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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 188 33 it is the complementary color RGB 56 67 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 188 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 188 33: RGB 204 188 28, RGB 221 206 47, RGB 238 224 66, RGB 255 242 85 and RGB 255 255 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 188 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 188 33: RGB 199 188 33, RGB 182 170 14, RGB 165 152 0, RGB 148 134 0 and RGB 131 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

Complementary color

CMYK 75 / 70 / 0 / 13

HEX #3843DE

RGB 56 67 222

HSL 236.02, 0.72%, 0.55%

LAB 38.07, 47.66, -79.53

 

CMYK 0 / 8 / 86 / 20

HEX #CCBC1C

RGB 204 188 28

HSL 54.55, 0.76%, 0.45%

LAB 75.38, -9.77, 72.88

 

CMYK 0 / 7 / 79 / 13

HEX #DDCE2F

RGB 221 206 47

HSL 54.83, 0.72%, 0.53%

LAB 81.69, -11.07, 74.01

 

CMYK 0 / 6 / 72 / 7

HEX #EEE042

RGB 238 224 66

HSL 55.12, 0.83%, 0.6%

LAB 87.91, -12.18, 74.25

 

CMYK 0 / 5 / 67 / 0

HEX #FFF255

RGB 255 242 85

HSL 55.41, 1%, 0.67%

LAB 94.06, -13.13, 73.94

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

CMYK 0 / 7 / 92 / 29

HEX #B6AA0E

RGB 182 170 14

HSL 55.71, 0.86%, 0.38%

LAB 68.55, -10.4, 69.2

 

CMYK 0 / 8 / 100 / 35

HEX #A59800

RGB 165 152 0

HSL 55.27, 1%, 0.32%

LAB 62.05, -8.76, 65.57

 

CMYK 0 / 9 / 100 / 42

HEX #948600

RGB 148 134 0

HSL 54.32, 1%, 0.29%

LAB 55.43, -6.87, 60.09

 

CMYK 0 / 11 / 100 / 49

HEX #837400

RGB 131 116 0

HSL 53.13, 1%, 0.26%

LAB 48.66, -4.9, 54.48

 

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

CMYK 9 / 0 / 84 / 23

HEX #B4C520

RGB 180 197 32

HSL 66.18, 0.72%, 0.45%

LAB 75.91, -24.46, 71.64

 

CMYK 22 / 0 / 84 / 23

HEX #99C520

RGB 153 197 32

HSL 76, 0.72%, 0.45%

LAB 74.07, -35.51, 69.33

 

CMYK 37 / 0 / 84 / 23

HEX #7DC520

RGB 125 197 32

HSL 86.18, 0.72%, 0.45%

LAB 72.49, -46.05, 67.35

 

CMYK 50 / 0 / 84 / 23

HEX #62C520

RGB 98 197 32

HSL 96, 0.72%, 0.45%

LAB 71.31, -54.83, 65.85

 

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

CMYK 0 / 6 / 84 / 2

HEX #FAEC29

RGB 250 236 41

HSL 55.98, 0.95%, 0.57%

LAB 91.9, -13.93, 85.2

 

CMYK 0 / 7 / 83 / 82

HEX #2E2B08

RGB 46 43 8

HSL 55.26, 0.7%, 0.11%

LAB 17.11, -3.9, 21.33

 

CMYK 0 / 5 / 84 / 62

HEX #615C10

RGB 97 92 16

HSL 56.3, 0.72%, 0.22%

LAB 38.26, -7.24, 40.79

 

CMYK 0 / 5 / 83 / 42

HEX #948C19

RGB 148 140 25

HSL 56.1, 0.71%, 0.34%

LAB 57.19, -9.59, 56.43

 

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

CMYK 84 / 0 / 73 / 23

HEX #20C536

RGB 32 197 54

HSL 128, 0.72%, 0.45%

LAB 69.83, -66.59, 57.18

 

CMYK 39 / 84 / 0 / 23

HEX #7820C5

RGB 120 32 197

HSL 272, 0.72%, 0.45%

LAB 36.09, 64.39, -68.1

 

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

CMYK 84 / 0 / 6 / 23

HEX #20C5BA

RGB 32 197 186

HSL 176, 0.72%, 0.45%

LAB 72.08, -41.43, -5.81

 

CMYK 6 / 84 / 0 / 23

HEX #BA20C5

RGB 186 32 197

HSL 296, 0.72%, 0.45%

LAB 46.32, 74.99, -51.05

 

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

CMYK 84 / 0 / 73 / 23

HEX #20C536

RGB 32 197 54

HSL 128, 0.72%, 0.45%

LAB 69.83, -66.59, 57.18

 

CMYK 84 / 78 / 0 / 23

HEX #202BC5

RGB 32 43 197

HSL 236, 0.72%, 0.45%

LAB 29.58, 51.11, -79.12

 

CMYK 0 / 84 / 11 / 23

HEX #C520AF

RGB 197 32 175

HSL 308, 0.72%, 0.45%

LAB 46.97, 73.77, -37.01

 

CMYK 0 / 6 / 83 / 22

HEX #C7BC21

RGB 199 188 33

HSL 56.02, 0.72%, 0.45%

LAB 74.96, -11.81, 71.21

 

CMYK 84 / 0 / 48 / 23

HEX #20C567

RGB 32 197 103

HSL 145.82, 0.72%, 0.45%

LAB 70.33, -60.48, 35.96

 

CMYK 84 / 78 / 0 / 23

HEX #202BC5

RGB 32 43 197

HSL 236, 0.72%, 0.45%

LAB 29.58, 51.11, -79.12

 

CMYK 0 / 84 / 37 / 23

HEX #C5207D

RGB 197 32 125

HSL 326.18, 0.72%, 0.45%

LAB 44.78, 67.69, -10.29

 

Description

Color code: RGB 199 188 33 | qconv.com Color code: RGB 199 188 33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 188 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 188 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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