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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC62E2 it is the complementary color #339D1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC62E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC62E2 shade: #D162DD, #E274F0, #F386FF, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC62E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC62E2 shade: #CC62E2, #BB50CF, #AA3EBC, #992CA9 and #881A96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC62E2 shade: #CD64E3, #E364D6, #E364B4, #E36492 and #E36470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC62E2 shade: #CD64E3, #AB64E3, #8864E3, #6664E3 and #6464E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC62E2 shade matches the following richer shades: #CD64E3 and #D755F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC62E2 shade: #CD64E3, #C373D4, #B982C5, #B090B6 and #A69FA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC62E2 shade: #8864E3, #AA64E3, #CB64E3, #E364D8 and #E364B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC62E2 shade: #B126CE, #C141DC, #CD64E3, #D887E9 and #E3AAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC62E2 shade: #CC62E2, #E36664 and #64E399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC62E2 shade: #CC62E2, #E3CB64 and #64E3CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC62E2 shade: #CC62E2, #E36664, #7BE364 and #64E0E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC62E2 shade: #CC62E2, #E38C64, #7BE364 and #64BAE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 57 / 0 / 11

HEX #CC62E2

RGB 204 98 226

HSL 289.69, 0.69%, 0.64%

LAB 59.03, 60.41, -47.19

 

Complementary color

CMYK 68 / 0 / 82 / 38

HEX #339D1D

RGB 51 157 29

HSL 109.69, 0.69%, 0.36%

LAB 56.98, -52.79, 53.04

 

CMYK 5 / 56 / 0 / 13

HEX #D162DD

RGB 209 98 221

HSL 294.15, 0.64%, 0.63%

LAB 59.44, 60.76, -43.69

 

CMYK 6 / 52 / 0 / 6

HEX #E274F0

RGB 226 116 240

HSL 293.23, 0.81%, 0.7%

LAB 65.71, 60.22, -44.26

 

CMYK 5 / 47 / 0 / 0

HEX #F386FF

RGB 243 134 255

HSL 294.05, 1%, 0.76%

LAB 71.77, 58.85, -42.82

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 10 / 57 / 0 / 11

HEX #CC62E2

RGB 204 98 226

HSL 289.69, 0.69%, 0.64%

LAB 59.03, 60.41, -47.19

 

CMYK 10 / 61 / 0 / 19

HEX #BB50CF

RGB 187 80 207

HSL 290.55, 0.57%, 0.56%

LAB 52.74, 60.81, -46.56

 

CMYK 10 / 67 / 0 / 26

HEX #AA3EBC

RGB 170 62 188

HSL 291.43, 0.5%, 0.49%

LAB 46.47, 60.92, -45.71

 

CMYK 9 / 74 / 0 / 34

HEX #992CA9

RGB 153 44 169

HSL 292.32, 0.59%, 0.42%

LAB 40.31, 60.51, -44.5

 

CMYK 9 / 83 / 0 / 41

HEX #881A96

RGB 136 26 150

HSL 293.23, 0.7%, 0.35%

LAB 34.34, 59.23, -42.74

 

CMYK 10 / 56 / 0 / 11

HEX #CD64E3

RGB 205 100 227

HSL 289.61, 0.69%, 0.64%

LAB 59.56, 59.91, -46.91

 

CMYK 0 / 56 / 6 / 11

HEX #E364D6

RGB 227 100 214

HSL 306.14, 0.69%, 0.64%

LAB 61.91, 63.37, -35.71

 

CMYK 0 / 56 / 21 / 11

HEX #E364B4

RGB 227 100 180

HSL 322.2, 0.69%, 0.64%

LAB 60.55, 58.21, -18.5

 

CMYK 0 / 56 / 36 / 11

HEX #E36492

RGB 227 100 146

HSL 338.27, 0.69%, 0.64%

LAB 59.45, 53.86, -0.52

 

CMYK 0 / 56 / 51 / 11

HEX #E36470

RGB 227 100 112

HSL 354.33, 0.69%, 0.64%

LAB 58.62, 50.43, 18.07

 

CMYK 10 / 56 / 0 / 11

HEX #CD64E3

RGB 205 100 227

HSL 289.61, 0.69%, 0.64%

LAB 59.56, 59.91, -46.91

 

CMYK 25 / 56 / 0 / 11

HEX #AB64E3

RGB 171 100 227

HSL 273.54, 0.69%, 0.64%

LAB 55.4, 51.37, -53.78

 

CMYK 40 / 56 / 0 / 11

HEX #8864E3

RGB 136 100 227

HSL 257.01, 0.69%, 0.64%

LAB 51.72, 43.07, -59.88

 

CMYK 55 / 56 / 0 / 11

HEX #6664E3

RGB 102 100 227

HSL 240.94, 0.69%, 0.64%

LAB 48.87, 36, -64.63

 

CMYK 56 / 56 / 0 / 11

HEX #6464E3

RGB 100 100 227

HSL 240, 0.69%, 0.64%

LAB 48.72, 35.63, -64.86

 

CMYK 10 / 56 / 0 / 11

HEX #CD64E3

RGB 205 100 227

HSL 289.61, 0.69%, 0.64%

LAB 59.56, 59.91, -46.91

 

CMYK 11 / 65 / 0 / 5

HEX #D755F1

RGB 215 85 241

HSL 290, 0.85%, 0.64%

LAB 59.25, 71.47, -55.14

 

CMYK 10 / 56 / 0 / 11

HEX #CD64E3

RGB 205 100 227

HSL 289.61, 0.69%, 0.64%

LAB 59.56, 59.91, -46.91

 

CMYK 8 / 46 / 0 / 17

HEX #C373D4

RGB 195 115 212

HSL 289.48, 0.53%, 0.64%

LAB 60.44, 46.82, -37.19

 

CMYK 6 / 34 / 0 / 23

HEX #B982C5

RGB 185 130 197

HSL 289.25, 0.37%, 0.64%

LAB 61.92, 32.69, -26.53

 

CMYK 3 / 21 / 0 / 29

HEX #B090B6

RGB 176 144 182

HSL 290.53, 0.21%, 0.64%

LAB 63.8, 18.88, -15.29

 

CMYK 1 / 5 / 0 / 35

HEX #A69FA7

RGB 166 159 167

HSL 292.5, 0.04%, 0.64%

LAB 66.28, 4.04, -3.25

 

CMYK 40 / 56 / 0 / 11

HEX #8864E3

RGB 136 100 227

HSL 257.01, 0.69%, 0.64%

LAB 51.72, 43.07, -59.88

 

CMYK 25 / 56 / 0 / 11

HEX #AA64E3

RGB 170 100 227

HSL 273.07, 0.69%, 0.64%

LAB 55.28, 51.12, -53.97

 

CMYK 11 / 56 / 0 / 11

HEX #CB64E3

RGB 203 100 227

HSL 288.66, 0.69%, 0.64%

LAB 59.3, 59.41, -47.33

 

CMYK 0 / 56 / 5 / 11

HEX #E364D8

RGB 227 100 216

HSL 305.2, 0.69%, 0.64%

LAB 62, 63.7, -36.7

 

CMYK 0 / 56 / 20 / 11

HEX #E364B6

RGB 227 100 182

HSL 321.26, 0.69%, 0.64%

LAB 60.62, 58.49, -19.53

 

CMYK 14 / 82 / 0 / 19

HEX #B126CE

RGB 177 38 206

HSL 289.64, 0.69%, 0.48%

LAB 45.89, 73.52, -57.02

 

CMYK 12 / 70 / 0 / 14

HEX #C141DC

RGB 193 65 220

HSL 289.55, 0.69%, 0.56%

LAB 52.16, 70.64, -54.84

 

CMYK 10 / 56 / 0 / 11

HEX #CD64E3

RGB 205 100 227

HSL 289.61, 0.69%, 0.64%

LAB 59.56, 59.91, -46.91

 

CMYK 7 / 42 / 0 / 9

HEX #D887E9

RGB 216 135 233

HSL 289.59, 0.69%, 0.72%

LAB 67.88, 46.57, -37.09

 

CMYK 5 / 29 / 0 / 6

HEX #E3AAEF

RGB 227 170 239

HSL 289.57, 0.68%, 0.8%

LAB 76.87, 32.48, -26.4

 

CMYK 10 / 57 / 0 / 11

HEX #CC62E2

RGB 204 98 226

HSL 289.69, 0.69%, 0.64%

LAB 59.03, 60.41, -47.19

 

CMYK 0 / 55 / 56 / 11

HEX #E36664

RGB 227 102 100

HSL 0.94, 0.69%, 0.64%

LAB 58.75, 48.51, 25.17

 

CMYK 56 / 0 / 33 / 11

HEX #64E399

RGB 100 227 153

HSL 145.04, 0.69%, 0.64%

LAB 81.81, -51.72, 25.78

 

CMYK 10 / 57 / 0 / 11

HEX #CC62E2

RGB 204 98 226

HSL 289.69, 0.69%, 0.64%

LAB 59.03, 60.41, -47.19

 

CMYK 0 / 11 / 56 / 11

HEX #E3CB64

RGB 227 203 100

HSL 48.66, 0.69%, 0.64%

LAB 81.82, -4.13, 53.62

 

CMYK 56 / 0 / 11 / 11

HEX #64E3CB

RGB 100 227 203

HSL 168.66, 0.69%, 0.64%

LAB 82.89, -40.93, 1.1

 

CMYK 10 / 57 / 0 / 11

HEX #CC62E2

RGB 204 98 226

HSL 289.69, 0.69%, 0.64%

LAB 59.03, 60.41, -47.19

 

CMYK 0 / 55 / 56 / 11

HEX #E36664

RGB 227 102 100

HSL 0.94, 0.69%, 0.64%

LAB 58.75, 48.51, 25.17

 

CMYK 46 / 0 / 56 / 11

HEX #7BE364

RGB 123 227 100

HSL 109.13, 0.69%, 0.64%

LAB 81.88, -53.74, 52.01

 

CMYK 56 / 1 / 0 / 11

HEX #64E0E3

RGB 100 224 227

HSL 181.42, 0.69%, 0.64%

LAB 82.68, -33.43, -11.93

 

CMYK 10 / 57 / 0 / 11

HEX #CC62E2

RGB 204 98 226

HSL 289.69, 0.69%, 0.64%

LAB 59.03, 60.41, -47.19

 

CMYK 0 / 38 / 56 / 11

HEX #E38C64

RGB 227 140 100

HSL 18.9, 0.69%, 0.64%

LAB 66.53, 29.18, 35.18

 

CMYK 46 / 0 / 56 / 11

HEX #7BE364

RGB 123 227 100

HSL 109.13, 0.69%, 0.64%

LAB 81.88, -53.74, 52.01

 

CMYK 56 / 18 / 0 / 11

HEX #64BAE3

RGB 100 186 227

HSL 199.37, 0.69%, 0.64%

LAB 71.81, -14.46, -28.41

 

Description

Color code: HEX #CC62E2 | qconv.com Color code: HEX #CC62E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 98 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 98 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 57 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 57% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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