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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 138 52 it is the complementary color RGB 236 117 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 138 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 19 138 52: RGB 24 138 47, RGB 41 156 66, RGB 58 174 85, RGB 75 192 104 and RGB 92 210 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 138 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 19 138 52: RGB 19 138 52, RGB 2 120 33, RGB 0 102 14, RGB 0 84 0 and RGB 0 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

Complementary color

CMYK 0 / 50 / 14 / 7

HEX #EC75CB

RGB 236 117 203

HSL 316.64, 0.76%, 0.69%

LAB 65.65, 56.32, -23.66

 

CMYK 83 / 0 / 66 / 46

HEX #188A2F

RGB 24 138 47

HSL 132.11, 0.7%, 0.32%

LAB 50.19, -49.42, 39.09

 

CMYK 74 / 0 / 58 / 39

HEX #299C42

RGB 41 156 66

HSL 133.04, 0.58%, 0.39%

LAB 56.72, -50.76, 37.68

 

CMYK 67 / 0 / 51 / 32

HEX #3AAE55

RGB 58 174 85

HSL 133.97, 0.5%, 0.45%

LAB 63.2, -51.51, 36.18

 

CMYK 61 / 0 / 46 / 25

HEX #4BC068

RGB 75 192 104

HSL 134.87, 0.48%, 0.52%

LAB 69.61, -51.88, 34.72

 

CMYK 56 / 0 / 41 / 18

HEX #5CD27B

RGB 92 210 123

HSL 135.76, 0.57%, 0.59%

LAB 75.95, -52.01, 33.32

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 98 / 0 / 73 / 53

HEX #027821

RGB 2 120 33

HSL 135.76, 0.97%, 0.24%

LAB 43.59, -47.11, 38.04

 

CMYK 100 / 0 / 86 / 60

HEX #00660E

RGB 0 102 14

HSL 128.24, 1%, 0.2%

LAB 36.99, -43.21, 38.59

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 87 / 0 / 49 / 45

HEX #128B47

RGB 18 139 71

HSL 146.28, 0.77%, 0.31%

LAB 50.74, -46.87, 27.7

 

CMYK 87 / 0 / 35 / 45

HEX #128B5B

RGB 18 139 91

HSL 156.2, 0.77%, 0.31%

LAB 51.09, -42.83, 17.11

 

CMYK 87 / 0 / 20 / 45

HEX #128B6F

RGB 18 139 111

HSL 166.12, 0.77%, 0.31%

LAB 51.54, -37.88, 6.29

 

CMYK 87 / 0 / 6 / 45

HEX #128B83

RGB 18 139 131

HSL 176.03, 0.77%, 0.31%

LAB 52.1, -32.15, -4.5

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 86 / 0 / 62 / 26

HEX #1ABD47

RGB 26 189 71

HSL 136.56, 0.76%, 0.42%

LAB 67.33, -62.97, 47.58

 

CMYK 86 / 0 / 63 / 6

HEX #21F05A

RGB 33 240 90

HSL 136.52, 0.87%, 0.54%

LAB 83.64, -75.84, 57.85

 

CMYK 86 / 0 / 61 / 86

HEX #05240E

RGB 5 36 14

HSL 137.42, 0.76%, 0.08%

LAB 11.45, -17.72, 10.73

 

CMYK 86 / 0 / 62 / 66

HEX #0C5721

RGB 12 87 33

HSL 136.8, 0.76%, 0.19%

LAB 31.82, -34.62, 24.93

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 87 / 40 / 0 / 45

HEX #12538B

RGB 18 83 139

HSL 207.77, 0.77%, 0.31%

LAB 34.35, 2.11, -36.6

 

CMYK 0 / 87 / 76 / 45

HEX #8B1222

RGB 139 18 34

HSL 352.07, 0.77%, 0.31%

LAB 29.51, 48.64, 24.9

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 63 / 87 / 0 / 45

HEX #33128B

RGB 51 18 139

HSL 256.36, 0.77%, 0.31%

LAB 20.05, 46.35, -59.79

 

CMYK 0 / 63 / 87 / 45

HEX #8B3312

RGB 139 51 18

HSL 16.36, 0.77%, 0.31%

LAB 33.77, 35.87, 38.22

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 87 / 40 / 0 / 45

HEX #12538B

RGB 18 83 139

HSL 207.77, 0.77%, 0.31%

LAB 34.35, 2.11, -36.6

 

CMYK 0 / 87 / 23 / 45

HEX #8B126B

RGB 139 18 107

HSL 315.87, 0.77%, 0.31%

LAB 31.77, 55.09, -19.88

 

CMYK 0 / 46 / 87 / 45

HEX #8B4B12

RGB 139 75 18

HSL 28.26, 0.77%, 0.31%

LAB 38.84, 23.04, 42.56

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 87 / 66 / 0 / 45

HEX #122F8B

RGB 18 47 139

HSL 225.62, 0.77%, 0.31%

LAB 23.76, 26.9, -53.74

 

CMYK 0 / 87 / 23 / 45

HEX #8B126B

RGB 139 18 107

HSL 315.87, 0.77%, 0.31%

LAB 31.77, 55.09, -19.88

 

CMYK 0 / 20 / 87 / 45

HEX #8B6F12

RGB 139 111 18

HSL 46.12, 0.77%, 0.31%

LAB 48.14, 2.14, 50.39

 

Description

Color code: RGB 19 138 52 | qconv.com Color code: RGB 19 138 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 138 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 138 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 62 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 62% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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