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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 98 231 it is the complementary color RGB 56 157 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 98 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 98 231: RGB 204 98 226, RGB 221 116 245, RGB 238 134 255, RGB 255 152 255 and RGB 255 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 98 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 98 231: RGB 199 98 231, RGB 182 80 212, RGB 165 62 193, RGB 148 44 174 and RGB 131 26 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

Complementary color

CMYK 64 / 0 / 85 / 38

HEX #389D18

RGB 56 157 24

HSL 105.56, 0.73%, 0.35%

LAB 57.1, -51.94, 54.58

 

CMYK 10 / 57 / 0 / 11

HEX #CC62E2

RGB 204 98 226

HSL 289.69, 0.69%, 0.64%

LAB 59.03, 60.41, -47.19

 

CMYK 10 / 53 / 0 / 4

HEX #DD74F5

RGB 221 116 245

HSL 288.84, 0.87%, 0.71%

LAB 65.32, 59.84, -47.67

 

CMYK 7 / 47 / 0 / 0

HEX #EE86FF

RGB 238 134 255

HSL 291.57, 1%, 0.76%

LAB 71.18, 57.48, -43.8

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

CMYK 14 / 62 / 0 / 17

HEX #B650D4

RGB 182 80 212

HSL 286.36, 0.61%, 0.57%

LAB 52.33, 60.58, -50.11

 

CMYK 15 / 68 / 0 / 24

HEX #A53EC1

RGB 165 62 193

HSL 287.18, 0.51%, 0.5%

LAB 46.04, 60.74, -49.36

 

CMYK 15 / 75 / 0 / 32

HEX #942CAE

RGB 148 44 174

HSL 288, 0.6%, 0.43%

LAB 39.84, 60.41, -48.27

 

CMYK 15 / 83 / 0 / 39

HEX #831A9B

RGB 131 26 155

HSL 288.84, 0.71%, 0.35%

LAB 33.84, 59.21, -46.65

 

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

CMYK 4 / 57 / 0 / 10

HEX #DC64E6

RGB 220 100 230

HSL 295.38, 0.72%, 0.65%

LAB 61.69, 64.28, -45.09

 

CMYK 0 / 57 / 4 / 10

HEX #E664DC

RGB 230 100 220

HSL 304.62, 0.72%, 0.65%

LAB 62.6, 65.14, -37.98

 

CMYK 0 / 57 / 14 / 10

HEX #E664C6

RGB 230 100 198

HSL 314.77, 0.72%, 0.65%

LAB 61.67, 61.69, -27.02

 

CMYK 0 / 57 / 23 / 10

HEX #E664B0

RGB 230 100 176

HSL 324.92, 0.72%, 0.65%

LAB 60.85, 58.55, -15.72

 

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

CMYK 15 / 59 / 0 / 89

HEX #170B1B

RGB 23 11 27

HSL 285, 0.42%, 0.07%

LAB 4.52, 7.99, -7.83

 

CMYK 14 / 58 / 0 / 69

HEX #43214E

RGB 67 33 78

HSL 285.33, 0.41%, 0.22%

LAB 19.35, 24.85, -21.14

 

CMYK 14 / 57 / 0 / 49

HEX #6F3781

RGB 111 55 129

HSL 285.41, 0.4%, 0.36%

LAB 33.34, 37.34, -31.62

 

CMYK 14 / 58 / 0 / 29

HEX #9B4CB4

RGB 155 76 180

HSL 285.58, 0.41%, 0.5%

LAB 46.22, 49.32, -41.56

 

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

CMYK 0 / 57 / 53 / 10

HEX #E6646B

RGB 230 100 107

HSL 356.77, 0.72%, 0.65%

LAB 58.97, 51.05, 21.53

 

CMYK 57 / 0 / 37 / 10

HEX #64E692

RGB 100 230 146

HSL 141.23, 0.72%, 0.65%

LAB 82.58, -54.2, 30.4

 

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

CMYK 0 / 14 / 57 / 10

HEX #E6C664

RGB 230 198 100

HSL 45.23, 0.72%, 0.65%

LAB 80.81, -0.31, 52.53

 

CMYK 57 / 0 / 14 / 10

HEX #64E6C6

RGB 100 230 198

HSL 165.23, 0.72%, 0.65%

LAB 83.64, -43.45, 4.83

 

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

CMYK 0 / 57 / 53 / 10

HEX #E6646B

RGB 230 100 107

HSL 356.77, 0.72%, 0.65%

LAB 58.97, 51.05, 21.53

 

CMYK 42 / 0 / 57 / 10

HEX #85E664

RGB 133 230 100

HSL 104.77, 0.72%, 0.65%

LAB 83.18, -51.96, 53.64

 

CMYK 57 / 0 / 3 / 10

HEX #64E6E0

RGB 100 230 224

HSL 177.23, 0.72%, 0.65%

LAB 84.32, -37.01, -7.9

 

CMYK 14 / 58 / 0 / 9

HEX #C762E7

RGB 199 98 231

HSL 285.56, 0.73%, 0.65%

LAB 58.65, 60.13, -50.65

 

CMYK 0 / 42 / 57 / 10

HEX #E68564

RGB 230 133 100

HSL 15.23, 0.72%, 0.65%

LAB 65.37, 34.05, 33.81

 

CMYK 42 / 0 / 57 / 10

HEX #85E664

RGB 133 230 100

HSL 104.77, 0.72%, 0.65%

LAB 83.18, -51.96, 53.64

 

CMYK 57 / 14 / 0 / 10

HEX #64C6E6

RGB 100 198 230

HSL 194.77, 0.72%, 0.65%

LAB 75.33, -19.82, -24.63

 

Description

Color code: RGB 199 98 231 | qconv.com Color code: RGB 199 98 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 98 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 98 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 58 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 58% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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