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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 200 93 it is the complementary color RGB 56 55 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 200 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 200 93: RGB 204 200 88, RGB 221 218 107, RGB 238 236 126, RGB 255 254 145 and RGB 255 255 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 200 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 200 93: RGB 199 200 93, RGB 182 182 74, RGB 165 164 55, RGB 148 146 36 and RGB 131 128 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

Complementary color

CMYK 65 / 66 / 0 / 36

HEX #3837A2

RGB 56 55 162

HSL 240.56, 0.49%, 0.43%

LAB 29.87, 34.49, -57.76

 

CMYK 0 / 2 / 57 / 20

HEX #CCC858

RGB 204 200 88

HSL 57.93, 0.53%, 0.57%

LAB 78.96, -13.01, 55.34

 

CMYK 0 / 1 / 52 / 13

HEX #DDDA6B

RGB 221 218 107

HSL 58.42, 0.63%, 0.64%

LAB 85.29, -13.61, 54.28

 

CMYK 0 / 1 / 47 / 7

HEX #EEEC7E

RGB 238 236 126

HSL 58.93, 0.77%, 0.71%

LAB 91.54, -14.11, 53.16

 

CMYK 0 / 0 / 43 / 0

HEX #FFFE91

RGB 255 254 145

HSL 59.45, 1%, 0.78%

LAB 97.71, -14.53, 52.03

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

CMYK 0 / 0 / 59 / 29

HEX #B6B64A

RGB 182 182 74

HSL 60, 0.43%, 0.5%

LAB 72.16, -14.07, 53.55

 

CMYK 0 / 1 / 67 / 35

HEX #A5A437

RGB 165 164 55

HSL 59.45, 0.5%, 0.43%

LAB 65.61, -13.32, 54.3

 

CMYK 0 / 1 / 76 / 42

HEX #949224

RGB 148 146 36

HSL 58.93, 0.61%, 0.36%

LAB 58.96, -12.37, 54.53

 

CMYK 0 / 2 / 87 / 49

HEX #838011

RGB 131 128 17

HSL 58.42, 0.77%, 0.29%

LAB 52.18, -11.17, 53.69

 

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

CMYK 9 / 0 / 54 / 22

HEX #B5C75B

RGB 181 199 91

HSL 70, 0.49%, 0.57%

LAB 76.94, -21.67, 51.2

 

CMYK 18 / 0 / 54 / 22

HEX #A3C75B

RGB 163 199 91

HSL 80, 0.49%, 0.57%

LAB 75.69, -28.78, 49.44

 

CMYK 27 / 0 / 54 / 22

HEX #91C75B

RGB 145 199 91

HSL 90, 0.49%, 0.57%

LAB 74.59, -35.56, 47.86

 

CMYK 36 / 0 / 54 / 22

HEX #7FC75B

RGB 127 199 91

HSL 100, 0.49%, 0.57%

LAB 73.62, -41.88, 46.48

 

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

CMYK 0 / 0 / 53 / 2

HEX #FAFB75

RGB 250 251 117

HSL 60.45, 0.94%, 0.72%

LAB 96.25, -17.44, 63.02

 

CMYK 0 / 0 / 53 / 82

HEX #2F2F16

RGB 47 47 22

HSL 60, 0.36%, 0.14%

LAB 18.78, -4.59, 16

 

CMYK 0 / 0 / 53 / 62

HEX #62622E

RGB 98 98 46

HSL 60, 0.36%, 0.28%

LAB 40.46, -8.12, 29.29

 

CMYK 1 / 0 / 54 / 42

HEX #949545

RGB 148 149 69

HSL 60.75, 0.37%, 0.43%

LAB 60.09, -11.78, 41.52

 

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

CMYK 54 / 0 / 43 / 22

HEX #5BC771

RGB 91 199 113

HSL 132.22, 0.49%, 0.57%

LAB 72.4, -49.48, 33.82

 

CMYK 22 / 54 / 0 / 22

HEX #9C5BC7

RGB 156 91 199

HSL 276.11, 0.49%, 0.57%

LAB 50.3, 45.95, -46.09

 

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

CMYK 54 / 0 / 0 / 22

HEX #5BC7C7

RGB 91 199 199

HSL 180, 0.49%, 0.57%

LAB 74.31, -30.74, -9.43

 

CMYK 0 / 54 / 0 / 22

HEX #C75BC7

RGB 199 91 199

HSL 300, 0.49%, 0.57%

LAB 55.83, 57.42, -36.99

 

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

CMYK 54 / 0 / 43 / 22

HEX #5BC771

RGB 91 199 113

HSL 132.22, 0.49%, 0.57%

LAB 72.4, -49.48, 33.82

 

CMYK 54 / 54 / 0 / 22

HEX #5B5BC7

RGB 91 91 199

HSL 240, 0.49%, 0.57%

LAB 43.99, 30.49, -56.56

 

CMYK 0 / 54 / 11 / 22

HEX #C75BB1

RGB 199 91 177

HSL 312.22, 0.49%, 0.57%

LAB 54.86, 53.72, -25.84

 

CMYK 0 / 0 / 54 / 22

HEX #C7C85D

RGB 199 200 93

HSL 60.56, 0.49%, 0.57%

LAB 78.6, -14.68, 52.55

 

CMYK 54 / 0 / 27 / 22

HEX #5BC791

RGB 91 199 145

HSL 150, 0.49%, 0.57%

LAB 72.97, -43.62, 17.81

 

CMYK 54 / 54 / 0 / 22

HEX #5B5BC7

RGB 91 91 199

HSL 240, 0.49%, 0.57%

LAB 43.99, 30.49, -56.56

 

CMYK 0 / 54 / 27 / 22

HEX #C75B91

RGB 199 91 145

HSL 330, 0.49%, 0.57%

LAB 53.67, 48.98, -8.94

 

Description

Color code: RGB 199 200 93 | qconv.com Color code: RGB 199 200 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 200 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 200 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 54 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 54% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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