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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 233 216 it is the complementary color RGB 56 22 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 233 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 233 216: RGB 204 233 211, RGB 221 251 230, RGB 238 255 249, RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 233 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 233 216: RGB 199 233 216, RGB 182 215 197, RGB 165 197 178, RGB 148 179 159 and RGB 131 161 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

Complementary color

CMYK 0 / 61 / 30 / 78

HEX #381627

RGB 56 22 39

HSL 330, 0.44%, 0.15%

LAB 12.99, 19.32, -3.65

 

CMYK 12 / 0 / 9 / 9

HEX #CCE9D3

RGB 204 233 211

HSL 134.48, 0.4%, 0.86%

LAB 89.77, -13.61, 7.49

 

CMYK 12 / 0 / 8 / 2

HEX #DDFBE6

RGB 221 251 230

HSL 138, 0.79%, 0.93%

LAB 96.03, -13.57, 6.78

 

CMYK 7 / 0 / 2 / 0

HEX #EEFFF9

RGB 238 255 249

HSL 158.82, 1%, 0.97%

LAB 98.65, -6.62, 0.95

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

CMYK 15 / 0 / 8 / 16

HEX #B6D7C5

RGB 182 215 197

HSL 147.27, 0.29%, 0.78%

LAB 83.22, -14.4, 5.23

 

CMYK 16 / 0 / 10 / 23

HEX #A5C5B2

RGB 165 197 178

HSL 144.38, 0.22%, 0.71%

LAB 76.77, -14.48, 5.95

 

CMYK 17 / 0 / 11 / 30

HEX #94B39F

RGB 148 179 159

HSL 141.29, 0.17%, 0.64%

LAB 70.2, -14.59, 6.71

 

CMYK 19 / 0 / 13 / 37

HEX #83A18C

RGB 131 161 140

HSL 138, 0.14%, 0.57%

LAB 63.51, -14.71, 7.51

 

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

CMYK 15 / 0 / 5 / 9

HEX #C7E9DE

RGB 199 233 222

HSL 160.59, 0.44%, 0.85%

LAB 89.72, -13.19, 1.62

 

CMYK 15 / 0 / 3 / 9

HEX #C7E9E3

RGB 199 233 227

HSL 169.41, 0.44%, 0.85%

LAB 89.84, -12.22, -0.82

 

CMYK 15 / 0 / 0 / 9

HEX #C7E9E9

RGB 199 233 233

HSL 180, 0.44%, 0.85%

LAB 90, -11.02, -3.73

 

CMYK 15 / 3 / 0 / 9

HEX #C7E3E9

RGB 199 227 233

HSL 190.59, 0.44%, 0.85%

LAB 88.43, -7.97, -6.04

 

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

CMYK 14 / 0 / 7 / 89

HEX #191D1B

RGB 25 29 27

HSL 150, 0.07%, 0.11%

LAB 10.29, -2.4, 0.74

 

CMYK 15 / 0 / 7 / 69

HEX #44504A

RGB 68 80 74

HSL 150, 0.08%, 0.29%

LAB 32.83, -6.14, 1.93

 

CMYK 15 / 0 / 8 / 49

HEX #708379

RGB 112 131 121

HSL 148.42, 0.08%, 0.48%

LAB 53.01, -9.02, 3.08

 

CMYK 15 / 0 / 7 / 29

HEX #9BB6A9

RGB 155 182 169

HSL 151.11, 0.16%, 0.66%

LAB 71.75, -11.82, 3.52

 

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

CMYK 15 / 10 / 0 / 9

HEX #C7D2E9

RGB 199 210 233

HSL 220.59, 0.44%, 0.85%

LAB 84.03, 0.86, -12.58

 

CMYK 0 / 13 / 15 / 9

HEX #E9CBC7

RGB 233 203 199

HSL 7.06, 0.44%, 0.85%

LAB 84.05, 9.88, 5.86

 

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

CMYK 7 / 15 / 0 / 9

HEX #D8C7E9

RGB 216 199 233

HSL 270, 0.44%, 0.85%

LAB 82.56, 12.18, -14.65

 

CMYK 0 / 7 / 15 / 9

HEX #E9D8C7

RGB 233 216 199

HSL 30, 0.44%, 0.85%

LAB 87.27, 3.09, 10.48

 

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

CMYK 15 / 10 / 0 / 9

HEX #C7D2E9

RGB 199 210 233

HSL 220.59, 0.44%, 0.85%

LAB 84.03, 0.86, -12.58

 

CMYK 0 / 15 / 7 / 9

HEX #E9C7D8

RGB 233 199 216

HSL 330, 0.44%, 0.85%

LAB 83.51, 14.78, -3.99

 

CMYK 0 / 4 / 15 / 9

HEX #E9DFC7

RGB 233 223 199

HSL 42.35, 0.44%, 0.85%

LAB 89.03, -0.53, 12.98

 

CMYK 15 / 0 / 7 / 9

HEX #C7E9D8

RGB 199 233 216

HSL 150, 0.44%, 0.85%

LAB 89.57, -14.33, 4.54

 

CMYK 15 / 15 / 0 / 9

HEX #C7C7E9

RGB 199 199 233

HSL 240, 0.44%, 0.85%

LAB 81.22, 6.7, -16.79

 

CMYK 0 / 15 / 7 / 9

HEX #E9C7D8

RGB 233 199 216

HSL 330, 0.44%, 0.85%

LAB 83.51, 14.78, -3.99

 

CMYK 0 / 0 / 15 / 9

HEX #E9E9C7

RGB 233 233 199

HSL 60, 0.44%, 0.85%

LAB 91.56, -5.62, 16.56

 

Description

Color code: RGB 199 233 216 | qconv.com Color code: RGB 199 233 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 233 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 233 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 7 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 7% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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