6228D7

RGB 98 40 215

HSL 259.89, 0.69%, 0.5%

LAB 36.02, 63.22, -78.77

 

CMYK 0 / 81 / 68 / 16

HEX #D72845

RGB 215 40 69

HSL 350.06, 0.69%, 0.5%

LAB 47.49, 66.24, 28.51

 

CMYK 27 / 0 / 81 / 16

HEX #9DD728

RGB 157 215 40

HSL 79.89, 0.69%, 0.5%

LAB 79.57, -41.7, 72.29

 

Description

Color code: HEX #28D7BC | qconv.com Color code: HEX #28D7BC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 215 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 215 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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