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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 57 89 it is the complementary color RGB 56 198 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 57 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 57 89: RGB 204 57 84, RGB 221 75 103, RGB 238 93 122, RGB 255 111 141 and RGB 255 129 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 57 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 57 89: RGB 199 57 89, RGB 182 39 70, RGB 165 21 51, RGB 148 3 32 and RGB 131 0 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

Complementary color

CMYK 72 / 0 / 16 / 22

HEX #38C6A6

RGB 56 198 166

HSL 166.48, 0.56%, 0.5%

LAB 72.22, -44.77, 5.3

 

CMYK 0 / 72 / 59 / 20

HEX #CC3954

RGB 204 57 84

HSL 348.98, 0.59%, 0.51%

LAB 47.5, 58.85, 19.01

 

CMYK 0 / 66 / 53 / 13

HEX #DD4B67

RGB 221 75 103

HSL 348.49, 0.68%, 0.58%

LAB 53.37, 58.65, 16.02

 

CMYK 0 / 61 / 49 / 7

HEX #EE5D7A

RGB 238 93 122

HSL 348, 0.81%, 0.65%

LAB 59.35, 58.11, 13.54

 

CMYK 0 / 56 / 45 / 0

HEX #FF6F8D

RGB 255 111 141

HSL 347.5, 1%, 0.72%

LAB 65.4, 57.38, 11.45

 

CMYK 0 / 49 / 37 / 0

HEX #FF81A0

RGB 255 129 160

HSL 345.24, 1%, 0.75%

LAB 69.11, 50.9, 5.98

 

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

CMYK 0 / 79 / 62 / 29

HEX #B62746

RGB 182 39 70

HSL 346.99, 0.65%, 0.43%

LAB 40.96, 57.35, 18.21

 

CMYK 0 / 87 / 69 / 35

HEX #A51533

RGB 165 21 51

HSL 347.5, 0.77%, 0.36%

LAB 35.55, 56.08, 22.6

 

CMYK 0 / 98 / 78 / 42

HEX #940320

RGB 148 3 32

HSL 348, 0.96%, 0.3%

LAB 30.56, 53.63, 27.9

 

CMYK 0 / 100 / 90 / 49

HEX #83000D

RGB 131 0 13

HSL 354.05, 1%, 0.26%

LAB 26.32, 49.1, 33.63

 

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

CMYK 0 / 72 / 67 / 22

HEX #C63841

RGB 198 56 65

HSL 356.2, 0.56%, 0.5%

LAB 45.93, 56.21, 28.27

 

CMYK 0 / 65 / 72 / 22

HEX #C64638

RGB 198 70 56

HSL 5.92, 0.56%, 0.5%

LAB 47.84, 50.19, 35.79

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 0 / 41 / 72 / 22

HEX #C67538

RGB 198 117 56

HSL 25.77, 0.56%, 0.5%

LAB 57.09, 26.76, 46.01

 

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

CMYK 0 / 71 / 55 / 2

HEX #FA4870

RGB 250 72 112

HSL 346.52, 0.95%, 0.63%

LAB 58.16, 69.08, 18.06

 

CMYK 0 / 72 / 54 / 82

HEX #2E0D15

RGB 46 13 21

HSL 345.45, 0.56%, 0.12%

LAB 8.33, 17.86, 2.73

 

CMYK 0 / 71 / 56 / 62

HEX #611C2B

RGB 97 28 43

HSL 346.96, 0.55%, 0.25%

LAB 22.11, 32.36, 7.64

 

CMYK 0 / 72 / 55 / 42

HEX #942A42

RGB 148 42 66

HSL 346.42, 0.56%, 0.37%

LAB 34.69, 45.71, 11.18

 

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

CMYK 0 / 2 / 72 / 22

HEX #C6C238

RGB 198 194 56

HSL 58.31, 0.56%, 0.5%

LAB 76.6, -14.44, 65.73

 

CMYK 72 / 26 / 0 / 22

HEX #3892C6

RGB 56 146 198

HSL 201.97, 0.56%, 0.5%

LAB 57.54, -9.49, -34.57

 

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

CMYK 55 / 0 / 72 / 22

HEX #59C638

RGB 89 198 56

HSL 106.06, 0.56%, 0.5%

LAB 71.42, -56.32, 58.47

 

CMYK 72 / 55 / 0 / 22

HEX #3859C6

RGB 56 89 198

HSL 226.06, 0.56%, 0.5%

LAB 41.32, 25.51, -60.41

 

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

CMYK 0 / 2 / 72 / 22

HEX #C6C238

RGB 198 194 56

HSL 58.31, 0.56%, 0.5%

LAB 76.6, -14.44, 65.73

 

CMYK 72 / 0 / 17 / 22

HEX #38C6A5

RGB 56 198 165

HSL 166.06, 0.56%, 0.5%

LAB 72.19, -45.02, 5.81

 

CMYK 72 / 70 / 0 / 22

HEX #383CC6

RGB 56 60 198

HSL 238.31, 0.56%, 0.5%

LAB 34.29, 43.71, -71.88

 

CMYK 0 / 71 / 55 / 22

HEX #C73959

RGB 199 57 89

HSL 346.48, 0.56%, 0.5%

LAB 46.7, 57.7, 14.71

 

CMYK 19 / 0 / 72 / 22

HEX #A0C638

RGB 160 198 56

HSL 76.06, 0.56%, 0.5%

LAB 74.92, -32.13, 63.13

 

CMYK 72 / 0 / 17 / 22

HEX #38C6A5

RGB 56 198 165

HSL 166.06, 0.56%, 0.5%

LAB 72.19, -45.02, 5.81

 

CMYK 53 / 72 / 0 / 22

HEX #5E38C6

RGB 94 56 198

HSL 256.06, 0.56%, 0.5%

LAB 36.53, 50.94, -68.1

 

Description

Color code: RGB 199 57 89 | qconv.com Color code: RGB 199 57 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 57 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 57 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 55 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 55% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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