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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 254 188 it is the complementary color RGB 56 1 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 254 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 254 188: RGB 204 254 183, RGB 221 255 202, RGB 238 255 221, RGB 255 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 254 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 254 188: RGB 199 254 188, RGB 182 236 169, RGB 165 218 150, RGB 148 200 131 and RGB 131 182 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

Complementary color

CMYK 16 / 99 / 0 / 74

HEX #380143

RGB 56 1 67

HSL 290, 0.97%, 0.13%

LAB 11.05, 35.12, -26.91

 

CMYK 20 / 0 / 28 / 0

HEX #CCFEB7

RGB 204 254 183

HSL 102.25, 0.97%, 0.86%

LAB 94.8, -28.44, 28.92

 

CMYK 13 / 0 / 21 / 0

HEX #DDFFCA

RGB 221 255 202

HSL 98.49, 1%, 0.9%

LAB 96.47, -20.23, 21.76

 

CMYK 7 / 0 / 13 / 0

HEX #EEFFDD

RGB 238 255 221

HSL 90, 1%, 0.93%

LAB 98, -11.42, 14.37

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

CMYK 23 / 0 / 28 / 7

HEX #B6ECA9

RGB 182 236 169

HSL 108.36, 0.64%, 0.79%

LAB 88.35, -29.51, 27.06

 

CMYK 24 / 0 / 31 / 15

HEX #A5DA96

RGB 165 218 150

HSL 106.76, 0.48%, 0.72%

LAB 82.02, -29.69, 28.11

 

CMYK 26 / 0 / 35 / 22

HEX #94C883

RGB 148 200 131

HSL 105.22, 0.39%, 0.65%

LAB 75.6, -29.87, 29.21

 

CMYK 28 / 0 / 38 / 29

HEX #83B670

RGB 131 182 112

HSL 103.71, 0.32%, 0.58%

LAB 69.08, -30.05, 30.37

 

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

CMYK 26 / 0 / 26 / 0

HEX #BDFEBD

RGB 189 254 189

HSL 120, 0.97%, 0.87%

LAB 94.05, -32.44, 24.71

 

CMYK 26 / 0 / 21 / 0

HEX #BDFEC8

RGB 189 254 200

HSL 130.15, 0.97%, 0.87%

LAB 94.26, -30.59, 19.4

 

CMYK 26 / 0 / 17 / 0

HEX #BDFED3

RGB 189 254 211

HSL 140.31, 0.97%, 0.87%

LAB 94.49, -28.63, 14.09

 

CMYK 26 / 0 / 13 / 0

HEX #BDFEDD

RGB 189 254 221

HSL 149.54, 0.97%, 0.87%

LAB 94.71, -26.77, 9.26

 

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

CMYK 22 / 0 / 26 / 80

HEX #273225

RGB 39 50 37

HSL 110.77, 0.15%, 0.17%

LAB 19.42, -7.8, 6.77

 

CMYK 22 / 0 / 26 / 60

HEX #4F654B

RGB 79 101 75

HSL 110.77, 0.15%, 0.35%

LAB 40.37, -13.85, 12.09

 

CMYK 22 / 0 / 26 / 40

HEX #779871

RGB 119 152 113

HSL 110.77, 0.16%, 0.52%

LAB 59.5, -19.29, 16.87

 

CMYK 22 / 0 / 26 / 20

HEX #9FCB96

RGB 159 203 150

HSL 109.81, 0.34%, 0.69%

LAB 77.45, -24.53, 21.84

 

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

CMYK 26 / 1 / 0 / 0

HEX #BDFBFE

RGB 189 251 254

HSL 182.77, 0.97%, 0.87%

LAB 94.73, -18.59, -7.74

 

CMYK 0 / 26 / 11 / 0

HEX #FEBDE2

RGB 254 189 226

HSL 325.85, 0.97%, 0.87%

LAB 83.42, 28.94, -9.26

 

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

CMYK 26 / 21 / 0 / 0

HEX #BDC8FE

RGB 189 200 254

HSL 229.85, 0.97%, 0.87%

LAB 81.45, 7.76, -27.73

 

CMYK 0 / 26 / 21 / 0

HEX #FEBDC8

RGB 254 189 200

HSL 349.85, 0.97%, 0.87%

LAB 82.72, 24.93, 3.66

 

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

CMYK 26 / 1 / 0 / 0

HEX #BDFBFE

RGB 189 251 254

HSL 182.77, 0.97%, 0.87%

LAB 94.73, -18.59, -7.74

 

CMYK 4 / 26 / 0 / 0

HEX #F3BDFE

RGB 243 189 254

HSL 289.85, 0.97%, 0.87%

LAB 83.23, 30.26, -24.6

 

CMYK 0 / 25 / 26 / 0

HEX #FEBFBD

RGB 254 191 189

HSL 1.85, 0.97%, 0.87%

LAB 82.92, 22.33, 9.84

 

CMYK 22 / 0 / 26 / 0

HEX #C7FEBC

RGB 199 254 188

HSL 110, 0.97%, 0.87%

LAB 94.59, -29.34, 26.06

 

CMYK 26 / 9 / 0 / 0

HEX #BDE8FE

RGB 189 232 254

HSL 200.31, 0.97%, 0.87%

LAB 89.71, -9.06, -15.21

 

CMYK 4 / 26 / 0 / 0

HEX #F3BDFE

RGB 243 189 254

HSL 289.85, 0.97%, 0.87%

LAB 83.23, 30.26, -24.6

 

CMYK 0 / 17 / 26 / 0

HEX #FED3BD

RGB 254 211 189

HSL 20.31, 0.97%, 0.87%

LAB 87.65, 11.88, 16.53

 

Description

Color code: RGB 199 254 188 | qconv.com Color code: RGB 199 254 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 254 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 254 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 26 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 26% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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